Category Archives: Military

Lincoln (2012)

From NetFlix:

Director Steven Spielberg takes on the towering legacy of Abraham Lincoln, focusing on his stewardship of the Union during the Civil War years. The biographical saga also reveals the conflicts within Lincoln’s cabinet regarding the war and abolition.

As soon as the film started I knew this was directed by Steven Spielberg even though I hadn’t realized that before the film started. How could I possibly criticize the work of a great director? However, taking advantage of my American freedom of speech I cannot fail to notice that his films are: long (this one logs in at two hours and thirty minutes), grandiose, possibly long-winded, and wear their hearts on their sleeves (dare I say “corny”?).

Once you get past that first scene in which black union soldiers personally berate Lincoln for the U.S. military discrimination against black soldiers and then walk away reciting by heart Lincoln’s Gettysburg Address (honestly, I am not joking), then you will begin to realize that this film concerns almost exclusively the passage of the Thirteenth Amendment which abolished slavery.

Please read the rather long Wikipedia article which talks about Doris Kearns Goodwin and her wonderful book “Team of Rivals” which was the inspiration for the film. In fact you might want to read “Team of Rivals” which my wife Kathy read twice and still talks about. You might then appreciate more all those scenes of roundtable meetings with Lincoln talking to (arguing with ?, confronting ?) groups of importantly-dressed men. Lincoln cleverly surrounded himself with men who were not only his rivals but were adversaries with their other cabinet members. That is the point of “Team of Rivals”.

Listen to the language these politicians used. Although it may seem flowery, that is how educated people back then actually spoke. Words were important then as opposed to our current twitter-dumb manner of speaking.

At first I squirmed and then settled down to watch 2.5 hours that really zoomed by. As an capsule introduction to Lincoln and his times this film is worth watching.

The Sum of all Fears (2002)

From NetFlix:

Why are three missing Russian nuclear scientists holed up in the Ukraine, communicating with neo-Nazis? CIA agent Jack Ryan (Ben Affleck) digs up more information than the U.S. government is willing to accept. As bombs kill thousands in Chechnya and the U.S., Ryan races against time to prevent all-out nuclear war. Based on the novel by Tom Clancy, this high-intensity technothriller co-stars Morgan Freeman.

Apologies to Tom Clancy, but “ho hum, yawn yawn” – we have seen such a film many times before. Still, a plot to deceive the U.S. and Russia to engage each other in nuclear war has possibilities. What is amazing is that Jack Ryan (Ben Affleck) walks on water: he speaks Russian and Ukrainian; he is a Soviet expert; he is personal friends with the current head of Russia; and to top it all he is young and handsome. Darn!

And what fun planting a nuclear bomb in a full football stadium! Seeing a photo enactment of a nuclear bomb explosion and the resulting shock wave is impressive. Needless to say our superhero survives what the shock wave does to the helicopter he is flying (Oh, did I forget to mention he knows how to fly a helicopter?)

Except for the exciting fact that the wonderful city of Baltimore is mentioned often, I will say no more. Either watch this film or take a healthy walk outside.

The Bubble (2006)

From NetFlix:

When a young Israeli named Noam (Ohad Knoller) falls for a handsome Palestinian (Yousef “Joe” Sweid) he meets while working at a checkpoint in Tel Aviv, he recruits his roommates Yelli (Alon Friedman) and Lulu (Daniela Virtzer) to help find a way for the two to stay together. Director Eytan Fox’s poignant film offers a glimpse at life inside the tumultuous borders of Israel, where everyday people are constantly surrounded by conflict.

Two themes run concurrently throughout this film: The difficulty of being gay in the Arab world (Israel is very accepting) and the constant wearying and dangerous conflict between Jews And Arabs.

Previously I reviewed Yossi and Jagger which was written and directed by Etan Fox. Ohad Knoller who was the lead actor in that film is also the lead Jewish character in “The Bubble”. He again plays a Gay Jew who this time falls in love with a Gay Arab named Ashraf. Arab culture is strongly homophobic so that Ashraf’s life becomes not only difficult but dangerous. Much film footage is devoted to the perilous border crossing where several sad scenes are enacted.

Realize that the cast of characters are young adults and as such spend their time talking about romances and popular music. But the entire film rings true as it portrays the lives of young single (and mostly Gay) Jews most of whom are tired of and against the unending war.

WARNING: In the film Gays exchange much same-sex kissing. Additionally there is one explicit scene in which the two male leads engage in anal intercourse.

For Ashraf the situation seems hopeless (for further reasons as the film develops) and this hopelessness leads to a surprising but possible fitting conclusion. Comments welcome.

Hebrew and Arabic with English subtitles.

Yossi and Jagger (2002)

From NetFlix:

Two Israeli soldiers try to find solace from the constant grind of war in this moving romantic drama. While preparing for a daring moonlit ambush in the snowy mountains of Lebanon, company commander Yossi (Ohad Knoller) and his platoon leader, Jagger (Yehuda Levi), fall in love, carefully hiding their relationship from their comrades. But will the tragedy of war ultimately intrude upon the men’s clandestine affair?

In the New York Times appeared a discussion of the Israeli director Etan Fox and his work over the years which is best summarized with this quote from IMDB:

What is it like to be young in Israel, particularly in the “bubble” called Tel-Aviv? How can you be gay in this country, even in the macho Army named Tzahal? How can you fall in love in a tiny tension-filled country? Can you consider the Palestinians as friends rather than enemies? All these are questions raised by Eytan Fox’s films and TV films…

If you have not yet seen his Walk on Water then you have a treat coming.

If nothing else this film affords us a glimpse into the daily lives of Israeli soldiers. Moreover it avoids the usual gay film clichés. Nothing more than kisses occur on screen.

Homeland (2011)

From NetFlix:

When Sgt. Nicholas Brody, an American prisoner of war, returns home after eight years of captivity, frantic CIA agent Carrie Anderson suspects the Marine of having been turned into an Al Qaeda terrorist in this espionage drama from Showtime.

At the urging of a neighbor, I have started watching season 1 of “Homeland”. For months the title sat at the top of my NetFlix queue before it finally arrived. This TV series deserves to be so popular.

Part terrorist film, part treatment of family problems of a Marine returning from Afghanistan, this film is hard to stop watching. Acting is excellent. Expect a lot of surprise twists.

If Claire Danes (who plays Carrie Mathison) was not well known before this TV series, she will certainly make her mark with this work. She plays an FBI agent looking for a terrorist while taking medicine to combat her manic depression.

Damian Lewis (who plays Nicholas Brody) is actually British. His American accent is flawless. You might remember him as Soames Forsyte in the British TV series “The Forsyte Saga”.

Morena Baccarin (who plays the wife Jessica Brody) first came to my attention as the alien queen of the remake of the TV series “V”.

Currently only season 1 is available on DVD because season 2 is now playing. Because the story is so intriguing you won’t forget season 1 while you wait for season 2.

DON’T MISS THIS TV SERIES!

Machine Gun Preacher (2011)

From NetFlix:

Gerard Butler stars in this true-life story of Sam Childers, a drug dealer who turns his life around to become a spiritual warrior. His mission? Rescuing child soldiers in the Sudan from lives ruined by their forced participation in bloody conflict.

Before starting to watch this film I expected to watch part and then stop because Gerard Butler is not the star of the drama world. However, in portraying the real-life and still very active Sam Childers, Gerard Butler found for himself his perfect role. Granted the macho war scenes might be over the top Hollywood or (given the horrors inflicted on Ugandan and Sudan by the psychotic monster Joseph Kony who is at the present being hunted by UN forces) might just be what must really happen to protect the children. Butler convincingly lets his work bring him to a boiling cauldron of angry hate that nearly destroys his church, business, and family. His subsequent return to a more balanced approach to his even now continuing work is cleverly connected with the very first scene of the film (but no spoiler in this review!).

One other actor that you might recognize is Michael Shannon who plays Childers’ best friend Donnie. Shannon did an outstanding job in the film Take Shelter (2011).

Be sure to watch the closing credits because a side bar shows many photos of the real Sam Childers, his family, and his work in South Sudan.

War Horse (2011)

From NetFlix:

Adapted from a novel by Michael Morpurgo, this majestic World War I drama centers on Devon lad Albert and his steadfast horse, Joey, whose faithful bond cannot be shaken — even when Joey is sold to the cavalry and sent off to France.

Initially I did not know who directed this film. But it does not take long to figure out: What director loves schmaltz? What director lingers a really long time on many of his shots? What director is one of the few remaining directors that use full, romantic, orchestral music (and that part I love!)? What director just does not know when to end the film? Answer: Steven the Spielberg. But at least he is consistent.

Kids will love this beginning-middle-end story where subtlety is not allowed. Who could fail to love a horse with a lion’s courageous heart? Who could fail to love a kid who stays out in a storm to plow his crippled fathers’ field? Who could fail to love a WWI battle scene in which a Brit and a German cooperate mid-battlefield to extricate our hero horse from his entanglement in barbed wire? Need I go on?

Let us honor the reuse of that unforgettable scene from “Gone With the Wind” in which the darkened human figures are outlined in silhouette against a blazing crimson sky.

Don’t forget to read British author Michael Morpurgo’s 1982 children’s novel of the same name. Don’t forget to see the stage play version by Nick Stafford (which uses horse puppets) done in 2007.

Finally, ignore all my snobbish remarks because in fact I could not stop watching this beautifully filmed story.

Coriolanus (2011)

From NetFlix:

Actor Ralph Fiennes makes his directorial debut with this modern update of Shakespeare’s tale about the arrogant general who is banished by the republic he has protected at all costs, provoking him to ally with former foes and wreck a bloody revenge.

Purists may be displeased with this modern adaptation, but then there is no pleasing those literary Luddites. “Modern” here means current soldier’s uniforms and weapons. However, the text is a subset of the Shakespeare original. Sometimes an obsolete word has been changed to a word that we can understand. Nothing is lost from the essence of the story.

Vocal delivery is crisp for the most part. However, Gerard Butler is just not trained for Shakespeare. His delivery is not as clear as the other actors and he uses a soft Scottish accent, perhaps trying to be seem different as one of the Volces or Volscians.

Vanessa Redgrave, who plays Volumnia (the mother of Coriolanus), was 74 during the filming. Making no effort to disguise her age, she is soft-spoken but forceful.

William Shakespeare (1564-1616) wrote Coriolanus in 1607. Coriolanus, the character, has been called perverse as a brave general who so despised the common Roman that when called upon to be a Consul because of his heroic stance in battle, he joined the other side (the Volces). Possibly because of this unusual plot the play has never been as popular as his other plays.

Two hours of film intended for staunch Shakespeare fans.

In the Land of Blood and Honey (2011)

From NetFlix:

Danijel, a Bosnian Serb soldier serving under his father’s command, reunites with Ajla, a Bosnian Muslim woman he was involved with before the war, when she is captured by his camp and forced to work as a sex slave.

Most wars are not one-sided. Of course, there are exceptions: the Nazi Holocaust was one-sided. Behind the Serbian slaughter of the Bosnians are many years of conflicts and offenses on both sides. History is not the point here, but rather the review of a film.

Angelina Jolie has done a marvelous job creating an engrossing view of the war as seen from the side of the Serb killers while maintaining a clever ambivalence in the experience of Danijel. Danijel’s relation with his fanatic warrior father and Ajla, his Muslim lover, make for a difficult contrast. He is so torn between both loyalties that he finds himself trapped in personal conflict.

You are hereby warned that this is, to say the least, a difficult film to watch. If you are the slightest bit squeamish, DO NOT SEE THIS FILM! You will encounter nudity, many rapes (one of the principle Serbian weapons), and Serbian sadism.

For this film to have a satisfying end would be impossible.

There Be Dragons (2011)

From NetFlix:

Roland Joffé directs this epic tale of love and betrayal set during the Spanish Civil War. When a present-day journalist (Dougray Scott) investigates Opus Dei founder Josemaría Escrivá (Charlie Cox), he uncovers a surprising link to his own father, Manolo (Wes Bentley). Manolo and Josemaría were childhood friends who followed different paths when the war broke out. Josemaría pursued his faith, while Manolo joined the rebels to fight Franco.

Centering around Josemaría Escrivá, the founder of Opus Dei, this Catholic melodrama (give it a B+) has as its background the Spanish Civil War.

Opus Dei (for those of you who are not familiar) is an ultra-conservative Catholic organization that is much maligned in fiction such as “The Da Vinci Code”. Whether or not Opus Dei is beyond the fringe really does not matter in the film. But just remember that Franco was supported by an ultra-conservative Catholic hierarchy. Indeed the film does not take sides, but suggests that there were enough abuses and neglect by that Catholic hierarchy to spark rebellion. Scenes in which Josemaría is seen flogging himself only suggest not untypical Spanish extremism. Spaniards seem genetically unable to see the color grey.

As melodramas go, someone spent a lot of money putting this epic together. Could be worse.