Category Archives: Art History

A Month In The Country (1987)

From Amazon Prime:

Five centuries ago, a mural was created in a country church in the north of England, and then hidden under layers of white paint. Looking at it again will be a distraction, the Reverend Mr. Keach tells World War I veteran Tom Birken, who will spend a month in the country restoring the mural.

From Amazon Prime you can stream this beautiful but sad classic British film which lasts 1 hour 36 minutes.

Direct quote from Wikipedia:

A Month in the Country is a 1987 British film directed by Pat O’Connor. The film is an adaptation of the 1980 novel of the same name by J. L. Carr, and stars Colin FirthKenneth BranaghNatasha Richardson and Patrick Malahide. The screenplay was by Simon Gray.

Set in rural Yorkshire during the summer of 1920, the film follows a destitute World War I veteran employed to carry out restoration work on a Medieval mural discovered in a rural church while coming to terms with the after-effects of the war.

The film was shot during the summer of 1986 and featured an original score by Howard Blake. The film has been neglected since its 1987 cinema release and it was only in 2004 that an original 35 mm film print was discovered, due to the intervention of a fan.

34 years ago Colin Firth and Kenneth Branagh were a mere 27 years old while Natasha Richardson was even younger at 24 years of age.  (Sad note: Richardson died in 2009 from a head injury while skiing.) Has Jim Carter, the head butler in Downton Abbey, always looked the same age his entire life?

For some reason the above quoted summaries fail to mention that the character James Moon (Kenneth Branagh) was also suffering PTSD from World War I.

BEAUTIFUL BUT SAD! (Gooseflesh anyone?)

Inferno (2016)

From IMDB:

When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.

Netflix sent me a DVD.

At the time the film was created Tom Hanks was 60 years old. Not bad for 60! Already we have followed Hanks as the expert in ancient symbols, Robert Langdon, in “The Da Vinci Code”.  “Inferno” was just more of the same  involving Robert Langdon.  Not to say that the film wasn’t fun. Just don’t expect anything different.

Inspector Lewis (2008)

As a follow-up to the many seasons of “Inspector Morse” (the Morse actor died), you can stream 7 seasons of “Inspector Lewis” from Amazon Prime. All the episodes are worthwhile, and usually complicated. Each episode lasts approximately 90 minutes.

Although the Robert Lewis actor (Kevin Whately) is adequate, the real joy is the James Hathaway character (Laurence Fox). James Hathaway is a former Anglican seminarian, Oxford graduate, literary savant, moody and conflicted character, and somewhat of a delightful know-it-all. As an essential third actor we have the charming Dr. Laura Hobson (played by Clare Holman), the forensic pathologist who eventually is a love interest for Inspector Lewis.

All episodes take place in Oxford whose academic and idiosyncratic atmosphere permeates the entire series.

Indeed the plots can be intricate, but sometimes by searching the Internet you can find plot explanations.

Not a miss in the bunch!

Tim’s Vermeer (2013)

From Netflix:

Teller, of Penn & Teller fame, directs this absorbing film about inventor Tim Jenison’s quest to solve one of art’s greatest mysteries: How did Dutch master Johannes Vermeer paint so photo-realistically 150 years before the invention of photography?

Recently I took a course in photography in which the teacher recommended this film, probably because it involves the use of lenses.

For one hour and twenty minutes you get to accompany Tim Jenison on his unusual and obsessive quest to exactly reproduce Vermeer’s famous painting “The Music Lesson”. Here is a man who never gives up, although at one point he admits that if he were not being filmed then he would probably have quit before he finished.

His thesis is that without some technical aid it would have been impossible for Vermeer to create this masterpiece. In other words, the painting is suspiciously too good to be true. Other artists agree with Jenison. In the process of making his thesis more believable (we will never know for sure because Vermeer left no notes whatsoever), this amazingly talented and capable polymath begins by recreating exactly the very room that appears in the painting, including hand-making the furniture [even if it requires literally slicing an expensive tool in half].

Of course, it helps that this inventor is now financially independent. Nonetheless, his persistence is mind-blowing as we watch him day after day in the reproduction process. Finally he succeeds and weeps in happiness.

While possibly not interesting for everyone, Jenison’s achievement is worth witnessing.