Category Archives: Italian

Unforgivable (2011)

From NetFlix:

This moody drama follows the increasingly chaotic life of Francis, a crime novelist who moves to Venice to write his next book. After starting an affair with a young beauty, Francis suspects her of cheating — even as his own daughter goes missing.

“Unforgivable” is spoken in French and Italian with subtitles. Its other name is “Impardonnables”.

What a crazy mixed-up bunch of dysfunctional people! Not a single character would classify in my book as “normal”, whatever that means.

Nor are all the subplots entirely believable. We start with Francis who was a womanizer that left each woman if she confronted him about his multiple affairs. At this point he is probably in his sixties. He is in Venice and visits a rental agency looking for an apartment to rent. Lo and behold the rental agent, Judith, is the former Chanel model Carole Bouquet who just happens to be “drop dead beautiful”. You may not believe it, but during the filming she was 54 years old. At any rate she shows Francis a house on one of the Venetian islands and during that house inspection he asks her to live with him in this island house and she, of course, accepts. For me, seeing an older man having sex with a younger beauty was a first. Needless to say Judith is bi-sexual.

And the plot continues on its bizarre path. We get to meet fatherless sons finishing prison terms for violent tendencies, Judith’s former (woman) lover who is dying of cancer, Francis’ married daughter who is currently on leave from her husband in order to pursue a young Italian drug dealer, etc.

You probably get the idea by now. Not that the film was boring, just weird. Good luck!

The Sicilian Girl (2009)

From NetFlix:

In this taut drama based on a true story, 17-year-old Rita (Veronica D’Agostino) is leading a privileged life when her father and brother are slain by rival Mafiosi. Bent on revenge, she turns to a sympathetic magistrate (Gérard Jugnot) and breaks the code of silence. In her journey from self-centered teenager to fearless advocate for justice, Rita enrages Sicily’s most powerful men, putting her life in jeopardy.

Probably the biggest impression I got from this amazing enactment of a true story was how all-encompassing and soul-destroying is the Mafia cult. For Rita the real stumbling block was accepting the fact that her adored father was no less a brutal and cruel assassin than all the other animals. Her own mother did her best to convince Rita to not testify even though the Mafia had killed Rita’s father and brother.

Also awe inspiring was the bravery of Rita and the prosecutor and all the other law enforcement staff. Human life means nothing to the Mafia.

Be prepared for a surprise (and true) ending.

I Am Love (2009)

From NetFlix:

Oscar winner Tilda Swinton shows off her multilingual skills in this Italian melodrama, in which family dissension, unbidden desire and other tensions bubble to the surface during the patriarch’s birthday party. When the seemingly picture-perfect Recchi family gathers at the family manse to celebrate the great old man, the veneer of civility falls quickly away in director Luca Guadagnino’s lush, atmospheric film.

To really enjoy this Italian eye candy set in Milan, you should see this film on a big screen. Admittedly I have a prejudice, I am an Italophile. Except for 5 minutes in English and brief shouting in Russian, the film is spoken in an easy Italian accompanied by subtitles just for the Italian. You may also choose subtitles for the hard-of-hearing.

Cooking and food are central to the film, especially since Swinton falls in love with a young cook who is her son’s friend. Some of the film’s plot might strike you as unlikely. Just suspend disbelief and enjoy the parade of beautiful scenery, beautiful homes and furnishings, beautiful food, beautiful clothing, and many beautiful (but always very “skinny”) women. And yes, there are some prolonged nude sex scenes set in the lush Italian countryside.

Viva l’Italia !

Vincere (2009)

From NetFlix:

Ida Dalser (Giovanna Mezzogiorno) falls for young Benito Mussolini (Filippo Timi) in Milan and sells everything she has to help the future dictator fund his newspaper, Popolo d’Italia. But when World War I separates the newly wedded couple, Mussolini marries another woman. Ida demands to retain her rights as Mussolini’s wife and the mother of his son, but the Fascists have other plans for the dictator’s dark secret in this gripping biopic.

Start by reading the Wikipedia article on Ida Dalser because it makes certain details in the film a bit more clear. We will probably never know if Ida and Mussolini were legally married. But that is almost irrelevant in the fim which concentrates almost entirely on Ida’s obsessive view of her relationship with Mussolini. Her son and Mussolini have secondary parts. Both parts (son and father) are well-played by Filippo Timi.

See this film in a theatre if possible because it is essentially an art film that is devoted to striking scenes and images.

English subtitles accompany the Italian script which is fairly easy to understand.

I particularly enjoyed all the old film clips of WWII and especially the moronic rantings of Mussolini himself.

Valentino: The Last Emperor (2008)

From NetFlix:

Tracing Valentino’s life from his 70th birthday to his final couture show, this fashionable documentary captures the spirit of the legendary designer’s influence on the style and substance of the way we look. Highlights include an intimate, behind-the-scenes peek at his relationship with longtime business partner and lover Giancarlo Giammetti, as well as an up-close and personal look at the designer’s creative process.

"Tony, I want to see 'Valentino: The Last Emperor"
"Kathy, you mean that fashion film ?"   "Yes"
"Why would anyone want to watch an hour and a half about a fashion designer ?"
"You get all those NetFlix DVDs that I don't even care about, and I really want to see this one"
"Ooooooookay, if you insist"

Had this fashion documentary not been made, we would have lost some notable moments in a part of the world’s culture that I certainly did not know even existed. It’s a bit like a tour of Machu Picchu or seeing the exquisite terracotta army of the first Qin Dynasty ruler Shihuangdi. Who knew ?

One of the dominant themes of this documentary is the 50 year relation between Valentino and his life partner Giancarlo Giammetti. Kathy’s comment is “Giancarlo must be some kind of saint”. It was fun watching the two bicker about trivia, as in “you have applied too much tan today”. But what came through loud and clear was that they truly love and need one another. Valentino is the impractical dreamer, the creative force, but without Giancarlo’s gentle guiding hand, Valentino would have gone nowhere.

In fact the minutiae involved with fashion must be daunting. There are an awful lot of unsung heroes. In a certain sense everything depends on the skill of the seamstresses. It’s a lot like computer programming: omit a semi-colon and the program stops working. Today it would be impossibly costly to sew by hand thousands of sequins on a gown. I buy my clothes at Target (pronounced “Tar-jay”).

Every now and then I see a fashion photo of some female model. Quite often they are made to look like freaks. Not so with Valentino. Of course, all his beautiful models are stick thin (dare I say anorexic ?). But his trademark was long flowing gowns that really made the models beautiful.

I copied the following paragraph from the internet:

Produced and directed by Matt Tyrnauer, Special Correspondent for Vanity Fair magazine, Valentino: The Last Emperor provides a first-time glimpse into Valentino’s world of bygone glamour. Filmed from June 2005 to July 2007, the crew shot over 250 hours of footage with exclusive, unprecedented access to Valentino and his entourage. The resulting non-fiction film is a portrait of an extraordinary partnership, the longest running in fashion, and a dramatic story about a master confronting the final act of his celebrated career.

Indeed the film leads up to Valentino’s sensational farewell celebratory show and party in Rome. It’s fun seeing how many celebrities you can recognize (Princess Di, etc). But the circumstances are not entirely happy. Valentino’s company is purchased by a giant corporation in which only the bottom line is important (sound familiar ?). His world has changed so much that Valentino retires. Little by little his former group of loyal workers are replaced.

And don’t miss his five pugs!

The Bicycle Thief (1948)

From NetFlix:

Widely considered a landmark Italian film, Vittorio De Sica’s tale of Rome’s post-World War II depression earned a special Oscar for its devastating power. Antonio Ricci (Lamberto Maggiorani) relies on his bicycle to do his job. But the same day he gets the vehicle back from the pawnshop, someone steals it. Antonio and his young son, Bruno (Enzo Staiola), search the city in vain, as Antonio confronts a looming desperation.

You have to REALLY want to see this film in order to appreciate it because it is basically a very simple, somewhat old-fashioned, and at time weepy movie that would never pass muster in today’s world. I watched (and loved) the film only because I had never seen it and knew it was historical. It also helps that Italian is one of my hobbies.

Right now the U.S. is experiencing higher than usual unemployment. Imagine, then, post WWII Italy in which having a job was a rare privilege. Then you can understand the protagonist’s desperation. The end is heart-wrenching.

Days and Clouds (2008)

From NetFlix:

After years of putting it off, Elsa (Margherita Buy) finally
returns to school to pursue her art history degree. But her
newfound academic bliss crumbles when her husband, Michele
(Antonio Albanese), loses his job and the duo is forced to
sell their gorgeous flat. The ensuing financial strain soon
takes a surprising toll on their marriage in director Silvio
Soldini’s intimate domestic drama, shot in beautiful Genoa.

Most of this Italian film is a downer. Considering the times we live in, the story of an Italian losing his job and the necessary downsizing is really the story of everyman. Of course, for the most
part, in Italy you own an apartment instead of a house. Economic hardship is a strain on
every family and the usual question here is: can this marriage survive ? Again, watching this
film reminds me how glad I am to be retired and not constantly threatened by layoffs. I wish
the husband had not reacted so badly, but I understand his position. Just so you won’t be
put off too much, from an emotional standpoint the film has a happy ending.

Not for those low in spirit.

Facing Windows (2003)

From NetFlix:

Feeling overwhelmed and stuck in a dull marriage, Giovanna
begins refocusing her attention (or repressing her emotions)
by caring for the Jewish Holocaust survivor her husband brings
home one day. As Giovanna reflects on her life, she turns to
the man who lives across from her and whose window faces hers.
Stars Giovanna Mezzogiorno, Massimo Girotti, Raoul Bova,
Filippo Nigro and Serra Yilmaz. Directed by Verzan Ozpetek.

Once again I have stumbled onto a good film. This time it was a coming attraction on another disc from NetFlix.

“Facing Windows” is a warm Italian film with good acting, surprises, music, and human values. It has some discrete sexual scenes which is why I rated it “Feel-good possible not for children”. But the human values, especially the ending could provoke a great family discussion. I feel really lucky to have discovered this gem.

I’m Not Scared (2003)

From NetFlix:

Michele (Giuseppe Cristiano), a 10-year-old boy growing up
in a southern Italian village, discovers another youngster,
Filippo (Mattia Di Pierro), chained up inside a small hole dug
in the yard of an abandoned house. Michele soon learns from
watching the news that the boy has been kidnapped and things
take an even darker turn when he realizes his own parents may be
involved. Aitana Sanchez-Gijon co-stars. Gabriele Salvatores
directs.

Just watching this slow film of southern Italy just makes me hot and drowsy. It’s also as much of southern Italy as I want to see. Could those small towns really be that desolate ? The story is compelling, the ending a tad maudlin. I liked the film because of the Italian, although in real life they would be speaking some dialect of Italian instead. It’s not a bad movie, but you really need a firm desire to persevere.

Damning with faint praise.

1900 (1977)

From NetFlix:

Bernardo Bertolucci’s epic tale follows the lives of two Italian men — a peasant (Gerard Depardieu) and a landowner (Robert De Niro) — both born on Jan. 1, 1900. Friends as children, the two become estranged as their differing social status pulls them apart. Their personal conflicts mirror the political events in Italy, as both fascism and socialism gain footholds in the country. Sterling Hayden, Donald Sutherland and Burt Lancaster co-star.

“1900” is the name of this two-disk film which traces the rise and fall of the Black Shirt Fascists in Italy. It was made in 1977 and gives you an opportunity to see amazingly young Robert De Niro padrone), Gerard Depardieu (peasant farmer), Dominique Sanda (playgirl), and Donald Sutherland (local Black Shirt leader). Burt Lancaster appears as the old grandfather of Robert De Niro.

Italian films do what American films often fail to do: tell it like it was. In the case of a largely peasant population you will see and hear crudity that could never appear in an American film. Even I, as trash acclimated as I am, was shocked.

On the superficial side who knew that Gerard Depardieu was ever handsome instead of being the bloated pig that he currently is. Depardieu acts well but De Niro comes off as not acting very well. The really scary character is Donald Sutherland who plays to perfection a creepy scociopathic homocidal Black Shirt. His violence is truly ugly.

On another superficial topic, the sex scenes are uniquely uninhibited. You get to see Dominique Sanda dancing around practically naked. De Niro and Depardieu share a prostitute in which the actors move about the room in complete frontal nudity. Not that you would be interested.