Category Archives: Explicit sex

Don Jon (2013)

From Netflix:

Jon Martello’s romantic exploits are legendary among his friends, but his obsession with online porn saps his enthusiasm for real sex. As he searches for intimacy — or avoids it — Jon meets two women with vital lessons to teach him.

Despite the constant shots of computer pornography, despite the endless stream of vulgar sexual discussions, despite all the swearing, there is a real point to this film. In fact this is the kind of film you could show teenagers in a sex class. Such a film will indeed titillate, but Joseph Gordon-Levitt does an amazing job in portraying a young “dude” that actually turns his life around as he moves away from one-sided sexual satisfaction and toward a real relationship. Repeat: his acting is superb.

He changes with the help of two women: Scarlett Johansson plays a low-class, gum chewing, sexy but domineering woman who starts Don Jon on the road to something better. Julianne Moore picks up where Johansson leaves off and finally makes the difference for Don Jon. This is not a spoiler because the whole point of the film is the process Gordon-Levitt makes with his addiction.

Notice Don Jon’s sister who seems attached at the hip to her smartphone. At one point she is dead on the mark.

As a Catholic I would like to remark that the scenes in the Catholic confession are not far off the mark as far as the impersonal atmosphere is concerned. However, in Catholic theology the confession is bogus and there is no forgiveness if the person confessing is not resolved to avoid the sin in the future. Future avoidance would be the last thing on Don Jon’s mind.

If you can ignore the vulgarity, this is actually a good film.

Strike Back (2010)

From Netflix:

Two members of an elite, secret branch of MI6 — a British sergeant and former U.S. Delta Force operative — track an international terrorist around the globe to thwart his plans to use weapons of mass destruction for a deadly attack.

Let’s suppose you read detective novels. Isn’t one novel similar to the next in many ways? But still you read the novels because you enjoy them.

Let’s suppose you love basketball. Isn’t one game similar to the next is many ways” But still you watch basketball.

In like manner “Strike Back” is a clone of, for example, “MI-5“. But still I continue to get an adolescent kick out of watching the good guys shoot the bad guys. However, the distinction between good guys and bad guys is ever more blurred in TV series such as “Strike Back” and others. Indeed a recurring theme is that of morally ambivalent choices directors make to achieve the “greater good”. “Collateral damage” anyone?

On a personal level this series features a competitive bromance between Philip Winchester (Sgt. Michael Stonebridge) and Sullivan Stapleton (Sgt. Damien Scott).

As an added bonus you are guaranteed in each episode to see (a usually naked) Sullivan Stapleton having sex with some (almost certainly naked) attractive and amply endowed woman. We call this bonus feature “Great Expectations”.

OK kids, have fun watching all the violence. Who do you suppose pays for all those exploded automobiles?

Sunshine (1999)

From Netflix:

A single actor portrays father, son and grandson in this epic historical tale that follows a Jewish family as they struggle to survive anti-Semitism, war and corruption in Hungary. Each man deals with the prevailing regime in his own way.

Istvan Szabo, the director, presents us with a wonderful three hour epic that leads us through many periods in Hungarian history: Austria-Hungary, World War I, Communism after WW I, Nazi occupation of Hungary in World War II, Pro-Stalin Communism after WW II, and finally the fall of Communism.

For a detailed account of the film see the Wikipedia article.

For those of us in Massachusetts please note that “Sunshine” was written by the director Istvan Szabo and Israel Horovitz. Horovitz is Founding Artistic Director of the Gloucester Stage Company in Gloucester, Massachusetts. Kathy and I have seen several of his plays.

Although there are too many wonderful actors to mention, clearly the film was a tour de force for Ralph Fiennes who plays parts in three generations of the family. Jennifer Ehle as Valerie Sonnenschein was strikingly beautiful.

Warning: there is one ugly scene when Fiennes as the character Adam in a concentration camp is tortured to death. Szabo makes it quite clear that the villains in this piece are not Nazis, not Germans, but HUNGARIANS who are very anti-Semitic.

Three hours may seem like a long time, but this film is worth every second.
DO NOT MISS!

Top of the Lake (2013)

From Netflix:

When pregnant, 12-year-old Tui tries to kill herself in a freezing New Zealand lake, Detective Robin Griffin has plenty of questions for the girl. But when Tui suddenly disappears, Griffin finds herself knee-deep in small-town secrets.

Just about everything happens in this gritty, tough TV series taking place in a remote location in New Zealand. To name just of the few features:

  • An amoral, cruel hillbilly family that kills, rapes, manufactures illegal drugs, etc.
  • A cult-like compound for women who have had bad experiences and are sometimes completely naked.
  • Child molestation
  • Gang rape
  • A mother dying of cancer
  • Self-flagellation
  • Dishonest police officers
  • A very capable woman detective (played by Elizabeth Moss) trying to get on with her life while dealing with her troubled past
  • Quite a few nude sex scenes
  • A not quite civilized society
  • Several murders

Yes, this is one crazy TV series. Elizabeth Moss, who played Peggy in “Mad Men”, does a terrific job. But all the actors do wonderful jobs.

You might not want to eat a full meal before watching. Nonetheless, for me at least, in the category of gritty this series is a DO NOT MISS!

The Fall (2008)

From Netflix:

When his loser brother is accused of killing a priest, Frank (Scott Kinworthy), a hotshot lawyer with lofty political aspirations, steps in to defend him. But as Frank digs up the truth, he uncovers damning revelations from the past that could ruin his future. Written and directed by John Krueger, this suspenseful drama follows the conflicted attorney’s difficult choice between saving his sibling or himself.

If you are ever teaching a course in film writing or acting and you need an example of really bad writing or acting then have I got a HORRIBLE film you can use to great effect!

Only the (somewhat farfetched) plot kept me watching. Not that it would have cost me anything to stop watching this film streamed from Netflix. At times I sat watching in open mouthed wonder that anyone could act in such an amateurish and exaggerated manner. Think high school actors (although I have seen better acting in high school plays).

If the acting seems bad, wait till you learn the plot. Although I will spare you the gory details, this film manages to dredge up plot lines involving a hotel for gay encounters, a priest who commits a theatrical suicide, adultery, a psychotic gay prisoner, attempted murder using the AIDS disease, sadistic prison guards, a completely amoral and ambitious wife of a lawyer, and the list goes on.

Do not claim that I did not warn you! On the other hand, aren’t you really curious to see just how bad this film really is?

Deadfall (2012)

Netflix:

On the run after a casino heist, siblings Addison and Liza split up. When Liza gets a ride from a prison parolee heading to his parents’ home for Thanksgiving, unexpected events lead the two families toward a collision in this suspenseful thriller.

You might expect good things from a film in which Kris Kristofferson, Sissy Spacek, Olivia Wilde, and Treat Williams appear. In fact the film offered a good plot, good acting and well-done suspense. Note that the film is violent and gritty.

Essentially the story brings together a brother and sister who recently robbed a casino, a young man Jay recently released from jail but estranged from his father who together with his wife expects his son for Thanksgiving, and a young woman police officer whose police captain father does not respect her choice of career even though she is very competent. Eventually they all converge at the Thanksgiving dinner table with lots of guns in sight.

Liza and Jay’s falling in love is unrealistic. Jay could possibly be a better actor. Nevertheless …

Really not bad at all.

Rust and Bone (2012)

From NetFlix:

An extraordinary story of survival and salvation from the acclaimed, award-winning director of A Prophet. Starring Academy Award Winner Marion Cotillard as Stéphanie, who navigates a gritty relationship with Ali, a street fighter, in a world where love and courage appear in many forms.

When I first saw Matthias Schoenaerts in Bullhead I was very impressed. “Bullhead” is an excellent film but not for everyone because it is quite violent. In both “Bullhead” and “Rust and Bone” Schoenaerts plays a very physical role, that is to say a tough, strong, silent, possibly insensitive character. He can now take these roles because he is a very young looking and very much in good physical shape at the age of 35.

Of all the roles played by Marion Cotillard, probably her portrayal of Edit Piaf in La Vie en Rose. She is NOT an amputee. You can read about the film techniques in the Wikipedia article about the film.

Once again “Rust and Bone” might not be for everyone: there are brutal illegal fights between men for betting purposes (think dog fighting); there is much nudity and very explicit sexual intercourse; there is a harrowing scene on a semi-frozen pond; there are many frank scenes featuring Cotillard as an amputee.

However, the film is basically one about redemption, love, and the ability to mature and change.

If gritty appeals to you, then I heartily recommend both “Bullhead” and “Rust and Bone”.

The Sessions (2012)

From NetFlix:

After spending years in an iron lung, a man decides he wants to explore his sexuality for the first time, and hires a surrogate to aid the goal. Through their intensifying relationship, this indie drama illustrates the many forms love can take.

To quote from Wikipedia:

[This film] is based on an essay by Mark O’Brien, a poet paralyzed from the neck down due to polio, who hired a sex surrogate to lose his virginity.

To my way of thinking, Helen Hunt offered a daring and completely appropriate portrayal as a sex therapist. At times her performance (completely naked) seemed almost clinical, and indeed that is just what her performance should have been. For an actress aged 49, Helen Hunt physically is almost too perfect.

What adds emotion to the film is the fact that she actually fell in love with her client. In fact four women are in some way involved with Mark. More than that I will not say.

William H. Macy’s role as a Catholic priest annoyed me. At the very least he is in desperate need of a haircut. Although I might have objected to the intrusion of Catholicism into the plot, I can easily imagine what solace religion and a strong faith would bring to a mentally healthy man trapped in an iron lung. To do what his did (seek help from a sex therapist) took real guts.

While this film might not be for everyone (nudity? Tsk, tsk), I enjoyed the film and can honestly say it is unique in the annals of filmdom.

Priest (1994)

From NetFlix:

Director Antonia Bird’s film centers on Father Greg Pilkington (Linus Roache), a devout Catholic priest who struggles with a love for his church and congregation — and his secret life as a homosexual with a gay lover (Robert Carlyle). After hearing the confession of a young girl in his parish, who tells him her father is sexually abusing her, the priest is torn between the laws of the church and his need to choose one life over the other.

When this film appeared in 1994 the reviews were a mixture of praise and condemnation. Here the thesis is that the Catholic church is out-of-date and needs to change. No matter your opinion in this case, from an artistic standpoint many viewers, myself included, found the film often preachy, overly melodramatic, and driven by a prejudiced agenda. Still, the film held my attention throughout.

Three separate issues run through the film: Father Matthew Thomas (Tom Wilkinson) is living with the housekeeper, Father Greg Pilkington (Linus Roache) is gay, and a parishoner is sexually abusing his young daughter. With this last item the problem is that due to the “seal of confession” Father Greg feels he cannot tell anyone.

Some sex scenes between Father Greg and his male lover Graham (Robert Carlyle) are explicit.

In watching an old film it can be fun seeing actors that you know from films and TV closer to the present:

  • Linus Roache played Michael Cutter in both “Law and Order” and “Law and Order SVU”.
  • Tom Wilkinson has a huge acting resume. You may recall him as Graham Dashwood in “The Best Exotic Marigold Hotel”
  • Robert Carlyle also has a long resume. You may remember his as Gaz in the 1997 film “The Full Monty”.

My strongest reaction to this film was: “Here we are 19 years after the film was made and there have been no changes in the Catholic church”. Surprise!

The Master (2012)

From NetFlix:

Freddie, a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd, the charismatic leader of a new “religion” he forms after World War II.

Put Joaquin Phoenix and Philip Seymour Hoffman together in the same story (even better, in the same cult) and you get a really well acted film with an intriguing and always surprising plot. Hoffman plays the cult leader called “The Master” who goes by the name Lancaster Dodd. Scene after scene shows what a fraud Dodd really is. But what is cult-worthy is how the members of cult practically worship their fearless leader.

While Hoffman is doing a “masterful” job as charlatan, Phoenix plays to scary perfection Freddie the violent (WWII) PTSD drunk who has attached himself firmly to The Master who is indeed a master at using quasi-hypnosis to soften his victims’ self-hate. Freddie feels better under tutelage despite his many lapses into drunkenness, stealing, and physical violence. Even more insidious The Master tells Freddie that he, The Master, is the only person on the planet that loves Freddie. No wonder Freddie so blindly worships The Master even to the point of violence.

Looking at Joaquin Phoenix is uncomfortable. He is skinny, misshappen, hunched, almost limping rather than walking, sexually maladjusted, and often acts in a manner that is just plain weird. He has this way of putting his hands on his waist so that his body is twisted. When Phoenix puts his heart into a role he goes all the way, even if it is embarrassing to watch. His rages are so uncontrolled and overpowering (despite his diminutive size) that it takes three men to subdue him. In real life he is 38 years old but I think he looks older.

What eventually happens to Freddie? You will have to watch this strange film through to the end to find out.