Category Archives: Classic

The Thin Red Line (1998)

From NetFlix:

Director Terrence Malick’s lyrical retelling of James Jones’s novel about the bloody 1942 battle for Guadalcanal was nominated for seven Academy Awards, including Best Picture. With narration from Pvt. Witt (Sean Penn), fellow soldiers Capt. John Gaff (John Cusack), Sgt. Keck (Woody Harrelson) and the rest of the company become a tight-knit group as they face the horrors of war to hold onto a key-positioned airfield — and their own sanity.

Both the “NY Times Best 1000” and “1001 Films to See Before You Die” rave about Malick’s war film. At 170 minutes, it is a long an harrowing adventure. There are too many known actors to even begin mentioning them. Essentially an anti-war film, it constantly blends exotic filming of an island paradise (scenery, natives, birds, etc) with the horrors of the effort to defeat the Japanese entrenced on the summit of the island. But most of all, it accompanies various soldiers as we hear their thoughts, their meditations on this sanity-threatening experience. Of all the threads, two impressed me the most:

Nick Nolte plays Lt. Col. Toll who is an older man that in peacetime was bypassed for promotion. This war is his big chance to be noticed. Accordingly he is willing to sacrifice his men in order to achieve personal glory. At one point he orders Captain Staros, a soldier and lawyer, to launch a suicidal attack. But Staros refuses to order his men to their death, defies Toll’s order, and finds a better way. After successfully reaching the summit, Toll bribes Staros with a Purple Heart so that Staros will not tell the outside world what an as _ _ _ le comander he, Toll, really is.

Ben Chaplin plays Pvt. Bell who survives the terror by constantly remembering his time with his dearly beloved wife. However, at one point he receives a “Dear John” letter asking him for a divorce. Chapin’s portrayal of the slowing dawning, almost impossible to accept, realization of his loss is devastating.

Critics has questioned the length of the film. But this is a classic war film that you should see before you die.

Aguirre, the Wrath of God (1972)

From NetFlix:

In the mid-16th century, after annihilating the Incan empire, Gonzalo Pizarro
leads his army of conquistadors over the Andes in search of the fabled City of
Gold, El Dorado. As Pizarro’s soldiers battle starvation, Indians, the forces of
nature and each other, Don Lope de Aguirre (Klaus Kinski), ‘The Wrath of God,’
is consumed with visions of conquering all South America and leads his own army
on a doomed quest into oblivion.

All three film catalogs rave about this film. In fact it is one of a kind, slow, and mesmerizing.

First some history: Pizarro sends a “small” task force to continue down th Amazon to find the City of Gold. The commander Pedro de Ursua and his aide, Lope de Aguirre, take soldiers (always in metal battle gear), one priest, Inca slaves, cannon, horses, and two noble women carried in a covered transport box down the mountain and eventually on rafts in the Amazon. Aguirre murders Ursua in an act of mutiny and forces the others, by force of his homocidal mania, to continue on to find the City of Gold. Much of this we know from the priest’s diary. The end is conjecture.

The marvel is that these poor actors had to live and suffer just as the historical figures did. Werner Herzog, the megalomaniacal director, was a fanatic that insisted on realism. Aquirre, played by Klaus Kinski, is obviously “nuts” from the get-go. At one point Kinski tried to flee the jungle and Herzog brandished a pistol and promised to kill Kinski if he escaped.

Just sit and watch this “happening”. It is slow, beautiful, and unforgettable. Hearing Spaniards speaking in German is admittedly a bit unusual, but there are English subtitles.

Violent, not for children. But a genuine screen classic.

Black Narcissus (1947)

From NetFlix:

Secular matters consume five missionary nuns who head to the Himalayas to establish an Anglican school. In the meantime, the quintet’s leader, Sister Clodagh (Deborah Kerr), must grapple with the envy of one nun (Kathleen Byron), the bitterness of a man (David Farrar) and the cruelty of the elements. The film received Oscars for Best Art Direction and Best Cinematography, in part for its Technicolor innovations.

When I was a young boy I saw the coming attractions for “Black Narcissus”. The scene in which the crazed nun tries to push another nun (Deborah Kerr) over a cliff while the latter is ringing a large hanging bell stayed in my mind for a long time. Needless to say, I was not allowed to see this movie. So here I am years later leafing through the three film catalogs discussed in the page entitled “Unusual Categores” and all three suggest that “Black Narcissus” is an historically important film. So I watched it. I can see why it was an important film way back in 1947, but the movie seems a bit dated. Over the years film acting has changed, in fact I would say it has improved in some ways. Note, however, that I usually have to rely on subtitles due to my poor hearing. But CDs containing old films often do not offer subtitles. Acting may have improved, but diction has suffered. In this older film the actors project their speech much as you would do on stage with the result that I could understand every word. Today’s speech patterns everywhere (workplace, telephone, films) are quicker and somewhat mumbled.

Watch this movie as if visiting another planet. Historically it may be worth the visit.

Brideshead Revisited (1981)

From NetFlix:

This legendary TV miniseries, based on Evelyn Waugh’s classic novel of
romantic yearning and loss, is compiled in a special, digitally remastered
collection. Set between the wars in the glittering yet fading world of the
British aristocracy, the series stars the astonishing trio of Jeremy Irons,
Anthony Andrews and Diana Quick and features stunning performances by Sir
John Gielgud, Claire Bloom and Sir Laurence Olivier.

In this blog there are two versions of “Brideshead Revisited”, a two-hour film from 2008 and this 4-CD TV miniseries from 1981. The TV series is the gold standard. When it first came out, it was aired each Sunday evening. The next day at the work lunch table, we could not wait to discuss it. I am ashamed to admit that I have not yet read Evelyn Waugh’s book. Both film versions are excellent and if you are really taken with this classic then why not see both ?

Kathy and I decided to re-watch the TV miniseries version in Feb 2009. We both agreed that the two-hour movie, while well-done, pales in comparison with the TV miniseries. Anthony Andrews as Sebastion is just too perfect. Of course, the pace in the TV series is leisurely. But the details are well worth the time spent. This version remains a treasure.

Gallipoli (1981)

From NetFlix:

Australian Director Peter Weir takes on one of his country’s
most tragic moments in history: the World War I confrontation
with the German allied Turks. As the film leads up to the
battle in act three, we get to know the young men destined to
be casualties of war. A young Mel Gibson (on the heels of his
successful turn in Mad Max) plays one of the innocent doomed.
This poignant war drama swept the Australian Film Institute
Awards with eight wins.

I have classified this film as a “Classic”. It is old but not dated. Mel Gibson
is so young I almost did not recognize him. Wikipedia offers a long
detailed account of the battle at Gallipoli. This battle is very important
to both New Zealanders and Australians. What appeals to me is the
naturalness of the actions. There are no special effects. The entire
emphasis of the film is the close friendships that develop between the
men over the course of the film. But you have to watch this movie
with the understanding that almost every one of those men are
about to die (needlessly as it turns out). There is no bloodshed
whatsoever, and no violence whatsoever.

The Hustler (1961)

From NetFlix:

Paul Newman scores as tragic, flawed pool hustler ‘Fast Eddie Felson’
in a brooding drama that explores the synergies between good and evil,
love and desperation. Felson tours the country hustling games — even
challenging reigning champion Minnesota Fats (a fabulous Jackie Gleason).
Co-starring Piper Laurie and George C. Scott, The Hustler was followed
30 years later by the sequel The Color of Money, starring Newman and
Tom Cruise. Rack ’em up!

This Christmas visit Kate and Nigel requested “The Color of Money” which we enjoyed. In it Paul Newman is the older “teacher” for a new young hustler Tom Cruise. I just had to re-see “The Hustler” as a comparison. I felt I had to invent yet another film category “Classic”
because there is no other way to describe “The Hustler”.
It seems impossible that “The Hustler” was made 48 years ago. How many of us in the MovieFans list are even that old? In fact, I will occasionally revisit older “Classics” to see how they survive the passage of time. Not only does “The Hustler” survive, in my opinion it surpasses “The Color of Money”. Whereas Tom Cruise is his usual brat-like self, the young Paul Newman will be the warmly human ‘Fast Eddie Felson’ forever, a man who appreciates too late the love he lost.

Of the 4 principle actors Newman, Gleason, and Scott are dead. Piper Laurie still acts and has been in ‘Law and Order’ episodes. We should probably keep score on how many actors (young and old) in our movie list have also played in at least one ‘Law and Order’ episode.

Do you feel “The Hustler” is dated ?