Oscar winner Russell Crowe is Maximus, whom Roman emperor Marcus Aurelius (Richard Harris) had picked to succeed him. But Marcus’s son Commodus (Joaquin Phoenix) snatches the throne, ordering Maximus dead. Instead, he’s enslaved and learns to be a skilled fighter. When the Coliseum opens for gladiator games, Maximus finally has the chance for revenge. Ridley Scott directs this vivid epic, winner of the Oscar and Golden Globe for best picture.
This film (recommended by “1001 Films to See Before You Die”) was the first film in which I ever saw Russell Crowe and every time I see him I think of this film. In fact the same is true for Joaquin Phoenix who makes a wonderful warped bad guy. By its nature this epic is violent. But just as important as the pomp and fighting is the human side of the story.
Interesting side fact: Oliver Reed (who plays Proximo) died during the filming and his remaining scenes were generated using a stand-in and computer-enhanced filmwork.
In three interwoven vignettes, Traffic offers disturbing snapshots of America’s drug war. Drug czar Michael Douglas sees his life turned upside down when the drug problem hits home, while Tijuana cop Benicio Del Toro tries to keep his hands clean — and stay alive. Meanwhile, Drug Enforcement Agency operatives arrest a major dealer, forcing his wife (Catherine Zeta-Jones) to take over the family business.
Recommended both by “1001 Films to See Before You Die” and “NY Times 1000 Best”, this film is in the “Crash” tradition of many separate interrelated plot threads. As such, the film can be confusing.
Besides violence (e.g. torture) there is much ugliness (e.g. The U.S. drug czar finally tracks down his cocaine-addicted daughter as she is prostituting herself to an old man in order to get drug money). Another main theme is governmental corruption. This film, which won 4 oscars, is not an easy watch.
Gifted British filmmaker Stephen Frears brings to the screen the troubled life of bold 1960s writer Joe Orton (Gary Oldman) in this portrait of an obsessive, controlling coupling set against history. Orton’s infamous relationship with his tempestuous lover, Kenneth Halliwell (Alfred Molina), fueled but also eventually destroyed Orton — literally and figuratively — at a time when the world didn’t at all embrace or understand homosexuality.
