Category Archives: Classic

Lady Chatterley (2006)

From IMDB:

A French adaptation of the second (and much less well-known) version of D.H. Lawrence’s erotic tale.

From Kanopy:

Kino is now proud to present Lady Chatterley in a new, two-part, Extended European Edition featuring nearly an hour of additional material excluded from the film’s theatrical cut that explores the emotional and sensual borderlands uniting sex, love, and loyalty with even more intelligence, passion, and power than before. Through extra footage never seen in the US, director Pascale Ferran’s “rapturous visual tone poem” (New York Times) becomes both a highly erotic immersion into Lady Chatterley and Parkin’s passion and an equally frank and unsentimentally provocative portrayal of a marriage hobbled by war and ultimately torn apart by hypocrisy.

From KANOPY you can stream 6 hours and 5 minutes of this French adaptation with English subtitles. Actually it is 3 versions of the same film where each runs for 2 hours.  Whatever difference there is between the first and the other two I could not find. Watching just the first 2 hours is more than sufficient.

When was the last time your watched a naked man and naked woman frolic in the rain? When was the last time you watched a naked man and woman in front of a blazing fireplace where he decorates every part of her body with wildflowers?  Clearly this version of “Lady Chatterley’s Lover” is the most explicit  and also the most photographically beautiful  version I  have ever seen

Gattaca (1997)

From IMDB:

A genetically inferior man assumes the identity of a superior one in order to pursue his lifelong dream of space travel.

From Netflix:

In a dystopian future where genetics determines your fate, a man born into limited prospects plots to escape his second class citizen status.

From Netflix you can stream this 25 year old classic film which lasts 1 hour and 46 minutes.

Again from IMDB:

In the not-too-distant future, a less-than-perfect man wants to travel to the stars. Society has categorized Vincent Freeman as less than suitable given his genetic make-up and he has become one of the underclass of humans that are only useful for menial jobs. To move ahead, he assumes the identity of Jerome Morrow, a perfect genetic specimen who is a paraplegic as a result of a car accident. With professional advice, Vincent learns to deceive DNA and urine sample testing. Just when he is finally scheduled for a space mission, his program director is killed and the police begin an investigation, jeopardizing his secret

Jude Law plays the paraplegic Valid Jerome. Ethan Hawke plays the ambitious In-Valid Vincent. UmaThurman plays Irene who cannot be Valid because she has a heart condition.  Irene and Vincent become lovers.

Most of the plot centers around the extreme means that Vincent must take to become Jerome, all done with Jerome’s unselfish help. For one example, Vincent must change the length of his legs (ouch!) in order to match Jerome’s height. All these maneuvers are necessary because there are watchful cameras and security entrances just about everywhere.

At the time this film was made, do you suppose the filmmakers could imagine how close the film details come to the 2022 social controls in, say, China or North Korea?

Good flick!

Royal Deceit (1994)

From Kanopy:

An ancient Danish story of evil, power and human spirit, that subsequently inspired William Shakespeare on his tragedy, Hamlet. When the king of Jutland is murdered by his brother, the dark prince claims both the throne and Queen Geruth. Although her son saw the murder, he feigns madness to spare his life.

From Kanopy you can stream this 28 year old film lasting 108 minutes.

Somehow, way back in 1994, the film got past the censors.  Have you ever seen a naked Helen Mirren?  Indeed, there is a lot of nudity in the film.

Give credit to the fact that the filming of this medieval tale hopefully stayed true to the Norse conditions of the time.  Buildings are humble and crude. Clothing is rudimentary.  Weapons and warfare are amateur affairs.  Somehow, killing a man  by simply sticking a short knife somewhere in his body just does not look convincing.

Delivery of the spoken lines is a bit stilted.

Watching a film that is 28 years old gives us a chance to see what familiar actors looked like way back then. And what a difference!

  • Christian Bale as prince Amled was 20 years old.
  • Gabriel Byrne as the evil brother Fenge was 44 years old.
  • Helen Mirren as queen Geruth was 49 years old.
  • Kate Beckinsale as Ethel was 21 years old.
  • Tom Wilkinson as king Hardvendel was 46 years old.

 

A Month In The Country (1987)

From Amazon Prime:

Five centuries ago, a mural was created in a country church in the north of England, and then hidden under layers of white paint. Looking at it again will be a distraction, the Reverend Mr. Keach tells World War I veteran Tom Birken, who will spend a month in the country restoring the mural.

From Amazon Prime you can stream this beautiful but sad classic British film which lasts 1 hour 36 minutes.

Direct quote from Wikipedia:

A Month in the Country is a 1987 British film directed by Pat O’Connor. The film is an adaptation of the 1980 novel of the same name by J. L. Carr, and stars Colin FirthKenneth BranaghNatasha Richardson and Patrick Malahide. The screenplay was by Simon Gray.

Set in rural Yorkshire during the summer of 1920, the film follows a destitute World War I veteran employed to carry out restoration work on a Medieval mural discovered in a rural church while coming to terms with the after-effects of the war.

The film was shot during the summer of 1986 and featured an original score by Howard Blake. The film has been neglected since its 1987 cinema release and it was only in 2004 that an original 35 mm film print was discovered, due to the intervention of a fan.

34 years ago Colin Firth and Kenneth Branagh were a mere 27 years old while Natasha Richardson was even younger at 24 years of age.  (Sad note: Richardson died in 2009 from a head injury while skiing.) Has Jim Carter, the head butler in Downton Abbey, always looked the same age his entire life?

For some reason the above quoted summaries fail to mention that the character James Moon (Kenneth Branagh) was also suffering PTSD from World War I.

BEAUTIFUL BUT SAD! (Gooseflesh anyone?)

Maurice (1987)

From IMDB:

After his lover rejects him, a young man trapped by the oppressiveness of Edwardian society tries to come to terms with and accept his sexuality.

From Kanopy you can stream this 2 hour 20 minute vintage British film made by Merchant Ivory and  based on the 1971 novel Maurice by E. M. Forster

34 years ago some very young but now well-known British actors made what  has been called Ivory’s best film. In 1987 it got rave reviews and awards everywhere except England.  In the Wikipedia article about the film, the director James Ivory is quoted as saying:

… in England, where almost every important film critic was gay, they came out against the film. Their reactions to it were extraordinary! You’d think that they would have been supportive, but they were afraid to be supportive.

Despite those actors being so young, it is easy to recognize Hugh Grant, James Wilby, Rupert Graves,  Judy Parfitt, Ben Kingsley and others.

If there is a secondary theme, it is the strict division between the upper and  servant classes.

Rebecca (2020)

From IMDB:

A young newlywed arrives at her husband’s imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife, Rebecca, whose legacy lives on in the house long after her death.

From Netflix you can stream this 2 hour 3 minute complete remake of the Alfred Hitchcock classic rendition of Daphne du Maurier’s famous 1938 bestseller.

If the link works for you, you can read the review in the edition today (October 22, 2020) of the Boston Globe.  Let us say that the critic, Ty Burr, damns with faint praise. As Mr. Burr reminds us, Alfred Hitchcock make the film in 1940, which makes the first film version 80 years old. He also sadly informs us that currently (Oct 22, 2020) there is no genuine streaming source for the original.

Of course we old-timers will tell you that Lily James (playing the second Mrs.  de Winter is no Joan Fontaine. Nor is Kristin Scott Thomas (playing Mrs. Danvers) any Dame Judith Anderson.  For my taste Kristin Scott Thomas is scary enough.

Ignore the critics and enjoy this remake!

Chinatown (1974)

From Netflix:

With a suspicious femme fatale bankrolling his snooping, private eye J.J. Gittes uncovers intricate dirty dealings in the Los Angeles waterworks and gets his nose slashed for his trouble in director Roman Polanski’s complex neonoir classic.

Thanks to fellow Movie Fan Beverly for suggesting “Two Jakes” which is a sequel to “Chinatown”. First, therefore I re-watched “Chinatown” which is indeed a classic from 40 years ago.

During filming Jack Nichols was a very young-looking 37 year old and Faye Dunaway was a stunning 33 year old. In the sequel “Two Jakes” Nichols is 16 years older and looks more like the Jack Nichols that I for one remember. In this film the famous John Huston is a very effective and evil 68 years old villain.

Please read the Wikipedia account which treats not only the water history of Los Angeles but also, and more importantly, how the director Roman Polanski changed the original ending to the final very memorable version that we see in the film (spoilers not allowed).

Many older films seem dated. However, despite the older setting (styles, phones, cars, etc) this classic holds up well and can be very emotionally affecting.

Watch this great film before seeing “Two Jakes”.

Invasion of the Body Snatchers (1956)

From NetFlix:

Something is amiss in the sleepy California hamlet of Santa Mira. Initially, Dr. Miles Bennell (Kevin McCarthy) dismisses reports from the citizenry accusing friends and family of behaving like automatons. But the doctor soon makes a startling discovery. Extraterrestrials capable of replicating humans and assuming their identities have invaded Santa Mira. It’s up to Bennell to sound the alarm and almost single-handedly battle the alien forces.

Suppose you could trust no one around you, could you survive ? Of course, wartime spies are somewhat in that position. But this story is a famous extreme example. As an experiment in film comparison (which I also did with True Grit (1969) and True Grit (2010)) I decided to watch at least two if not three versions of this film.

For those of you too young to remember, Kevin McCarthy played many roles in the 1960 TV series “Twilight Zone”. Dana Wynter (the female lead) played Eva Wainwright in the 1966 TV series “The Man Who Never Was”.

What makes this film seem old ?

  • Black and white
  • Real orchestra music composed by Carmon Dragon that seems corny by today’s standards.
  • Precious few special effects except for the pods bursting open
  • The actors themselves actually had to run on streets and hills
  • Unfortunately in this version, the ending is a terrible cop-out

Following is an excellent review that I found in IMDB attributed to someone billed as InfoFreak:

‘Invasion Of The Body Snatcher’s is my favourite 1950s science fiction movie alongside ‘Forbidden Planet’. Both are very different movies. ‘Forbidden Planet’ is arguably the first SF blockbuster, an intergalactic adventure, in colour, with a large budget and impressive special effects. ‘Invasion Of The Body Snatcher’s is a smaller movie, a low budget black and white paranoid thriller that is a classic of its type. Many subsequent movies have been influenced by this one, and there have been at least two remakes (Philip Kaufman, Abel Ferrara), but it still takes some beating! Director Don Siegel is best known for tough guy crime dramas like ‘The Killers’ and ‘Dirty Harry’, but shows his versatility with this extremely effective and disturbing horror story. The legendary Sam Peckinpah had an uncredited hand in the script, and (keep an eye open for) a small cameo as a meter reader. Kevin McCarthy is terrific as the small town doctor turned hero. His performance is excellent, and made him a legend to SF and horror fans everywhere (he reprises it briefly in Kaufman’s excellent 1970s remake by the way). The lovely Dana Wynter leads a strong supporting cast, and buffs will get a particular kick out of seeing Carolyn Jones (a.k.a. Morticia Addams) and Whit Bissell. (‘I Was A Teenage Werewolf’, ‘Creature From The Black Lagoon’ and too many others to mention!) This movie has aged very well, much better than say, ‘The Thing From Another World’, and still stands as THE 1950s paranoid SF/horror movie. An absolute classic that I guarantee still packs a punch! Highly recommended!

Have fun!

Jane Eyre (2011)

From NetFlix:

Driven from her post at Thornfield House by her love for her brooding employer and his secret past, young governess Jane Eyre reflects on her youth and the events that led her to the misty moors in this artful adaptation of Charlotte Brontë’s novel.

Visually, this film is easily one of the most beautifully photographed films I have ever seen. Every scene is almost a work of art with very little repetition of sites. Attention to detail, especially the clothing, was paramount. Northern British landscapes are desolate beauty themselves.

Once again you should read the Wikipedia article for all the details. Of those details I repeat the following:

  • “Although they estimated the setting was the late 1830s, they settled on four to five years later in 1843. Fukunaga commented that “the clothing style of the ’30s was just awful. Every woman looked like a wedding cake.” However, they decided to allow a few characters in older fashions to reflect that some would not have updated their style.”
  • He looked at some 60 residences for one to represent Thornfield Hall but settled on the previously-used Haddon Hall as it had not undergone much redecorating.
  • The conditions were very cold and Fukunaga admitted that Wasikowska nearly got hypothermia on the second day while shooting the rain sequence.

“Jane Eyre” the novel is too long to be filmed literally. For this version be aware that following the filming fashion of our era (2011) the scenes are not in chronological order. After awhile (and possibly some discussion with someone else) you can put the pieces together. In fact some scenes are repeated and make sense the second viewing.

As far as characters are concerned:

  • Wife Kathy objects that Michael Fassbender is too handsome for the part because in the novel Mr. Rochester is supposed to be homely and somewhat brutish. He is an older man in comparison to young Jane. In reality during the filming Fassbender (Stelios in “300”) was 34.
  • Mia Wasikowska as Jane was perfect. She used little makeup and presented the very young girl that Jane was supposed to be. During filming she was 22 years old. Jane’s age is somewhere between 18 and 20.
  • Jamie Bell (the minister who saved Jane’s life) in this film was 25 years old. Eleven years ago he was a mere 14 year old who was “Billy Elliott” (a must-see film).
  • And Judy Dench played Judy Dench

For Brontë lovers, this film is also a must-see.

The Night of the Hunter (1955)

From NetFlix:

Bogus “preacher” Harry Powell (Robert Mitchum) learns cellmate Ben Harper (Peter Graves) has stashed stolen loot on his property. So after the demented Powell is released, he charms Ben’s widow (Shelley Winters) into getting hitched, and in time, only Ben’s kids stand between him and the money. As he stalks the siblings relentlessly, they seek refuge with the indomitable Rachel Cooper (Lillian Gish), setting the stage for a battle of wills.

Lately I have read much praise for this film. In fact you should read the Wikipedia article that mentions the positions this film occupies in various anthologies of worthy films. Its descriptions of why the film is special surpass any description I could write.

Personally I found the black and white impressionistic photography incredibly clear and a new experience. This film was Charles Laughton’s only directed film (probably because it was not a success). Times have changed and for me the film was a bit corny and much too long. Moreover in those days you had to see the bad guy get his comeuppance. Today’s films love ambiguous endings instead of the clear resolutions demanded in the black and white years of the 50’s.

You may never have heard of Lillian Gish (1893-1993) but surely you have heard of Robert Mitchum and Shelley Winters. I always knew Peter Graves (TV’s “Mission Impossible”) as an older man. In this film he played Ben Harper (the bank robber father) and was only 29 years old. Billy Chapin (John Harper, the son) had a small part in “Leave it to Beaver” and seems to have vanished.

At the very least you get to see and feel what small towns were like during the depression. It’s a bit like going to a museum to watch a “talkie”. I don’t regret the experience.