Category Archives: Docudrama

Argo (2012)

From NetFlix:

In 1979, when Iranian militants seize the American embassy, six Americans slip into the Canadian embassy for protection, prompting the CIA to concoct an elaborate plot to rescue them by pretending that they are filmmakers rather than diplomats.

From the Wikipedia article we learn:

Upon release, Argo received widespread acclaim and also received seven nominations for the 85th Academy Awards and won three, for Best Film Editing,[7] Best Adapted Screenplay, and Best Picture. The film also earned five Golden Globe nominations, winning Best Picture – Drama and Best Director, while being nominated for Best Supporting Actor for Arkin.

From that same article you can read about reactions of the Iranians, reactions of New Zealand, and historical inaccuracies. Initial subtitles put that historical period into perspective, telling us just how we got into such a mess. From one point of view it is no wonder the Iranians hate us.

Tony Mendez, the real-life CIA agent, must have been an amazing person. For 120 minutes you will be sitting on the edge of your chair hoping he can help the six Americans escape. Scenes were contrived to heighten that suspense. For example at the very end of their ordeal, as the 6 Americans and Tony Mendez have just gotten into the plane and that plane is slowly maneuvering to take off into the air, there are truckloads of angry Iranians racing down the runway trying to stop the takeoff.

If you can stand the excitment, DO NOT MISS THIS FILM!

Beasts of the Southern Wild (2012)

From NetFlix:

This fantastical drama follows a little girl named Hushpuppy who lives in a dilapidated pocket of homes in the Mississippi Delta. When her father falls ill and natural disasters strike, Hushpuppy sets off to find her long-lost mother.

Netflix’s description above is misleading. Hushpuppy wants to find her mother but that is just a small part of this film, one of the most inventive and original films I have ever seen.

Quvenzhané Wallis portrays Hushpuppy as a defiant, curious, lonely little girl whose father Wink is an unpredictable, at times violent, alcoholic whose wish for his daughter is that she learn to live independently. We understand Wink more as the film progresses.

Even if the film were merely a travelog it would be acceptable. For me the area and characters were an eye-opener. As a city dweller I expect a home to be orderly, clean, and strongly constructed. But the homes we visit are disorderly pig-pens just about ready to fall down of their own accord. As a city dweller I expect people to be sober, hard-working, clean, affectionate persons. But the personalities in this film are hard-drinking, seemingly non-working, dirty humans who are, however, affectionate. Most of all they are determined to stay in their beloved bayou (which they call the “bathtub”) even after a relentless storm has almost completely destroyed their world.

Magic realism enters in the appearance of aurochs who were released by global warming from their prisons of icebergs. These giant beasts (like warthogs) in their roaming represent the violence wrought upon the earth by global warming.

Compare the acting here of Quvenzhané Wallis as Hushpuppy with that of the child Pierce Gagnon as Cid in Looper.

If you have a taste for the unusual, DO NOT MISS THIS FILM!

The Social Network (2010)

From NetFlix:

Director David Fincher’s biographical drama chronicles the meteoric rise of Facebook CEO Mark Zuckerberg (Jesse Eisenberg) from Harvard sophomore to Internet superstar, examining his relationships with co-founder Eduardo Saverin (Andrew Garfield) and Napster founder Sean Parker (Justin Timberlake). Winning Golden Globes for Best Picture and Best Director, the film also racked up Oscar nods in the same categories and for lead actor Eisenberg.

Despite some comments that I have heard about the difficulty of following this fast-paced, fast-talking plot, you don’t really have to understand any of the geek talk to appreciate the film.

You owe it to yourself to read at least the “Reception and Response” section of the Wikipedia article which basically says we should take this film more as an entertainment than as accurate history. In fact, the Wikipedia page praises Zuckerberg through quotes of people who really know him. And forget the “Harvard as one big sex orgy” picture that tries to come through: Hollywood strikes again!

But in the end the film is a fun roller coaster ride with tinges of sadness.

Downfall (2004)

From NetFlix:

After introducing audiences to Adolf Hitler’s stenographer, Traudl Junge, in the gripping documentary Blind Spot: Hitler’s Secretary, director Oliver Hirschbiegel brings Junge to life in this Oscar-nominated drama. With painstaking realism, Hirschbiegel’s Best Foreign Language Film contender adopts Junge’s (Alexandra Maria Lara) point of view to recreate Hitler’s (Bruno Ganz) final 12 days in his Berlin bunker.

Before watching this entrancing recreation of Hitler’s last days, you will benefit greatly by reading the Wikipedia article. What is important to appreciate is that after reading this Wikipedia article you can believe that what you see is very close to what actually happened. The film begins and ends with a filmed interview with the real and elderly Traudl Junge whose accounts as a witness form the basis of much of what we know. Above all else, praise is heaped upon Bruno Ganz’s painstaking and near perfect imitation of Hitler’s voice with its Austrian accent. Ganz worked for months with recordings of Hitler’s voice.

Ignore the politics and the complete horror of what happened. Instead see if you can comprehend (and I find it difficult) the extent to which those involved were blindly loyal to the end to “Der Fürher”. He was revered as a god even while he was obviously unbalanced and out of touch with reality. It is chilling to watch Frau Goebbels poison her six beautiful children after which Joseph and Magda Goebbels shoot each other.

Stay to the end to see captions telling us what happened to many of the main personalities (for example, when and how they died). For me it was difficult attaching a name to each of the many many characters. This last recap fortunately provides photos of the actors as a reference.

Two hours and 36 minutes make a long film, but I couldn’t tear my eyes from the screen.

The Official Story (1985)

From NetFlix:

Argentinean schoolteacher Alicia (Norma Aleandro) is forced to question her government’s official story of the “Dirty War” of the 1970s when she suspects that her adopted daughter, Gaby, may be the child of a murdered political prisoner. But her quest for truth takes a heavy toll on her relationship with her conservative husband (Héctor Alterio). This wrenching historical drama won the Oscar for Best Foreign Language Film in 1986.

To appreciate this film it might help to read the Economist’s obituary of Emilio Massera.

Nothing brings history to life more than a film that puts us in contact with that period of history. Spain and consequently Latin America have a long history of bloody conflicts between liberals and conservatives. As a horrific example we have the “Dirty War” of the 1970s in Argentina. Massera was convicted of murder and torture in 1985, the same year in which this film was made. So making this film in 1985 must have taken some courage. In part of the film you see the Mothers of the Plaza de Mayo marching. They started to march in 1977. The founder of the Mothers was put in a concentration camp. She and two others were “disappeared”.

Both husband and wife characters are excellent actors. She represents the comfortable upper class women who prefer to understand nothing of politics. He represents the conservatives who hated liberals and thought nothing of murdering supposedly liberal mothers (many were innocent bystanders) and then adopting their orphans. Their marriage and the sadness that ensues is a metaphor for the division in Argentina.

There is no actual rape or torture shown. Rather the wife’s lifelong girl friend relates how she was tortured and raped by the conservative Argentinian Naval officers.

The scene in which Alicia goes to (Catholic) confession shows the hypocritical complicity of the Catholic hierarchy who were for the most part conservative supporters of the “Dirty War”. You can read about the role of the Argentinian Catholic hierarchy in the “Dirty War”.

Spanish with subtitles. Note the absence of “s” in the Argentinian accent.

The Damned United (2008)

From NetFlix:

Arrogant Brian Clough (Michael Sheen) helms England’s soccer champs Leeds United in 1974 alongside confidant and assistant manager Peter Taylor (Timothy Spall), but he manages to bungle the deal in a mere 44 days, winding up fired. Written for the screen by Peter Morgan (The Queen, Frost/Nixon) and based on David Peace’s critically acclaimed novel, this fictionalized account of the notorious sports legend co-stars Jim Broadbent.

You don’t have to be a soccer fan to enjoy this well-made and well-acted film. Possibly the Wikipedia article might help. In fact that article claims that much of the film is fictional. Hopefully the barebones historical facts are accurate.

During the film we do see Leeds cheating during the soccer matches. One of Brian Clough’s contentions was that in fact in the past Leeds did a lot of that sort of thing. There is a lot of soccer slang that went right past me, but it did not really matter.

During the film you don’t see that much soccer playing. Rather the emphasis is on Clough’s arrogance and his relation with other managers and players. In a certain sense the film ends on a happy note.

At the end of the film you get to see actual film clips of the real Brian Clough and Peter Taylor. Indeed I saw a similarity in looks between the actor and the real Clough.

Perhaps the cursing is not appropriate for children.

The Hurt Locker (2008)

From NetFlix:

Kathryn Bigelow directs this gripping drama (nominated for two Independent Spirit Awards) following one of the U.S. Army’s elite EOD (explosive ordnance disposal) teams operating in the ferocious war zone of Iraq. As the squad identifies and dismantles improvised explosive devices and other bombs, they must also contend with the frayed nerves and internal conflicts that arise from living in constant peril. Ralph Fiennes, David Morse, Guy Pearce, Jeremy Renner and Anthony Mackie star.

Hopefully this film tells it like it really is in Iraq. If so, I don’t see how any soldier in Iraq stays sane: the constant fear, especially in the EOD, would eventually unhinge most humans. Plot is secondary. Rather the film is a sequence of hair raising episodes in the life of the EOD. Once such a episode started, I could not get my eyes off the screen. Episode after episode I never got accustomed to the tension. What little there was of plot involved the difference in personalities between Staff Sergeant William James, the bomb expert, and the other soldiers. James is a chance taker, seemingly impervious to the dangers.

Be prepared for gore: a bomb is planted in the body of a dead child, a family father is forced to become a suicide bomber, etc.

For a complete description see wikipedia.

Lonely Hearts (2006)

From NetFlix:

In this unnerving docudrama, John Travolta and James Gandolfini play homicide detectives assigned to pursue lovers Martha Beck (Salma Hayek) and Raymond Fernandez (Jared Leto) — dubbed the “Lonely Hearts Killers.” Luring unwary war widows and spinsters through personal ads in the late 1940s, the couple stripped respondents of their savings before slaying them in a sexually charged frenzy. The supporting cast includes Laura Dern and Scott Caan.

Well worth seeing, this film is violent and could be hard to watch if only because there is a very explicit execution by electric chair (which you know immediately at the start of the film). Children not invited to watch because of the grisly shootings, the explicit sex, and the coarse sexual banter of the police officers.

Over the years I have seen John Travolta become a fat actor playing himself. In this case his face has changed so much (no, it is not makeup) that I almost did not recognize the face, although the body type has not changed. In all fairness, he does an excellent and sullen job as a man wounded by and unable to recover from his wife’s suicide. James Gandolfini is not just Tony Soprano and can, in fact, act well in certain kinds of roles including this role as Travolta’s sidekick.

Salma Hayek throughout the film is drop-dead gorgeous, especially when she is dolled-up in a smart black outfit plus big hat plus decolletage. She plays a wonderful sociopath right down to her never-give-in demise.

Not bad at all!

Waltz with Bashir (2008)

From NetFlix:

Utilizing vivid black-and-white animation in this Golden Globe winner for Best Foreign Language Film, director Ari Folman documents his quest to explore the memory gaps in his life during his service for the Israeli army in the Lebanese war of the early 1980s. Recounting several story vignettes based on recorded interviews with colleagues and friends, Folman explores the horrors of war and the curious coping mechanisms that mankind uses to survive and function under brutal circumstances.

Not everyone enjoys animantion. However, from the limited viewpoint of watching a Graphic Novel, “Waltz with Bahir” was for me captivating. Just watching the faces was enjoyable.

But these comments are superficial. For the historical background of the 1980 war in Lebanon and of this film and the various reactions to the film you could read the ample article in Wikipedia.

Just be prepared for the final portion in which the animation is replaced by actual film footage of the horror.

Touching the Void (2003)

From NetFlix:

Mixing interviews with dramatic re-enactments of the event, this gripping
docudrama retells the mountaineering trek gone awry of Simon Yates (Nicholas
Aaron) and Joe Simpson (Brendan Mackey). While climbing in the Andes,
Simpson falls and breaks his leg. Yates, who’s tethered to him, attempts
to lower him to safety but fails. He makes a pivotal decision that may or
may not save both of their lives. Was he right?

Mid-May 6 of us (wife Kathy, daugher Kate, her boyfriend Nigel, brother-in-law Jack, sister-in-law Nel, and I) had spent 2.5 hours walking up a mountain path in England’s Lake Discrict to the summit. Almost as soon as we started down, I stepped on what looked like firm soil only to have it collapse under me. My leg and ankle twisted, I heard a “pop” and felt pain. My first thought was “How will I ever get down this mountain ?” By putting my arms around the necks of Kate and Nigel I hopped down on one foot to an awaiting volunteer rescue team with ambulance. Upon returning to the U.S.A. I discovered I had broken my fibula. While helping me down Nigel tried to calm me by talking about the film “Touching the Void”.

So: contrast my minor inconvenience with the story in “Touching the Void”. It is a true and tensely scary story. In the filmed docudrama the three narrators are actors replacing the actual climbers. But it is not just talking heads. The horrors are re-enacted quite effectively. This is not a film for the squeamish. I was glued to my broken-bone sick-bed throughout. At the end you see photos of the real climbers as well as some printed notice of what happened later, including the controversy.

If you can stand it, don’t miss it!