Category Archives: 2020

Unorthodox (2020)

From IMDB:

Story of a young ultra-Orthodox Jewish woman who flees her arranged marriage and religious community to start a new life abroad.

From Netflix you can stream the 4 hour long episodes of this masterpiece.

At this point in April 2020  critics are raving about the film. For example you can find a discussion in the New York Times.  Unfortunately you must subscribe to the NYT to read full articles. From that review we read:

“Unorthodox” is loosely based on the best-selling 2012 memoir by Deborah Feldman, who left the Satmar sect of Hasidic Jews in Williamsburg and ultimately settled in Berlin.

In the film the young woman Esther Shapiro, who is called Esty, is played by the slight pixie of an actress Shira Haas.  Shira Hass is an incredible performer who presents her role to perfection. 

There are also short documentaries on the making of this film and how it strived for correct Hasidic details by hiring Hasidic men to help with the filming. Only the mink fur men’s hats are fake.

Constant switching between the past and the present, between New York and Berlin, might be a tad confusing.  Just keep in mind that the Berling portion of the film is fictional while loosely based on the memoir.

For me the most stunningly breathtaking moment in the film occurs when Esty auditions at a music school. We are talking real gooseflesh.

DO NOT MISS!

The Valhalla Murders (2020)

From IMDB:

Police profiler Arnar is sent back home from Oslo to his native Iceland to investigate the country’s first serial killer case. He teams up with the local senior cop Kata.

From Netflix you can stream the 8 episodes of this Norwegian detective series. Each episode lasts about 45 minutes.

Orphanages in which the boys are sexually molested is a theme that has been used several times in other dramas.  In that sense there is a sameness to this series that seems a bit copycat. It takes 8 episodes to find the predator, deal with police bureaucracy,  and fight a conspiracy to cover up the murders and rapes.  Expect at times to suspend disbelief:  injured cops heroically save lives,  TV commentators miraculously save the day, etc.  Sometimes I am happy that a too convenient solution relieves the tension.

Along the way the divorced Kata has trouble with her son while the unusually taciturn Arnar must fight his own personal demons.

Despite any flaws, the clever obstacles created by the bad guys, the personal stories, and the action sequences kept me glued.

The Pale Horse (2020)

From IMDB:

Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?

From Amazon Prime you can stream both hour-long episodes of this mystery story supposedly based on a story by Agatha Christie.

But don’t bother with this adaptation. Thank to a warning found in IMDB:

Sarah Phelps “version” is a complete mess. The production has an excellent cast including Rufus Sewell, who is magnificent as usual. The set design and costumes are top notch and even the cinematography and music are good, but…

Sarah Phelp’s story, script and directing are terrible. She makes an utter train wreck out of the original story and what’s left makes no sense at all. I can only hope that Sarah Phelps writes and creates her own scripts for future projects as she has no talent adapting existing stories.

Much of what the reviewer says rings true. Oddly enough I enjoyed watching what is essentially a good production. Indeed Rufus Sewell is very good.  But the ending left me confused.

If you are interested, read the Wikipedia account of the novel where you will see that there is very little in common with the two versions.

Skip this unfortunately watchable mess.

Life As We Know IT (2020)

From IMDB:

Two single adults become caregivers to an orphaned girl when their mutual best friends die in an accident.

From Netflix you can stream this 1 hour 54 minute complete romantic comedy film.

For anyone who has cared for small children this film presents many familiar scenes.  Add to that mix the fact that Holly Berensen (played by Katherine Heigl) and Eric Messer (played by Josh Duhamel  are suddenly forced to replace the deceased parents and you have many comic moments.

Before the film reaches a happy ending there are the usual clashing career choices, side romances (including Holly with Sam, played by Josh Lucas), and an eccentric social worker. 

Of course there are corny moments and very improbable details but at least you can relax for two hours without seeing any violence.

Ragnarok (2020)

From IMDB:

A small Norwegian town experiencing warm winters and violent downpours seems to be headed for another Ragnarok — unless someone intervenes in time.

From Netflix you can stream the 6 episodes of the only season available for this Norwegian fantasy story, namely season 1.  Each episode is about 45 minutes. Spoken in Norwegian with English subtitles.

June 8, 2021 – Update:

Now there are two seasons available. Season 2 also has 6 episodes. Unfortunately season 2 also ends with an implied “to be continued.”

According to Wikipedia, Ragnarok is

a series of events, including a great battle, foretold to lead to the death of a number of great figures (including the gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), natural disasters and the submersion of the world in water. After these events, the world will resurface anew and fertile, the surviving and returning gods will meet and the world will be repopulated by two human survivors. Ragnarök is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies.

Call it kid stuff if you like, but enough was invested in the production values to make this story watchable. Warning: this season 1 is obviously an introduction to more seasons.

Consider the plot: High school student Magne arrives in a sleepy town together with his mother and brother.  Controlling the town is a giant factory run by a “perfect” family of four who seem to be human but in reality are immortal Norwegian gods. Upon arrival in the town, a mysterious elderly couple bestow powers on Magne without his knowing. Little by little Magne discovers his powers. Meanwhile the factory is knowingly polluting the environment, which to the 4 gods is unimportant and to be covered up. Gradually Magne realizes what is happening.  Let the truth come out.

Does it sound like something for the adolescents to watch?  In a completely unsubtle manner, the underlying theme is global warming and world pollution of the environment.  Conversational fragments refer to today’s environmental concerns. Perhaps someday the presentation will seem outdated. But for now (February 2020)  the topic is spot on (as the British would say).

Bear with Magne’s (lack of) acting.  He is basically a stone faced, stoic, initially bewildered, and dyslexic high school kid.

In summary:  Season 1 will have a “happy ending” if the truth comes out. But then we will need more seasons in which the battle of the gods takes place.  Stay tuned.

The Stranger (2020)

From IMDB:

Follows the lives of suburban families whose secrets and lies are made public by the appearance of a stranger.

From Netflix you can stream the 8 roughly 50 minute episodes of this thriller based on the book The Stranger which Harlan Coben wrote in 2015.

Starting in 1995 Harlan Coben (who at this writing is 58 years old) has written a book a year. If you have never read a book by Coben and if you like clever thrillers, you are in for a treat. So far every Coben book I have read was gripping and a real pleasure.

Plot is all important and usually complicated in a Coben novel. However his treatment of character is well done. In the TV version the actors do not disappoint:

All this actors have incredibly extensive resumés. You just cannot go wrong watching this series.

DO NOT MISS!