Category Archives: DO NOT MISS

Shine (1996)

From NetFlix:

A riveting profile of Australian keyboard virtuoso David
Helfgott (Geoffrey Rush) and his ultimate triumph over a
domineering, abusive father (Armin Mueller-Stahl);
schizophrenia; and an obsession with the all but unplayable
Rachmaninoff Piano Concerto No. 3. Sir John Gielgud,
superb as ever, plays Helfgott’s tutor. Richly deserved
Oscars went to Rush (Best Actor) and to Mueller-Stahl for
his supporting turn.

You should read about David Helfgott in Wikipedia. The movie is not exactly true,
but close enough. In the film Helfgott’s father is more of a monster than perhaps
he deserves to be. I was disappointed to learn that Helfgott’s performance of the
Rachmaninoff Third Piano Concerto was criticized quite negatively. Never mind,
just enjoy the film.

As with most “feel good” movies, you first have to “feel bad”.
When Lynn Redgrave enters the film, you just know the movie will get happier.

In several scenes Helfgott forgets to wear clothing. He gropes a woman several
times. Hence, perhaps not for children.

HIGHLY RECOMMENDED, especially for classical music fans,

This Boy’s Life (1993)

From NetFlix:

Moving from one unhealthy relationship to another, Caroline (Ellen Barkin)
and her son, Toby (Leonardo DiCaprio), roam the country and finally end up
in Washington state, where she marries Dwight (Robert De Niro), a modest
mechanic. But Dwight fails to be the role model she had hoped for , and
Toby is desperate to escape from under his heavy, abusive hand. Michael
Caton-Jones’s gripping drama is based on Tobias Wolff’s autobiography of
the same name.

I am not trying purposely to watch DiCaprio films, it just keeps happening. He IS a good actor. But in this film, in my humble opinion, Robert De Niro gives the best performance of his career. He plays an utterly despicable father to perfection. I was on the edge of my seat the entire film waiting for his comeuppance. I called this a “feel good”, but that is true only at the end. You just get more and more fearful for DiCaprio’s future until the end.

Don’t miss it!

My Left Foot (1989)

From NetFlix:

Daniel Day-Lewis won an Oscar for his portrayal of Irish writer
Christy Brown, who was born with cerebral palsy. Misdiagnosed
as mentally disabled for the first 10 years of his life, Brown
learned to write using his left foot, the only body part he
could control. The story unfolds in flashbacks, with Hugh O’Conor
as the young Christy equaling Day-Lewis’s performance as the adult.

“My Left Foot” is one of those classics that you should see at least once
before you die. Somehow Daniel Day-Lewis never seems to age. To me he looks practically the same in each of his films. Not only his performance but also that of the young Christy and Christy’s mother are phenomenal. I had seen this film years ago. It is ageless and I enjoyed it probably more the second time. Do not miss this movie!

The Visitor (2007)

From NetFlix:

Widowed professor Walter Vale (Richard Jenkins) discovers an immigrant
couple, Tarek (Haaz Sleiman) and Zainab (Danai Gurira), squatting in
his Manhattan flat and becomes wrapped up in their lives when Tarek is
thrown into a detention center. A wonderful Hiam Abbass co-stars as
Tarek’s mother, who forges an unlikely connection with Walter.
Director Thomas McCarthy’s follow-up to his indie hit The Station
Agent premiered at Sundance in 2008.

Kathy and I saw this at the Embassy in Waltham. It’s an eye-opener into the world of immigration detention centers (nothing harsh, just the utter bureaucratic hopelessness). The acting, especially Richard Jenkins (the father in “Six Feet Under”), is superb. In other words, don’t miss it.

Immediately after the film, Kathy and I were driving in the car when we were stopped by an extremely polite police officer who informed us that our car was no longer registered. Upon inspecting my valid registration, plates, sticker, and license, he decided that the RMV had made a mistake and he would therefore not have our car towed. However, I did have to have a court appearance. I spent the morning at the RMV having them correct their mistake. At least we were not thrown into a detention center and made non-existent.

But the movie was really good.

The Full Monty (1997)

From NetFlix:

This raucous English comedy follows a group of unemployed British
steel-mill workers who, broke and bored, devise a fabulous scheme
to get off the dole: Become male strippers! Soon they’re a sensation
with the ladies, who encourage the men to show the “full monty”
(strip down to the skin). This quirky 1997 sleeper is full of character
and great humor.

I was looking for movies my mother would like. The telephone conversation would be something like: “Well Mom, it’s about unemployed British men who want to strip naked in a show … Mom … Mom … are you still there ?”

You Can Count On Me (2000)

From NetFlix:

Small-town single mom Sammy Prescott (Laura Linney) is preoccupied
with raising her son Rudy (Rory Culkin), who’s become sullen — and
curious about his missing dad. Amid romantic and work troubles,
Sammy’s wayward brother Terry (Mark Ruffalo) appears, instantly
bonding with Rudy and instigating a perilous father-son reunion.
Director Kenneth Lonergan’s intimate, Oscar-nominated drama
won the Sundance Film Festival’s Grand Jury Prize.

MarkRuffalo does a great job. Ends with a scene that for me was
very sad. Nevertheless, a real feel-good.

Sleuth (2007)

From Netflix:

Aging detective writer Andrew Wyke (Michael Caine) squares off
against Milo Tindle (Jude Law), the struggling actor who stole Wyke’s
wife in this twisted — and twisty — plot of deception and double
crosses. Kenneth Branagh directs a gripping screenplay by Nobel
Prize laureate Harold Pinter, who stylishly updates the 1972
original — in which an Oscar-nominated Caine played the Milo
role opposite Laurence Olivier’s Andrew. Double feature anyone?

The movie feels like a play and is essentially talking heads. But what two heads !!!!!!! It is a pleasure to watch real time-honored acting. Michael Caine and Jude Law pair off in the most impressive performance I have seen in a long time.

Beware ! This is Harold Pinter and it doesn’t take long for things to get down and dirty. NOT FOR CHILDREN.

The plot twists are jolting. The ending is perfect. The updated 2007 setting works well.

Don’t miss it!

Butterfly (1999)

From NetFlix:

At the onset of the Spanish Civil War, a sheltered boy (Manuel Lozano) in rural northern Spain forms an indelible bond with his kindly leftist teacher (Fernando Fernán Gómez), who imparts his love for nature to the young student. Director Jose Luis Cuerda gentle and nostalgic drama, based on the short stories of Manuel Rivas, was nominated for 13 Goya Awards (the Spanish Oscar), winning for Best Adapted Screenplay.

Beautiful, sad story of friendship between young boy and devoted teacher at time of Spanish civil war. Inspired by a book called “La Lengua de las Mariposas” (Butterfly’s Tongue). Shows the destructive split in Spanish society during the Spanish Civil War. The ending could be hard to take. But I call this a “feel good” because the interplay between the boy and the teacher is beautiful. Really a masterpiece.

The Station Agent (2003)

From NetFlix:

When his only friend dies, a young dwarf named Finbar McBride
( Peter Dinklage) relocates to an abandoned train station in rural New
Jersey, intent on living the life of a hermit. But his solitude is soon
interrupted by his colorful neighbors, which include a struggling artist
( Patricia Clarkson) coping with the recent death of her young son and a
talkative Cuban hot dog vendor ( Bobby Cannavale).

This is a true, eccentric, and warm independent film. For me, so far, it is Peter
Dinklage’s best.

The Winslow Boy (1999)

From NetFlix:

When Arthur Winslow’s (Nigel Hawthorne) 14-year-old son (Guy Edwards) is expelled from the Royal Naval College for stealing, he launches a long and costly effort to clear the boy’s name. But in the process, the determined father may destroy his family. With clever dialogue, director David Mamet’s drama — based on a play by Terence Rattigan — makes strong statements about the relative virtue of right and wrong when appearances mean everything.

NetFlix fails to mention other actors such as Jeremy Northam and Rebecca Pidgeon (who had 2 children with the playwright David Mamet).

This movie is not only engaging, but visually it is wonderful to watch.
This is a feel-good for everyone.