Category Archives: Crime

Hinterland (2013)

From Netflix:

BBC police detective drama series set in Aberystwyth against the backdrop of mountainous terrain, close-knit villages, and windswept sand dunes of the coastline to the badlands of the hinterland. Starring Richard Harrington as DCI Tom Mathias.

UPDATE: April 2016

Netflix now offers Season 2 with 5 episodes. Below the older review still holds true, especially how slow moving and taciturn the scenes are.  Always start with the beginning episode: although each episode is a self-contained story, there are sub-threads that run through all the episodes which are crucial for appreciating the series.

From Netflix comes this Welsh one-season detective series either as DVDs or streamed. All four episodes are intense and grim. For example, episode 1 involves child abuse. Richard Harrington as DCI Tom Mathias is the silent type: he broods more than he speaks. Photography is beautiful although it depicts Wales as a barren, wild, scenic land. In this respect the mood of the country matches the mood of the characters. Episode 3 was a bit complicated. Spoken language is English and subtitles are available. Acting is superb. Plots are well constructed.

If you can survive the dark atmosphere, DO NOT MISS!

Blood Ties (2014)

From Netflix:

When 50-year-old Chris is released from prison, his younger brother Frank, an up-and-coming member of the police force, welcomes him with open arms. But when Chris has trouble staying straight, Frank is trapped between duty and family.

We should probably coin a name for those films featuring two brothers, one of whom is a crook and the other a cop. How about “Good Brother, Bad Brother”? There are an awful lot of such GBBB films. What makes this GBBB film a bit better is the fact that Bad Brother is Clive Owen and Good Brother is Billy Crudup. In this case we might change “Good Brother” to “Conflicted Brother” although that is often the case in GBBB films.

Remember Marion Cotillard who played Edit Piaf in that wonderful 2007 film “La Vie en Rose“? Here she plays a drug-addicted woman sadly misused by Bad Brother.

James Caan is the aged and dying father of the two brothers.

Nothing special, but not a waste of time.

Collision (2013)

From Netflix;

On their honeymoon in Morocco, Scott and Taylor Dolan set off on a day trip through the Sahara. When something goes terribly wrong, the couple find themselves stranded in the middle of the remote desert with no way home.

Put about a dozen disparate characters at a crash site in the desert. Learn their secrets one by one. Watch almost everyone of them die or go to prison or get away with murder. Endure a lot of violence and not terribly good lines.

Can you say “Skip this one”?

Runner Runner (2013)

From Netflix:

After losing a lot of money to online poker, a Princeton student confronts the site’s shady CEO, Ivan Block — and soon becomes Block’s protégé. But when an FBI agent tries to take Block down, the relationship between mentor and protégé goes south.

Here is your opportunity to see Ben Affleck as the bad guy and Justin Timberlake as the “good guy”. Anthony Mackie is an FBI agent who is another “good guy”. Take that phrase “good guy” with a grain of salt. Makie is just plain ruthless and not beyond murdering in the course of obtaining “justice”. Note how cynical films have become? Timberlake starts out as an intelligent but somewhat naïve Princeton student gambler. Rather than ruthless, he is just plain cunning. Affleck eventually reveals his sociopathic personality.

You more or less have seen this plot in other film incarnations and it is nothing special. But, and correct me if I am wrong, I do not remember Affleck as a villain in any previous film.

2 Guns (2013)

From Netflix:

Two special agents — one Naval intelligence, one DEA — partner for an undercover sting against a drug cartel that takes a serious wrong turn. Disavowed by their agencies, the pair goes on the run while trying to find out who set them up.

Denzel Washington and Mark Wahlberg make a fun team in this twisting and turning romp. According to the film’s philosophy just about everybody is a crook. Just start off by thinking the pair are just a couple of crooks aiming to rob a bank and let the plot take you by surprise. Many of today’s action films feature clever repartee between characters and this film is no exception. Needless to say the film is violent. As for sex, Paula Patton is slightly naked in just one scene.

Only in our cynical age could such plots be possible. Just because in fact the CIA installed our Pinochet in Chile after murdering Allende is no reason to think that CIA agents might be dishonest.

Have fun!

Port Mortuary (2010) [Book Review]

From the Amazon page for the book:

Cornwell returns to form—somewhat—after the plodding Scarpetta Factor (2009). Told in the first person, the story finds Kay Scarpetta, now the chief medical examiner of the new Cambridge Forensic Center in Massachusetts, involved in a couple of cases: the mysterious sudden death of a man and the murder of a child (whose confessed killer seems to be innocent). Soon she begins to suspect the two cases are related—joined by a piece of high-tech hardware found in the first victim’s apartment—and before too long, she realizes she’s facing what could be her most clever foe yet. For the first time in a while, Cornwell seems genuinely interested in Scarpetta again, giving the novel that spark of life that has made the series so enjoyable for its many fans. The book is still a long way from the glory days of Postmortem (1991) and From Potter’s Field (1995), but it’s definitely a step in the right direction. Series fans who have felt a bit let down of late will be pleased.

Unfortunately this was the first Scarpetta novel I ever read as well as the first Patricia Cornwell I ever read. In the paragraph above there are recommendations for other Scarpetta novels that the critic deemed better.

My first impression is that Cornwell is a female version of a transmigrated Tom Clancey. No detail seems too small to include. If you like technical discussions you will love Cornwell.

As hinted in the critic’s paragraph above, she seems “interested” in Scarpetta. My general impression is that she ruminates constantly about Scarpetta’s inner worries. Scarpetta seems to spend her time fretting over her relationship with her husband, with her colleagues, with her subordinates, etc. In fact there is more navel contemplation than action. One oddity is that we never meet one of the most important personalities in the story although I will not offer a spoiler.

Her introduction to the book claims that every technical detail in the book is already true or is currently under government or industry development. If this is true, then the future looks rather bleak.

Although the plot is inventive and offers surprises, you might do better to start with another Scarpetta novel by Patricia Cornwell.

Deal Breaker (1995) [Book Review]

From Wikipedia:

Harlan Coben (born January 4, 1962) is an American author of mystery novels and thrillers. The plots of his novels often involve the resurfacing of unresolved or misinterpreted events in the past (such as murders, fatal accidents, etc.) and often have multiple plot twists. Both series of Coben’s books are set in and around New York and New Jersey, and some of the supporting characters in the two series have appeared in both.

If you are looking for wisecracks and funny repartee, go no farther. If you are looking for something a bit more serious, well-crafted, and original then look elsewhere. This lightweight book is the first of the Myron Bolitar series and is a fun read but nothing special.

Myron Bolitar is a former athlete and current sports agent. One of his clients, a football player named Christian, becomes associated with the disappearance of Christian’s girlfriend. In order to save Christian’s career (and his own commissions) Myron investigates the crime with the help of his very eccentric and somewhat unscrupulous quasi-partner Win.

Expect to encounter murder, pornography, gangsters, sex scenes, adultery, and more. In other words, expect to find what you usually find in somewhat mediocre crime novels.

The Place Beyond the Pines (2012)

From Netflix:

Luke is a professional motorcycle rider who turns to bank robberies to support his newborn son, but when he crosses paths with a rookie police officer, their violent confrontation spirals into a tense generational feud.

By this time (2012) in their lives 32 year old Ryan Gosling and 37 year old Bradley Cooper may well be in their young adult film prime. Each already has a long list of credits. Of the two, Gosling can better play more eccentric roles as he does here in this film, although he belongs to that school of acting which promotes the idea “The less you say the better, let the audience think the thoughts that you should be having in this particular scene”. Call it the silent meditation school of acting. Cooper is a more direct actor. In a certain sense the acting style is often a natural and very real “talking heads”, but the story line is so good that it all works together.

Good writing and plotting has produced a story with two parts: Part One portrays the events that affect the lives of the characters in Part Two, fifteen years later. Without giving much away (plot is paramount in this film), Gosling and Cooper are crook and cop, each with a son Jason and AJ respectively. Interaction between the fathers early in their lives has strong repercussions later in the lives of the sons. Dane DeHaan (as Jason) and Emory Cohen (as AJ) did fine jobs as lost teenagers.

All that I feel that I must tell you is: Do not expect a happy ending. Century 21 is the century of unresolved conflicts.

Shallow Grave (1994)

From Netflix:

Ewan McGregor stars in this grimly comic tale of three roommates who find their enigmatic new flatmate dead in his room with a stash of drugs and a suitcase full of cash. What will they do with all that money — and the corpse?

Basically the plot is that the suitcase full of cash little by little corrupts each of the three friends. Suspense builds as their increasingly paranoid behavior leads to conflicts and more. Be prepared for violence along with the good acting. Ewan McGregor almost never appears in an unworthy film. But this film is also a bit strange.

And who will win the cash competition ?

Orange is the New Black (2013)

From Netflix:

From the creator of “Weeds” comes a heartbreaking and hilarious new series set in a women’s prison. Piper trades her comfortable life for an orange jumpsuit and finds unexpected conflict and camaraderie amidst an eccentric group of inmates.

Prison life for a group of women characters, lesbian affairs, transsexuals, and more: sounds disturbing! Now I quote from the Boston Globe Critic’s Corner:

If you get Netflix, then you really ought to try this series. It’s thoroughly engrossing, as it follows a yuppi into a low-security prison for an old drug-related crime. Made by Jenji Kohan of “Weeds,” the show is funny but also dramatic, and all of the female characters are fully fleshed out, Taylor Schilling’s Martha Stewart-type heroine most of all. All 13 episodes are available right now, but I recommend spacing them out and savoring them across the summer.

As Piper Chapman (Taylor Schilling as the lead character) first enters prison the warden tells her “This is not Oz”. In case you don’t know, “Oz” was a TV series that ran from 1997 to 2003. Oz took place in a hard-core men’s prison and was quite brutal at times. “Orange” is, as the warden said, NOT Oz. But “brutal” is relative. Bully guards taking advantage of fairly helpless women prisoners makes for tense viewing. Framing a prisoner for some offense so that their sentence is lengthened is all too easy.

Nevertheless, if you don’t mind suspense and some really explicit scenes and discussion, and if you came even close to enjoying “Oz” you will really appreciate this TV series.