Category Archives: Coen Brothers

2009, Coen Brothers, Dark, Drama, Jewish Culture, Religious Theme, Satire, Sex Scenes

A Serious Man (2009)

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From NetFlix:

Larry Gopnik (Golden Globe nominee Michael Stuhlbarg) has hit a “rough patch,” according to a colleague, and it would seem so: people are dropping dead all around him, his wife (Sari Lennick) wants a “get” and his whining kids (Aaron Wolff and Jessica McManus) only add to the heavy load. Larry is just looking for some help. Can a few rabbis guide him to life’s answers? Richard Kind co-stars in Joel Coen and Ethan Coen’s 1960s-set, dark Jewish-culture send-up.

You don’t have to be Jewish to enjoy this satire on the Book of Job. However, the entire story centers on American Jewry and there are many Hebrew phrases appearing throughout.

One Saturday Kathy and I went to the Trinity Rep Theatre in Providence and I was sitting next to a young man who had recently received his Master of Fine Arts from Brown University. We started to talk about film and he suggested “A Serious Man” and said he was quite overcome with the final scene.

Probably I didn’t really get the film. Poor Larry Gopnik suffers one outrageous problem after another, but this constant sequence of misfortunes is comical. Part of the humor is the straight-faced, sincere, passive Larry who is always questioning “Why” in the manner of Job. He goes from Rabbi to Rabbi looking for answers. To my gentile (i.e. goy) eyes these Rabbis seem like such fakes giving poor Larry pat answers or, worse, answering his questions with more questions.

Let me remind you that Job suffers many losses and setbacks, meanwhile always asking “Why” in interminable discussion with friends and associates. But finally God changes Job’s life for the better and he ends happily with a new family and other blessings.

Pay close attention to the end of the film. As far as I can tell, the Cohen brothers have changed the end of the story considerably. Let me know what you think.

1984, Coen Brothers, Could Be Hard To Watch, Crime, Drama, Revenge, Suspense, Violent

Blood Simple (1984)

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From NetFlix:

In a jealous rage, Texas tavern owner Julian Marty (Dan Hedaya) hires unscrupulous private detective Loren Visser (M. Emmet Walsh) to not only tail Marty’s two-timing spouse (Frances McDormand, in her big-screen debut) but also murder her and her paramour (John Getz). But events take a surprising turn when the gumshoe double-crosses his client. Joel Coen directs this stylish shocker co-written with brother Ethan Coen.

This is the first film that the Coen Brothers did together. For a recap of their career see the Wikipedia article which makes a table of 17 of their films including Barton Fink (1991), No Country For Old Men (2007), and Romance & Cigarettes (2005).

Violence seems to be their trademark. However, for me the attraction of the film was its firm foundation in gritty, believable reality. Special effects need not apply! The slow acting is pace-perfect. Part of that slow pace owes to an awful lot of actors just staring without saying anything. But in this film that style seems to work. When was the last time you saw a film in which the possible failure of a car to start was especially nerve-wracking ?

25 years ago, a very young Fances McDormand got by with a minimum of acting. John Getz seems to have spent most of his career in TV. Ditto for Dan Hedaya. M. Emmet Walsh is a face you have seen everywhere probably without knowing his name. For me Walsh had the most memorable part: evil with an ironic sense of humor. His part at the end is unforgettable.

If you want to watch Coen brother films, this is the place to start.

1000NYTimes, 1991, Coen Brothers, Could be boring, Drama, Unusual

Barton Fink (1991)

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From NetFlix:

Idealistic playwright Barton Fink (John Turturro) believes writing should reveal the hopes, dreams and tragedies of the common man. When Hollywood taps him to write a movie, Fink develops severe writer’s block and soon falls victim to a strange sequence of events. Unable to combine his deep-seated ethics with Tinseltown’s frivolity, the disillusioned and desperate Fink winds up involved in a murder investigation in this Oscar-nominated dramedy.

In the “NY Times Best 1000” the review for this film raves about this exhilarating original by the Coen Brothers. Therefore I dutifully sat through the entire film. I admit that I could not stay bored for any long stretch because something unusual will soon pop up. John Goodman, not John Turturro, carries the show. John Turturro mostly just sits and stares. I was disappointed in Tony Shalhoub whom I almost did not recognize and who overacted terribly. Judy Davis’ appearance has not changed much over the years, but then 1991 today is only about 20 years ago.