Category Archives: Crude Talk

Nebraska (2013)

From Netflix:

When a cantankerous old boozer thinks he’s won a magazine sweepstakes prize, his son reluctantly takes a road trip with him to claim the fortune. As they drive from Montana to Nebraska, they visit friends and relatives to whom the dad owes money.

Ignore the misleading Netflix blurb. In summary, this is a wonderful film – HOWEVER …

When the movie began I did a lot of squirming, as in:

  • Who wants to watch a concentration of losers all in one desolate spot?
  • In fact who wants to visit such desolation? (Somehow the towns reminded us of Herkimer in upper state New York where Kathy grew up.)
  • Why would the sons of such a hateful father turn out to be such kind men?
  • How could that old boozer have lived with such a bitch all those years?
  • Who wants to watch incipient Alzheimer’s disease?
  • Who wants to watch greedy cretins?

Even if your initial response is a complete turn-off, please stick with the film. For one thing, the acting is so superb that it can be depressing. Will that be us in a few years? If so, let me off the planet right now!

Eventually I was cheering for “the bitch” of a mother. Dave (played to affectionate perfection by 44 year old Will Forte) was almost too good to be true. His final gestures toward his failing father are almost tear-jerkers. Bruce Dern turns in a solid performance at the tender age of 78.

Sometimes you have to get past momentary discomfort to earn a really good watching experience. DO NOT MISS!

Don Jon (2013)

From Netflix:

Jon Martello’s romantic exploits are legendary among his friends, but his obsession with online porn saps his enthusiasm for real sex. As he searches for intimacy — or avoids it — Jon meets two women with vital lessons to teach him.

Despite the constant shots of computer pornography, despite the endless stream of vulgar sexual discussions, despite all the swearing, there is a real point to this film. In fact this is the kind of film you could show teenagers in a sex class. Such a film will indeed titillate, but Joseph Gordon-Levitt does an amazing job in portraying a young “dude” that actually turns his life around as he moves away from one-sided sexual satisfaction and toward a real relationship. Repeat: his acting is superb.

He changes with the help of two women: Scarlett Johansson plays a low-class, gum chewing, sexy but domineering woman who starts Don Jon on the road to something better. Julianne Moore picks up where Johansson leaves off and finally makes the difference for Don Jon. This is not a spoiler because the whole point of the film is the process Gordon-Levitt makes with his addiction.

Notice Don Jon’s sister who seems attached at the hip to her smartphone. At one point she is dead on the mark.

As a Catholic I would like to remark that the scenes in the Catholic confession are not far off the mark as far as the impersonal atmosphere is concerned. However, in Catholic theology the confession is bogus and there is no forgiveness if the person confessing is not resolved to avoid the sin in the future. Future avoidance would be the last thing on Don Jon’s mind.

If you can ignore the vulgarity, this is actually a good film.

Flypaper (2011)

From Netflix:

Two gangs unwittingly attempt to rob a bank at the same time, catching innocent Tripp in the middle of the action. He saves bank teller Kaitlin, and together they scheme to stay alive and out of love.

Looking for some laughs sprinkled with quite a bit of obscenity? Looking for a plot that entangles more and more as the film advances? Looking for some clever plot twists and turns? Go no farther — at times “Flypaper” is farce-funny. Most of the humor is due to the crazy characters, either bank employees or the genuine imbeciles trying to rob the bank.

Patrick Dempsey plays Tripp Kennedy, an obsessive compulsive not-so-idiot-savant. He and Ashley Judd are caught in the middle of the mayhem.

You may recognize Jeffrey Tambor as the Bluth family father from “Arrested Development”.

Pruitt Taylor Vince often plays a blathering redneck idiot, this film included. You might recognize him as the heavy-set supervisor from “The Mentalist” whose eyes never stopped circling.

Although it is a funny satire, to understand the complications at the end might be a challenge.

C.O.G. (2013)

From Netflix:

Based on a short story by David Sedaris, this comedy follows the brash young author as he travels to Oregon to work on an apple farm. The journey exposes him to all sorts of culture clashes, but what awaits him at the farm is far worse.

In this small gem of a film, Jonathan Groff is perfect for the part of a naïve and searching young man taking a break from his parents and Yale. His character David is so vulnerable to all the questionable influences that you could sit and worry about what might befall him. And many unpleasant but possibly forming tribulations do come his way. Here is a sensitive film so close to reality that you might cringe when something possibly not violent but at least hurtful happens to David. You can watch Wolverine slice someone into pieces and not bat an eye. But when a supposed friend turns viciously against David you feel the ugliness in a very personal way. Jonathan Groff has a short resume, but be on the lookout for more of his performances.

Hats off to some wonderful villains.

Denis O’Hare (the born-again jade artist) is one of our most established support actors, which is to say you recognize him even though you might not know his name (no matter how many episodes of “Law and Order” you have watched). His performance offers one of the most devastating and hateful betrayals I have ever seen.

Exactly the same can be said for Corey Stoll (apple packing plant manager) in every aspect. You might remember him as Rep. Peter Russo from “House of Cards”. His character is no less sinister than that of Denis O’Hare.

Escape from the trash. Here is a wonderful gem that YOU SHOULD NOT MISS!

Strike Back (2010)

From Netflix:

Two members of an elite, secret branch of MI6 — a British sergeant and former U.S. Delta Force operative — track an international terrorist around the globe to thwart his plans to use weapons of mass destruction for a deadly attack.

Let’s suppose you read detective novels. Isn’t one novel similar to the next in many ways? But still you read the novels because you enjoy them.

Let’s suppose you love basketball. Isn’t one game similar to the next is many ways” But still you watch basketball.

In like manner “Strike Back” is a clone of, for example, “MI-5“. But still I continue to get an adolescent kick out of watching the good guys shoot the bad guys. However, the distinction between good guys and bad guys is ever more blurred in TV series such as “Strike Back” and others. Indeed a recurring theme is that of morally ambivalent choices directors make to achieve the “greater good”. “Collateral damage” anyone?

On a personal level this series features a competitive bromance between Philip Winchester (Sgt. Michael Stonebridge) and Sullivan Stapleton (Sgt. Damien Scott).

As an added bonus you are guaranteed in each episode to see (a usually naked) Sullivan Stapleton having sex with some (almost certainly naked) attractive and amply endowed woman. We call this bonus feature “Great Expectations”.

OK kids, have fun watching all the violence. Who do you suppose pays for all those exploded automobiles?

Your Sister’s Sister (2011)

From Netflix:

Jack, who is mourning the death of his brother, has a complicated relationship with his best friend, Iris, who used to date his brother. Their chaotic situation becomes even more tangled when Jack has a drunken tryst with Iris’s flighty sister.

Why was I smiling while listening to young adult superficial banter? Granted it was clever banter, but somehow …

And then it gets complicated and serious. Are 21st century relationships really more contorted than in previous generations? Or is this plot contrived enough that we should just ignore or reject the situation? Or are 21st century young adults just a bit confused?

But I did have to stick around to see how the three characters got themselves out of their self-created emotional tangle. And just to spoil this film for you, they come up with a solution, believable or not — you decide, that made this film a “feel good”.

And the very ending was PERFECT!

Mud (2012)

From Netflix:

Two Mississippi teens, Ellis and Neckbone, meet a mysterious drifter named Mud hiding on a deserted river island and get caught up in his tangled web of tall tales about bounty hunters, crimes of passion, lost love and a perfect woman named Juniper.

Good acting and an involving storyline make this somewhat violent film worth seeing.

For once Matthew McConaughey is neither romantic stud, tough cowboy, nor clever lawyer. His role here as a fugitive from a revenge killing seems to me to be his best effort at acting that I have seen to date (2013).

Similarly Reese Witherspoon is not a bouncy blonde but plays well the part of an imperfect, sad, basically good-hearted young woman. At first I almost did not recognize her (because at the time one of the villains was giving her a beating – did I mention “violent”?).

Tye Sheridan and Jacob Lofland, the two kids, are good but do not steal the show. Their tough, down-to-earth, terse, somewhat abrupt manner of speaking seemed to me at times to be too mature for their age.

During the entire film I kept wondering how people can stand living where and in the manner that these somewhat down-trodden characters lived. Beasts of the Southern Wild took place in the same ambience.

Essentially not a violent film, but at least a suspenseful film, this one is worth catching.

The Place Beyond the Pines (2012)

From Netflix:

Luke is a professional motorcycle rider who turns to bank robberies to support his newborn son, but when he crosses paths with a rookie police officer, their violent confrontation spirals into a tense generational feud.

By this time (2012) in their lives 32 year old Ryan Gosling and 37 year old Bradley Cooper may well be in their young adult film prime. Each already has a long list of credits. Of the two, Gosling can better play more eccentric roles as he does here in this film, although he belongs to that school of acting which promotes the idea “The less you say the better, let the audience think the thoughts that you should be having in this particular scene”. Call it the silent meditation school of acting. Cooper is a more direct actor. In a certain sense the acting style is often a natural and very real “talking heads”, but the story line is so good that it all works together.

Good writing and plotting has produced a story with two parts: Part One portrays the events that affect the lives of the characters in Part Two, fifteen years later. Without giving much away (plot is paramount in this film), Gosling and Cooper are crook and cop, each with a son Jason and AJ respectively. Interaction between the fathers early in their lives has strong repercussions later in the lives of the sons. Dane DeHaan (as Jason) and Emory Cohen (as AJ) did fine jobs as lost teenagers.

All that I feel that I must tell you is: Do not expect a happy ending. Century 21 is the century of unresolved conflicts.

Olympus Has Fallen (2013)

From Netflix:

Director Antoine Fuqua’s action thriller stars Gerard Butler as a disgraced Secret Service agent who must come to the rescue when Korean terrorists descend on the White House and take the president hostage.

Are we seeing a competition among movie makers to create more and more violent mayhem on screen? But so what! This particular film kills just about every U.S. employee possible, destroys the White House, lots of automobiles, and at least 5 helicopters. Despite what seems like the usual number of explosions this is a well-made, exciting, could-it-ever-happen action film just made for an alpha-male actor such as Gerard Butler.

If we ever look back to this film review, let’s note that it is the year 2013 and since every such film needs a villain, this year’s choice seems to be North Korea. Do you think the starving people in North Korea will ever be offended by this film?

From Google I found references to Cerberus, the three-headed dog that guards hell. Who knows if we could really detonate all our underground missiles at once while they are still in the ground?

Perhaps I am an action-film junkie, but I could not stop watching.

Orange is the New Black (2013)

From Netflix:

From the creator of “Weeds” comes a heartbreaking and hilarious new series set in a women’s prison. Piper trades her comfortable life for an orange jumpsuit and finds unexpected conflict and camaraderie amidst an eccentric group of inmates.

Prison life for a group of women characters, lesbian affairs, transsexuals, and more: sounds disturbing! Now I quote from the Boston Globe Critic’s Corner:

If you get Netflix, then you really ought to try this series. It’s thoroughly engrossing, as it follows a yuppi into a low-security prison for an old drug-related crime. Made by Jenji Kohan of “Weeds,” the show is funny but also dramatic, and all of the female characters are fully fleshed out, Taylor Schilling’s Martha Stewart-type heroine most of all. All 13 episodes are available right now, but I recommend spacing them out and savoring them across the summer.

As Piper Chapman (Taylor Schilling as the lead character) first enters prison the warden tells her “This is not Oz”. In case you don’t know, “Oz” was a TV series that ran from 1997 to 2003. Oz took place in a hard-core men’s prison and was quite brutal at times. “Orange” is, as the warden said, NOT Oz. But “brutal” is relative. Bully guards taking advantage of fairly helpless women prisoners makes for tense viewing. Framing a prisoner for some offense so that their sentence is lengthened is all too easy.

Nevertheless, if you don’t mind suspense and some really explicit scenes and discussion, and if you came even close to enjoying “Oz” you will really appreciate this TV series.