Category Archives: 2013

The Counselor (2013)

From Netflix;

Michael Fassbender stars in this thriller penned by iconic novelist Cormac McCarthy as an attorney who mistakenly believes he can dabble in the drug business without any consequences — only to find himself drowning in a nightmarish downward spiral.

With a few exceptions (“In Her Shoes”, “My Best Friend’s Wedding”) Cameron Diaz has been typecast as a slut. This film is not one of those exceptions. In fact she plays a well-dressed completely amoral woman that engineers sadistic deaths for several men and women. “Sadistic” here is not an exaggeration:

  • Witness a motorcycle scene in which the rider is purposely and cleverly decapitated. Heads will roll!
  • Witness a woman’s body being thrown by earth movers into a public garbage dump. You will recognize this victim.
  • Witness an automatic, unstoppable, non-cuttable wire loop that before it strangles its victim, it cuts the carotid artery. You will also recognize this victim.

Does this sound like a sadistic gore contest?

Of course there are always the required sex scenes which in our current sex scene contest offers Cameron Diaz having sexual intercourse with an automobile. For kicks she then tries to confess to a Catholic priest who leaves the confessional in disgust.

You are hereby encouraged to SKIP THIS FILM!

The Great Beauty (2013)

From Netflix:

As charming 65-year-old journalist Jep Gambardella writes about Rome’s culture and social life, he reflects with bitterness on the passions of his lost youth, even as he paints a complex portrait of the lovely and ancient city.

IS THIS FILM A TOTAL PUT-ON ?

If you can believe Wikipedia, this film is much acclaimed and has made a profit from worldwide screening. But then critics a paid to say something.

Supposedly this film is a metaphor about the current decline of Italian civilization, especially in the sad era of Berlusconi.

Kathy and I went expecting to see beautiful Rome and follow the life of an aging Italian journalist. We kept waiting for the good part to start, and waiting and waiting … Instead as far as we can tell we got the following:

  • Conversations that were superficial at best.
  • Social gatherings of strange, ugly, oddly dressed people dancing in circular conga lines that went nowhere.
  • Rather a lot of female strippers.
  • Overly long shots of the aging actor’s face (Toni Servillo as Jep Gambardella).
  • Mother Teresa’s 105 year old twin crawling up a long set of stairs on her hands and knees.
  • Customers of all ages lined up to pay large sums for a BOTOX shot.
  • Impoverished nobles charging money to attend dinners while pretending to be someone important or royal.
  • Some aged cardinal that talked of nothing but cooking recipes.
  • And the list goes on.

Someone should tell the writer and directory Paolo Sorrentino that it is nearly impossible to out-Fellini Fellini.

If anyone out there sees and enjoys this film, please tell me why you enjoyed the film.

At least you have been warned.

Oblivion (2013)

From Netflix:

High above a war-torn future Earth, Cmdr. Jack Harper is maintaining the planet’s defensive drones when a crippled starship enters his territory. Its sole occupant, a mysterious woman, leads Harper to shocking truths about humankind’s legacy.

Good digital graphics, plausible plot and the usual really bad guy (a machine named TET) versus some nice survivors make this nothing-special sci-fi film bearable. Fortunately Tom Cruise does not try to act, pulling instead that old trick of keeping a perfectly straight face and letting you supply appropriate emotions on his behalf.

If the ending confuses you, you might try believing the plot description in Wikepedia.

If you have nothing better to do, then the adventure may not be a total loss.

Blue Jasmine (2013)

From Netflix:

The high life leads to high anxiety for a fashionable New York City homemaker in crisis who finds herself forced to live a more modest lifestyle in San Francisco. Woody Allen directs an ensemble cast that includes Cate Blanchett and Alec Baldwin.

Woody Allen may have married his daughter but the man sure knows how to capture ugly slices of contemporary life.

Using a jumbled set of flashbacks as well as scenes from the present, we watch a human circus of some really deceitful people (Alex Baldwin [Hal], Cate Blanchett [Jasmine], Louis C.K. [who seduces Jasmine’s sister Ginger]), some error-prone people (Sally Hawkins [the sister Ginger]), and some really decent and honest people (Andrew Dice Clay [Ginger’s former husband Augie], Bobby Cannavale [Ginger’s long-suffering boy friend Chili], Alden Ehrenreich [Jasmine’s son Danny], Peter Sarsgaard [Dwight]).

Short summary: Watch Cate Blanchett’s Jasmine’s incredibly well acted descent into an abyss of self-deception.

Is Woody Allen poking fun at the wealthy? It would seem that the lying high-fliers are scoundrels while (except for Peter Sarsgaard) the basically good characters all come from the middle class.

If nothing else, this film is a vehicle for Cate Blanchett to show off her remarkable talent even if she has to appear at times as physically and mentally destroyed.

In the category of sad urban human affairs this film is a DO NOT MISS!

20 Feet from Stardom (2013)

From Netflix:

Winner of the 2014 Academy Award for Best Documentary Feature, this film takes a behind-the-scenes look at the world of backup vocalists, weaving together interviews with legendary singers with the voices that support them.

If you are a fan of popular music from the 60’s onwards, you will rock to this documentary. You will hear many old songs that you probably know and also hear interviews not only with the backup singers but also with famous entertainers such as Sting, Bruce Springsteen, Ray Charles and many more.

There is a sad theme that runs through the film: these backup singers were talented women that deserved their own individual moments of fame but the results here were mixed. Some reached the limelight and others did not. In interviews with this women we can hear exaltation, resignation, defeat, and other emotions. Sting explains how difficult it is to get to the top.

Civil rights play into this history.

While possibly not for everyone, this film may strike a resonant chord with you and you might have a happy nostalgic experience.

The Prey (2013)

From Netflix:

This thriller follows the ups and downs of thief Franck Adrien, who’s serving prison time for a job whose proceeds he’s safely stashed away. But when the hidden loot and his family are compromised, Franck has no choice but to bust out early.

When you start to watch this film you get a choice of the original French version or the Americanized (i.e. dubbed) version. In addition with the English version you can select subtitles.

Brace yourselves because this is a very exciting, tense, well-done and violent French film. According to IMDB Albert Dupontel (the prison escapee Franck Adrien) has an impressive acting resumé. What does strain credibility is the actor’s superman ability to run, fight, leap from tall heights, recover from wounds and escape the police over and over. But then American movies are full of unbelievable superheroes.

In some sense the real star of the film is Stéphane Debac who plays Jean-Louis Maurel, a really creepy, clever, manipulative, charming serial killer of young girls. He kidnaps Franck Adrien’s little girl. Originally Franck escaped prison because he thought his $2 million stash was in danger. But most of the film concerns his efforts to rescue his daughter.

Suspense lasts till the last moment. If you like a really tight, tense plot then DO NOT MISS!

Runner Runner (2013)

From Netflix:

After losing a lot of money to online poker, a Princeton student confronts the site’s shady CEO, Ivan Block — and soon becomes Block’s protégé. But when an FBI agent tries to take Block down, the relationship between mentor and protégé goes south.

Here is your opportunity to see Ben Affleck as the bad guy and Justin Timberlake as the “good guy”. Anthony Mackie is an FBI agent who is another “good guy”. Take that phrase “good guy” with a grain of salt. Makie is just plain ruthless and not beyond murdering in the course of obtaining “justice”. Note how cynical films have become? Timberlake starts out as an intelligent but somewhat naïve Princeton student gambler. Rather than ruthless, he is just plain cunning. Affleck eventually reveals his sociopathic personality.

You more or less have seen this plot in other film incarnations and it is nothing special. But, and correct me if I am wrong, I do not remember Affleck as a villain in any previous film.

2 Guns (2013)

From Netflix:

Two special agents — one Naval intelligence, one DEA — partner for an undercover sting against a drug cartel that takes a serious wrong turn. Disavowed by their agencies, the pair goes on the run while trying to find out who set them up.

Denzel Washington and Mark Wahlberg make a fun team in this twisting and turning romp. According to the film’s philosophy just about everybody is a crook. Just start off by thinking the pair are just a couple of crooks aiming to rob a bank and let the plot take you by surprise. Many of today’s action films feature clever repartee between characters and this film is no exception. Needless to say the film is violent. As for sex, Paula Patton is slightly naked in just one scene.

Only in our cynical age could such plots be possible. Just because in fact the CIA installed our Pinochet in Chile after murdering Allende is no reason to think that CIA agents might be dishonest.

Have fun!

C.O.G. (2013)

From Netflix:

Based on a short story by David Sedaris, this comedy follows the brash young author as he travels to Oregon to work on an apple farm. The journey exposes him to all sorts of culture clashes, but what awaits him at the farm is far worse.

In this small gem of a film, Jonathan Groff is perfect for the part of a naïve and searching young man taking a break from his parents and Yale. His character David is so vulnerable to all the questionable influences that you could sit and worry about what might befall him. And many unpleasant but possibly forming tribulations do come his way. Here is a sensitive film so close to reality that you might cringe when something possibly not violent but at least hurtful happens to David. You can watch Wolverine slice someone into pieces and not bat an eye. But when a supposed friend turns viciously against David you feel the ugliness in a very personal way. Jonathan Groff has a short resume, but be on the lookout for more of his performances.

Hats off to some wonderful villains.

Denis O’Hare (the born-again jade artist) is one of our most established support actors, which is to say you recognize him even though you might not know his name (no matter how many episodes of “Law and Order” you have watched). His performance offers one of the most devastating and hateful betrayals I have ever seen.

Exactly the same can be said for Corey Stoll (apple packing plant manager) in every aspect. You might remember him as Rep. Peter Russo from “House of Cards”. His character is no less sinister than that of Denis O’Hare.

Escape from the trash. Here is a wonderful gem that YOU SHOULD NOT MISS!

Prisoners (2013)

From Netflix:

When his 6-year-old daughter is abducted and the investigation stalls, carpenter Keller Dover tracks down the culprit himself. But his vigilante action pits him against the case’s lead detective and puts his own sanity at risk.

Hugh Jackman plays the father who becomes violently involved in the investigation. In this respect this role is somewhat of a departure for Jackman since his character’s behavior is so far over the line that he is almost a villain. But still the plot is clever enough that for almost the entire film you are not really sure Jackman is on the right track or just plain unhinged.

Jake Gyllenhaal as Detective Lokki plays the calm, deliberate contrast to Jackman. Gyllenhaal’s job is complicated because he is both trying to find the kidnapped girls as well as keeping a suspicious eye on Jackman.

WARNING: Be prepared for violence, psychotic behavior, and torture.

Also expect some plot surprises. It takes the entire 153 minutes for answers to arrive. Finally I would enjoy hearing your reaction to the very end of the film, whose style is becoming more and more “trendy” and which has always made me chuckle.

Read the warning label and then DO NOT MISS!