Category Archives: Mistreatment of under class

Lady Chatterley (2006)

From IMDB:

A French adaptation of the second (and much less well-known) version of D.H. Lawrence’s erotic tale.

From Kanopy:

Kino is now proud to present Lady Chatterley in a new, two-part, Extended European Edition featuring nearly an hour of additional material excluded from the film’s theatrical cut that explores the emotional and sensual borderlands uniting sex, love, and loyalty with even more intelligence, passion, and power than before. Through extra footage never seen in the US, director Pascale Ferran’s “rapturous visual tone poem” (New York Times) becomes both a highly erotic immersion into Lady Chatterley and Parkin’s passion and an equally frank and unsentimentally provocative portrayal of a marriage hobbled by war and ultimately torn apart by hypocrisy.

From KANOPY you can stream 6 hours and 5 minutes of this French adaptation with English subtitles. Actually it is 3 versions of the same film where each runs for 2 hours.  Whatever difference there is between the first and the other two I could not find. Watching just the first 2 hours is more than sufficient.

When was the last time your watched a naked man and naked woman frolic in the rain? When was the last time you watched a naked man and woman in front of a blazing fireplace where he decorates every part of her body with wildflowers?  Clearly this version of “Lady Chatterley’s Lover” is the most explicit  and also the most photographically beautiful  version I  have ever seen

Gattaca (1997)

From IMDB:

A genetically inferior man assumes the identity of a superior one in order to pursue his lifelong dream of space travel.

From Netflix:

In a dystopian future where genetics determines your fate, a man born into limited prospects plots to escape his second class citizen status.

From Netflix you can stream this 25 year old classic film which lasts 1 hour and 46 minutes.

Again from IMDB:

In the not-too-distant future, a less-than-perfect man wants to travel to the stars. Society has categorized Vincent Freeman as less than suitable given his genetic make-up and he has become one of the underclass of humans that are only useful for menial jobs. To move ahead, he assumes the identity of Jerome Morrow, a perfect genetic specimen who is a paraplegic as a result of a car accident. With professional advice, Vincent learns to deceive DNA and urine sample testing. Just when he is finally scheduled for a space mission, his program director is killed and the police begin an investigation, jeopardizing his secret

Jude Law plays the paraplegic Valid Jerome. Ethan Hawke plays the ambitious In-Valid Vincent. UmaThurman plays Irene who cannot be Valid because she has a heart condition.  Irene and Vincent become lovers.

Most of the plot centers around the extreme means that Vincent must take to become Jerome, all done with Jerome’s unselfish help. For one example, Vincent must change the length of his legs (ouch!) in order to match Jerome’s height. All these maneuvers are necessary because there are watchful cameras and security entrances just about everywhere.

At the time this film was made, do you suppose the filmmakers could imagine how close the film details come to the 2022 social controls in, say, China or North Korea?

Good flick!

Code 8 (2019)

From IMDB:

A super-powered construction worker falls in with a group of criminals in order to raise the funds to help his ill mother.

From Netflix you can stream this 1 hour 38 minute piece of sci-fi acceptable trash.

Again from IMDB:

In a world where people with “special” abilities are living in poverty, Conner Reed (Robbie Amell) is a powerful young man who is struggling to pay for his ailing mother’s medical treatment. To earn money, he joins a lucrative criminal world led by Garrett (Stephen Amell), who works for a drug lord (Greg Bryk).

Not as horrible as it could have been, there is enough imaginative material here to warrant wasting 1 hour and 38 minutes.