Category Archives: Based on true facts

In Her Skin (2009)

From NetFlix:

When pretty 15-year-old Rachel (Kate Bell) goes missing, the police dismiss the incident as a runaway, but her parents don’t believe it. Soon everyone suspects envious 19-year-old Caroline (Ruth Bradley), a heavyset, acne-ridden daughter of a domineering father (Sam Neill). Simone North writes and directs this Australian drama, which is based on a 1999 news story. Guy Pearce and Miranda Otto also star.

Why does it seem that almost every Australian film I watch is somehow out of the ordinary or even a piece of eccentric originality? “In Her Skin” fits this description even though it is oddly imperfect in certain aspects.

Stay with the film because the beginning seems like a dull, ordinary film about a missing girl. What held my attention was the fact that the story is a true one based on a 1999 news story. You meet many familiar Australian film stars:

  • Guy Pearce (Rachel Barber’s father) is currently in “Prometheus” and “Lawless”. He has here a somewhat secondary role.
  • Sam Neill (Caroline’s father) plays an aloof, ego-centric, uncaring father. He was 62 during the filming. When he was a mere 30 years old he played Harry Beecham in “My Brilliant Career”, which was the first time I ever saw him.
  • Ruth Bradley (Caroline) was 22 at filming. She OWNS this film. She delivers a believable and utterly chilling portrayal of a psychotic who craves the approval of her cold fish of a father. In fact one thread that kept me interested was to see how and how soon her clever plot would unravel. This film is NOT a mystery. You get to watch Caroline’s unraveling in detail. Expect one ugly murder scene.

    If you look for Ruth Bradley in IMDB you see a photo of a very attractive woman. Somehow in this film she is anything but attractive. Conceivably she put on weight just for the film just as Robert De Niro did in “Raging Bull”.

Unfortunately the film drags on after the climax. We have to sit through a funeral, family grieving, and Caroline’s continuing fantasies in prison. However, at the very end the screen text tells us a bit about the Barber family.

One irritation for me was that the skeptical police who refused to investigate never seem to be admonished in the film. But then the film and story itself is more than enough of a reminder of their abject failure.

Worth watching if only because it is somewhat unusual.

Bernie (2011)

From NetFlix:

In this black comedy inspired by real-life events, affable Texas mortician Bernie befriends the small town’s wealthiest widow and then kills her. But despite the suspicious nature of her death, no one wants to think anything but the best of Bernie.

After seeing A Separation (2011), I was grateful I don’t live in Iran. After seeing “Bernie” I am grateful I don’t live in a small town.

At the conclusion of this film you can see the real Bernie and his unfortunately murdered wife.

For the first half of the film I was amused by the small town culture, the east Texas accents, and Jack Black’s excellent portrayal of smarmy Bernie. Moreover, any film that satirizes the predatory practices of funeral directors is a film near and dear to my heart. Also I was surprised by the many politically incorrect turns of speech, tsk, tsk!

About the middle of the film I got tired of watching. What struck me was how anti-climactic the ending was. True to life, Bernie tearfully confesses and is convicted. This is no spoiler because the outcome is what did in fact happen to the real Bernie. Rather the point of the film is how the townsfolk like Bernie and don’t really care that he shot “that bitch”. And indeed Shirley MacLaine is her usual bitchy self.

Somewhat amusing but you can do better.

Machine Gun Preacher (2011)

From NetFlix:

Gerard Butler stars in this true-life story of Sam Childers, a drug dealer who turns his life around to become a spiritual warrior. His mission? Rescuing child soldiers in the Sudan from lives ruined by their forced participation in bloody conflict.

Before starting to watch this film I expected to watch part and then stop because Gerard Butler is not the star of the drama world. However, in portraying the real-life and still very active Sam Childers, Gerard Butler found for himself his perfect role. Granted the macho war scenes might be over the top Hollywood or (given the horrors inflicted on Ugandan and Sudan by the psychotic monster Joseph Kony who is at the present being hunted by UN forces) might just be what must really happen to protect the children. Butler convincingly lets his work bring him to a boiling cauldron of angry hate that nearly destroys his church, business, and family. His subsequent return to a more balanced approach to his even now continuing work is cleverly connected with the very first scene of the film (but no spoiler in this review!).

One other actor that you might recognize is Michael Shannon who plays Childers’ best friend Donnie. Shannon did an outstanding job in the film Take Shelter (2011).

Be sure to watch the closing credits because a side bar shows many photos of the real Sam Childers, his family, and his work in South Sudan.

In Darknes (2011)

From NetFlix:

As Nazis overrun Warsaw, many of the city’s Jews hide out in sewers, where they encounter Leopold, an anti-Semitic sanitation worker. His prejudice reflects the rift between Poland’s Jews and Catholics in this film inspired by true events.

This true story of a Polish Christian man who protected a group of Polish Jews hiding in the sewers to escape the German massacre of Polish Jews is not easy to watch. Be sure to read the final explanatory screen shots which tell what happened in real life to the characters in the film.

Sometimes the day to day details of grubby survival seemed a bit tedious. But the intent is to show that under stress we can accommodate and life goes on.

Also evident was the extreme prejudice of Polish Catholics towards Jews. At several times a Catholic Pole is surprised to learn that Jesus was a Jew.

At one harrowing point in the film, just above a group of Jews in the sewer is a Catholic church in which children are receiving their first holy communion. At that point a heavy rain starts such that the sewers begin to fill and threaten the Jews with drowning.

To encourage you to watch a somewhat grim film, I promise you a happy ending for the Jews in hiding (thanks to the Germans evacuating to escape the Russians).

In the Land of Blood and Honey (2011)

From NetFlix:

Danijel, a Bosnian Serb soldier serving under his father’s command, reunites with Ajla, a Bosnian Muslim woman he was involved with before the war, when she is captured by his camp and forced to work as a sex slave.

Most wars are not one-sided. Of course, there are exceptions: the Nazi Holocaust was one-sided. Behind the Serbian slaughter of the Bosnians are many years of conflicts and offenses on both sides. History is not the point here, but rather the review of a film.

Angelina Jolie has done a marvelous job creating an engrossing view of the war as seen from the side of the Serb killers while maintaining a clever ambivalence in the experience of Danijel. Danijel’s relation with his fanatic warrior father and Ajla, his Muslim lover, make for a difficult contrast. He is so torn between both loyalties that he finds himself trapped in personal conflict.

You are hereby warned that this is, to say the least, a difficult film to watch. If you are the slightest bit squeamish, DO NOT SEE THIS FILM! You will encounter nudity, many rapes (one of the principle Serbian weapons), and Serbian sadism.

For this film to have a satisfying end would be impossible.

The Help (2011)

From NetFlix:

In 1960s Jackson, Miss., aspiring writer Eugenia Phelan crosses taboo racial lines by conversing with Aibileen Clark about her life as a housekeeper, and their ensuing friendship upsets the fragile dynamic between the haves and the have-nots. When other long-silent black servants begin opening up to Eugenia, the disapproving conservative Southern town soon gets swept up in the turbulence of changing times.

After viewing this film for about 15 minutes I was glued to my seat while cringing and steaming the entire time at the Southern culture of that civil rights era in the Jim Crow south. At first I almost decided to stop watching because surely those self-centered, empty-headed, racist Southern belles were only some caricature invented by Hollywood. Even so, just watching their superb performances was enough to set my blood boiling. That probably means the actresses were doing their job well.

Despite the tension throughout the film, I will spoil you only by saying that if you persevere you will finally feel happy.

Somehow I would like to know if Mississippi has changed (without having to visit Jackson). Mississippi is often cited these days as the worst state in the union. Here are just a few statistics from the US census bureau:

  • Black population 37.0% (12.6% US)
  • High school graduates (over 25) 79.6% (85.0% US)
  • Bachelor’s degree (over 25) 19.5% (27.9% US)
  • Median household income $37,881 ($51,914 US)
  • Persons below poverty line 21.2% (13.8% US)

Baltimore has always been split between northern and southern sympathizers. In my childhood in Baltimore I had many racist friends and close relatives. Hence I need to avoid feeling smug about those “ignorant” southerners.

Kathy says the book, which I have not yet read, was wonderful. As far as this film is concerned:

DO NOT MISS THIS FILM !!!

J. Edgar (2011)

From NetFlix:

Leonardo DiCaprio stars in this riveting biopic as J. Edgar Hoover, the longtime FBI director as notorious for his overzealous methods of law enforcement as for the rumors regarding his cross-dressing and close relationship with protégé Clyde Tolson.

Looking for an “Actor’s actor” ? Go no farther. Current movie reviews lament the fact that we are seeing a series of young male wannabes with tight abs who don’t last because they lack the acting skills. But Leonardo DiCaprio is the quintessential chameleon. His portrayal of J. Edgar is nothing less than astonishing. Even if it were complete fiction, the film would be riveting (as the NetFlix caption says).

For a discussion of historical accuracy you can read the Wikipedia article. This article also discusses Hoover’s sexuality. Clint Eastwood, the director, wisely stayed away from any depiction of cross-dressing (except for one brief suggestion) or explicit sexual behavior (except for some kisses). Just enjoy the marvelous production and stop wondering how much is true. If even a little bit were true, Hoover was a dangerous paranoid.

This is NOT a film for titillation. Instead it focuses on Hoover’s bulldog no-holds-barred approach to getting his way, even if it meant blackmailing every politician in Washington. It focuses also on: Hoover’s insecurity, his emotional dependence on his mother (with whom he lived all his life) and Clyde Tolson (who had his own house), his lying, and his barely legal methods.

In all fairness you should read the Wikepedia biography of Clyde Tolson. He was NOT the seemingly weak character portrayed in the film.

Nixon is portrayed as a profane thug.

Additionally I marvel at the long list of known supporting actors, among whom we find:

  • Armie Hammer (who?) played Clyde Tolson very well. Believe it or not, Armie Hammer’s father is the CEO of the Armand Hammer Foundation. Armie was 25 years old during the filming.
  • Josh Lucas played Charles Lindberg, who was very important to the story.
  • Damon Herriman (who?) played Bruno Hauptman, the supposed kidnapper of the Lindberg child. Today the debate still rages over the guilt of Haputman. Once again see the Wikipedia article.
  • Naomi Watts played Helen Gandy, the famous personal secretary for Hoover for 54 years. She is most remembered for spending weeks after Hoover’s death destroying Hoover’s blackmail materials, his “Personal File” (much to Nixon’s chagrin). Once again see Wikepedia.
  • Big surprise: I kept staring at Hoover’s mother and couldn’t believe my eyes. Indeed it was Judi Dench. She spoke a perfect American accent. More to the point she was a professional support actor who received no special credit.
  • Remember Dermot Mulroney (My Best Friend’s Wedding)? He played Colonel Schwarkopf.
  • My own award for “Appearing everywhere but not famous” goes to Zach Grenier (who?) whom I once met in person in the San Franciscon Museum of Modern Art. His is the only name I can drop because I never meet anyone famous. Look him up in IMDB and I am willing to bet you have seen him somewhere. He is currently playing a pain in the neck in “The Good Wife” on TV.

Officially I go out on a limb: DO NOT MISS THIS FILM!

The Iron Lady (2011)

From NetFlix:

Meryl Streep provides a subtle and nuanced portrait of Margaret Thatcher, the first female prime minister of Britain, whose political career and determination changed the rules that had limited women’s opportunities for leadership.

Sometimes I criticize Meryl Streep for some annoying and often used facial smirks. However, in this film she is the best I have seen. If nothing else she portrays the sadness of aging and the accompanying changes in personality, memory, and looks. My own mother (who died at the age of 97 on March 1, 2012) went through the same changes during the last 5 years of her life. Streep gets it right. And speaking of “looks”, whoever did Streep’s makeup did a remarkable job. No matter the age portrayed, you knew it was the same person and the makeup artist had captured that stage in Thatcher’s life perfectly.

It would be helpful to hear from a Brit who had seen this film in order to know how well Streep captured Thatcher’s manner of speaking.

Do not be put off by the main theme of Thatcher’s late life decline. You get to learn the history of her career from political neophyte to her success as prime minister. There are actual film clips that show some horrible violence during the riots as well some ugly Falkland Islands war clips. If the film is accurate, it was sad to see her career end owing to an arrogant hubris (sound familiar?).

Most touching of all was her relationship with her beloved husband Denis Thatcher (played by the wonderful Jim Broadbent).

Many British actors appear in the film (Iain Glen, Nicholas Farrell, Anthony Head) , most of whom are familiar from British TV.

Ignore any naysaying critics. This film is well worth seeing.

A Dangerous Method (2011)

From NetFlix:

In this David Cronenberg-helmed biopic, Viggo Mortensen stars as Sigmund Freud, whose relationship with fellow psychology luminary Carl Jung (Michael Fassbender) is tested when Sabina Spielrein (Keira Knightley), one of the first female psychoanalysts, enters their lives. This World War I-set drama also stars Vincent Cassel as Otto Gross, a disciple of Freud, and Sarah Gadon, who plays Jung’s psychoanalyst wife.

Although the story is interesting (and let’s hope somewhat historically accurate), the dialog is at times rather stiff. At a few points in the film I was a bit bored (but that is very subjective).

Keira Knightley as Sabina Spielrein starts out exaggeratedly hysterical only to suddenly appear as a cured patient about to become a famous psychoanalyst. Whatever happened to believable transitions?

You will hear quite a bit of academic psychological discussion that at times seems almost didactic.

Do you suppose Carl Jung actually engaged in S&M sexual practices with his patients?

Personally I found this film to be not terrible but still somehow imperfect. Sorry.

There Be Dragons (2011)

From NetFlix:

Roland Joffé directs this epic tale of love and betrayal set during the Spanish Civil War. When a present-day journalist (Dougray Scott) investigates Opus Dei founder Josemaría Escrivá (Charlie Cox), he uncovers a surprising link to his own father, Manolo (Wes Bentley). Manolo and Josemaría were childhood friends who followed different paths when the war broke out. Josemaría pursued his faith, while Manolo joined the rebels to fight Franco.

Centering around Josemaría Escrivá, the founder of Opus Dei, this Catholic melodrama (give it a B+) has as its background the Spanish Civil War.

Opus Dei (for those of you who are not familiar) is an ultra-conservative Catholic organization that is much maligned in fiction such as “The Da Vinci Code”. Whether or not Opus Dei is beyond the fringe really does not matter in the film. But just remember that Franco was supported by an ultra-conservative Catholic hierarchy. Indeed the film does not take sides, but suggests that there were enough abuses and neglect by that Catholic hierarchy to spark rebellion. Scenes in which Josemaría is seen flogging himself only suggest not untypical Spanish extremism. Spaniards seem genetically unable to see the color grey.

As melodramas go, someone spent a lot of money putting this epic together. Could be worse.