Category Archives: DO NOT MISS

The Prey (2013)

From Netflix:

This thriller follows the ups and downs of thief Franck Adrien, who’s serving prison time for a job whose proceeds he’s safely stashed away. But when the hidden loot and his family are compromised, Franck has no choice but to bust out early.

When you start to watch this film you get a choice of the original French version or the Americanized (i.e. dubbed) version. In addition with the English version you can select subtitles.

Brace yourselves because this is a very exciting, tense, well-done and violent French film. According to IMDB Albert Dupontel (the prison escapee Franck Adrien) has an impressive acting resumé. What does strain credibility is the actor’s superman ability to run, fight, leap from tall heights, recover from wounds and escape the police over and over. But then American movies are full of unbelievable superheroes.

In some sense the real star of the film is Stéphane Debac who plays Jean-Louis Maurel, a really creepy, clever, manipulative, charming serial killer of young girls. He kidnaps Franck Adrien’s little girl. Originally Franck escaped prison because he thought his $2 million stash was in danger. But most of the film concerns his efforts to rescue his daughter.

Suspense lasts till the last moment. If you like a really tight, tense plot then DO NOT MISS!

The Attack (2012)

From Netflix:

An Arab Israeli physician offers assistance at the scene of a gruesome suicide bombing in Tel Aviv and then learns that the bomber was his own wife. Stunned and furious, he sets out to confront the people who encouraged her deadly decision.

To paraphrase an old saying, “One good film is worth a thousand history books”. My guess is that as you watch this marvelous film in Hebrew and Arabic with English subtitles your attitude towards the events and the protagonists will change at least somewhat. Here is yet another film about the Israeli-Palestinian conflict that succeeds in not choosing sides, something that is very difficult to do in a film. If nothing else you will probably sympathize with the surgeon husband of the suicide bomber, a man caught in the middle of two cultures.

Superb acting, subtly developed plot, and a thought-provoking situation make for a must-see film.

C.O.G. (2013)

From Netflix:

Based on a short story by David Sedaris, this comedy follows the brash young author as he travels to Oregon to work on an apple farm. The journey exposes him to all sorts of culture clashes, but what awaits him at the farm is far worse.

In this small gem of a film, Jonathan Groff is perfect for the part of a naïve and searching young man taking a break from his parents and Yale. His character David is so vulnerable to all the questionable influences that you could sit and worry about what might befall him. And many unpleasant but possibly forming tribulations do come his way. Here is a sensitive film so close to reality that you might cringe when something possibly not violent but at least hurtful happens to David. You can watch Wolverine slice someone into pieces and not bat an eye. But when a supposed friend turns viciously against David you feel the ugliness in a very personal way. Jonathan Groff has a short resume, but be on the lookout for more of his performances.

Hats off to some wonderful villains.

Denis O’Hare (the born-again jade artist) is one of our most established support actors, which is to say you recognize him even though you might not know his name (no matter how many episodes of “Law and Order” you have watched). His performance offers one of the most devastating and hateful betrayals I have ever seen.

Exactly the same can be said for Corey Stoll (apple packing plant manager) in every aspect. You might remember him as Rep. Peter Russo from “House of Cards”. His character is no less sinister than that of Denis O’Hare.

Escape from the trash. Here is a wonderful gem that YOU SHOULD NOT MISS!

Prisoners (2013)

From Netflix:

When his 6-year-old daughter is abducted and the investigation stalls, carpenter Keller Dover tracks down the culprit himself. But his vigilante action pits him against the case’s lead detective and puts his own sanity at risk.

Hugh Jackman plays the father who becomes violently involved in the investigation. In this respect this role is somewhat of a departure for Jackman since his character’s behavior is so far over the line that he is almost a villain. But still the plot is clever enough that for almost the entire film you are not really sure Jackman is on the right track or just plain unhinged.

Jake Gyllenhaal as Detective Lokki plays the calm, deliberate contrast to Jackman. Gyllenhaal’s job is complicated because he is both trying to find the kidnapped girls as well as keeping a suspicious eye on Jackman.

WARNING: Be prepared for violence, psychotic behavior, and torture.

Also expect some plot surprises. It takes the entire 153 minutes for answers to arrive. Finally I would enjoy hearing your reaction to the very end of the film, whose style is becoming more and more “trendy” and which has always made me chuckle.

Read the warning label and then DO NOT MISS!

The Silence (2010)

From Netflix:

When 13-year-old Sinikka goes missing from the same spot where another girl was murdered 23 years earlier, a retired investigator teams up with a younger colleague to unravel the parallel mysteries.

According to Wikipedia, this film is based on the German crime fiction novel The Silence (German: Das Schweigen) by Jan Costin Wagner. In fact the film is in German with subtitles.

Everything about this film is incredibly well done. Not only the story, but the photography, the pace, and above all else the acting.

Lifelong sadness over the loss of a loved-one is the pervasive theme of the film. From the very beginning we witness the initial rape and murder. (Later on we witness the second murder.) Rather than being a mystery story, the film centers on how the crimes effect each of the many characters: a retired detective whose marriage failed under the stress of his desperate efforts to solve the initial crime; a young brilliant detective trying to get over the recent death of his wife; the mother of the first victim; the parents of the second victim; the smug, officious, inept present-day chief detective; and each of the two guilty parties.

Only a bit of a mystery exists: can you recognize how one of the original killers has morphed into a present-day respectable citizen?

WARNING: be prepared for sadness and irony. However, DO NOT MISS THIS SUPERB FILM!

Wadjda (2012)

From Netflix:

Persistent 10-year-old Wadjda would like nothing more than a new bicycle so she can beat her friend (a boy) in a race. But it’s going to take some ingenuity to get one — especially in her culture, which sees bikes as a threat to a girl’s virtue.

Because this film is not yet on DVD, and also not available from Netflix, we went to a movie theater. As my hearing gets worse, I am dependent on subtitles. Since this film is in Arabic, there were subtitles.

While re-enforcing my opinions about the sad repression of women under Islam, this film cannot fail to charm even the most skeptical viewer. Spunky Wadjda and her wonderful young friend Abdullah are a pleasure to watch. Abdullah is so thoughtful of his rebellious sidekick that you wonder where in his male-dominated society he learned to care.

“Just tell the story” and the points will come across. Indeed, you will see religious fundamentalism revealed as also hypocrisy. You will see that although Wadjda’s father loves her and her mother, he is under societal pressure to produce a male heir. You will see Saudi natives able to bully possibly non-legal immigrants. And above all you will see a somewhat crushing regimen forced upon the women in a seemingly bleak country.

For a down-to-earth possibly sad but also spirited story, DO NOT MISS!

World War Z (2013)

From Netflix:

A U.N. employee races against time and fate as he travels the world trying to stop the spread of a deadly zombie pandemic. As the undead hordes gain strength across the globe, governments topple and Earth stands on the brink of total social collapse.

If you are not eager to see virus-crazed “zombies” infecting other humans by biting, crowds of panicky people running to nowhere, bodies flying through the air, exploding airplanes, and very tense escape sequences, then DO NOT SEE THIS FILM!

On the other hand I love suspense and the various episodes in this fright-fare are indeed some of the scariest I have seen in a long while. In fact the tension mounts throughout the film. Probably the most nerve-wracking sequence has Brad Pitt at the W.H.O headquarters in Wales trying to get to some needed stored virus while avoiding the already infected “zombies” at W.H.O. Of course you understand (we learn this early in the film) that noise is what sets these critters in motion.

As far as endings go, the authors found an excellent way to finish the story.

You have been duly warned. However, in the category of well-plotted, not silly, visually and emotionally explosive scare-mares, DO NOT MISS!

What Maisie Knew (2013)

From Netflix:

In this updated rendering of the timeless Henry James novel, a perceptive 6-year-old girl becomes a bargaining tool when she gets caught in the midst of a toxic custody fight between her self-seeking, childish parents.

How on earth did the directors (Scott McGehee, David Siegel) get Maisie (played by incredibly young Onata Aprile) to act so perfectly? Granted much of her mannerisms are what you would expect from such a little girl. But at certain points, especially in one final painful scene with her egocentric failure of a mother (Julianne Moore) just one subtle facial expression says it all.

Congrats to Steve Coogan for playing such a similarly egocentric repellent failure of a father.

But eventually you just smile seeing Alexander Skarsgård and Joanna Vanderham together as two misused victims of the ugly couple. Here are the only two people in the world that really love Maisie.

Just beware that the 21st century is the century of unresolved conflicts. If you can stand the heartache, DO NOT MISS!

Europa Europa (1990)

From Wikipedia:

Europa Europa is a 1990 film directed by Agnieszka Holland. Its original German title is Hitlerjunge Salomon, i.e. “Hitler Youth Salomon”. It is based on the 1989 autobiography of Solomon Perel, a German Jewish boy who escaped the Holocaust by masquerading not just as a non-Jew, but as an elite “Aryan” German. The film stars Marco Hofschneider and Julie Delpy; Perel appears briefly as himself in the finale. The film is an international co-production between CCC Film and companies in France and Poland.

Hopefully you will watch both this 2 hour film and also the 3 hour film Sunshine.
Whereas “Sunshine” is an epic showing the history of Hungarian Jews during several epochs, “Europa Europa” is a true story about one Jewish teenager’s survival in the confusing changes in political alignment in Germany, Poland, and Russia between Hitler and Stalin.

WARNING: Once again (as in “Sunshine”) there will be some ugly scenes. Once such scene shows what it was like in the Jewish ghetto during WWII when the Germans either starved the Jews, or killed them outright, or sent them to concentration camps.

If this were not an autobiography I would label it as fantasy or magic realism or some such departure from reality. Yupp, the teenager, had literally unbelievable good luck. However, he survived partly because in all his reincarnations he learned to speak not only German but also Polish and Russian. Of course, he was also very resourceful. Moreover, when faced with a moral choice, he chose survival.

Watching the indoctrination of the Nazi Youth into a violent anti-Semitism was a revelation.

Despite the story’s best efforts, I will personally never believe that the German people did not know what was happening to the Jews.

Coupled with “Sunshine” I would call this film a DO NOT MISS!

Sunshine (1999)

From Netflix:

A single actor portrays father, son and grandson in this epic historical tale that follows a Jewish family as they struggle to survive anti-Semitism, war and corruption in Hungary. Each man deals with the prevailing regime in his own way.

Istvan Szabo, the director, presents us with a wonderful three hour epic that leads us through many periods in Hungarian history: Austria-Hungary, World War I, Communism after WW I, Nazi occupation of Hungary in World War II, Pro-Stalin Communism after WW II, and finally the fall of Communism.

For a detailed account of the film see the Wikipedia article.

For those of us in Massachusetts please note that “Sunshine” was written by the director Istvan Szabo and Israel Horovitz. Horovitz is Founding Artistic Director of the Gloucester Stage Company in Gloucester, Massachusetts. Kathy and I have seen several of his plays.

Although there are too many wonderful actors to mention, clearly the film was a tour de force for Ralph Fiennes who plays parts in three generations of the family. Jennifer Ehle as Valerie Sonnenschein was strikingly beautiful.

Warning: there is one ugly scene when Fiennes as the character Adam in a concentration camp is tortured to death. Szabo makes it quite clear that the villains in this piece are not Nazis, not Germans, but HUNGARIANS who are very anti-Semitic.

Three hours may seem like a long time, but this film is worth every second.
DO NOT MISS!