Category Archives: Grim

War of the Worlds (2005)

From NetFlix:

In this loose adaptation of H.G. Wells’s novel about alien invasion, Tom Cruise stars as Ray, a divorced dockworker whose children (Dakota Fanning and Justin Chatwin) are staying with him for the weekend when a fleet of spaceships carrying tripod creatures appears in his neighborhood. Forced to become the protective father he’s never been, Ray scrambles to usher his kids to safety, as the invasion escalates around them. Steven Spielberg directs.

As far as I can tell, the only reason to watch this remake of the 1953 film version is for the visual effects. Spielberg spent $132 million dollars to make this film. If the cost of films interests you, have a look at Movie Budgets. At least the industry provides jobs.

How the film ends is a foregone conclusion because we have all probably seen the 1953 version. Personal details have been updated: neglectful father gets to redeem himself. But I found it difficult to swallow the fact that the son makes it back to seemingly unscathed Boston on his own. And why do all these alien creatures seem to look alike from film to film?

Dakota Fanning was 11 years old during the filming. How long can she continue to be a child star?

Nonetheless, I was glued to my seat and somewhat of a wreck when the film ended. Are you ready?

Blitz (2010)

From NetFlix:

With an insidious serial killer known as “the Blitz” on the loose in London, Detective Brant (Jason Statham) takes to the case while working out his own aggression issues with a police-appointed psychiatrist. But when he and his partner (Paddy Considine) eventually corner a suspect, they don’t have enough evidence to apprehend him. Elliott Lester directs this frenetic crime thriller based on a novel by Ken Bruen.

“Blitz” offers the usual Jason Statham, take it or leave it. Of course he takes the law into his own violent hands despite being a British policeman, that goes without saying. Perhaps there is some novelty in the fact that:

  • His police division is noted for rough irregularities. That division gets a new boss (Porter Nash is the character’s name) who is both highly qualified and gay. Whereas the other policemen dislike and deride Nash, Detective Brant (Statham) respects and works well with him. In fact …
  • Brant confides in Nash that he, Brant, suffers from blackouts which Nash correctly attributes to burnout.

Cat and mouse with the serial killer is intelligently written. Eventually the killer gets his due. So does the amoral journalist who seeks glory in cooperating with the killer.

But in the end, it is the usual Statham.

Running Scared (2006)

From NetFlix:

Low-level mobster Joey Gazelle (Paul Walker) is tasked with disposing of a gun used to kill cops during a drug bust. But when it’s stolen by his son’s friend and used in another high-profile crime, Joey must find the gun quickly — or pay the ultimate price. Along the way, he’ll lock horns with the Russian mob and other dregs of society, which includes a corrupt police detective (Chazz Palminteri) who’s hot on his trail.

Excuse me, I am out of breath just watching this frenetic and ULTRA VIOLENT film that just never lets up for a moment. Just when you think some situation is going to work out well, whammo! an unexpected event occurs.

Hats off to Paul Walker (“Fast Five”, “Takers”, “The Lazarus Project” – yes there is a violent streak here) and Vera Farmiga (“Source Code”, “Higher Ground”, “Henry’s Crime” – a cut above). But special credit goes to 13 year old Cameron Bright as the much abused but brave child Oleg.

Expect to see some really ugly and evil characters. Bring a strong stomach with you.

Invasion of the Body Snatchers (1956)

From NetFlix:

Something is amiss in the sleepy California hamlet of Santa Mira. Initially, Dr. Miles Bennell (Kevin McCarthy) dismisses reports from the citizenry accusing friends and family of behaving like automatons. But the doctor soon makes a startling discovery. Extraterrestrials capable of replicating humans and assuming their identities have invaded Santa Mira. It’s up to Bennell to sound the alarm and almost single-handedly battle the alien forces.

Suppose you could trust no one around you, could you survive ? Of course, wartime spies are somewhat in that position. But this story is a famous extreme example. As an experiment in film comparison (which I also did with True Grit (1969) and True Grit (2010)) I decided to watch at least two if not three versions of this film.

For those of you too young to remember, Kevin McCarthy played many roles in the 1960 TV series “Twilight Zone”. Dana Wynter (the female lead) played Eva Wainwright in the 1966 TV series “The Man Who Never Was”.

What makes this film seem old ?

  • Black and white
  • Real orchestra music composed by Carmon Dragon that seems corny by today’s standards.
  • Precious few special effects except for the pods bursting open
  • The actors themselves actually had to run on streets and hills
  • Unfortunately in this version, the ending is a terrible cop-out

Following is an excellent review that I found in IMDB attributed to someone billed as InfoFreak:

‘Invasion Of The Body Snatcher’s is my favourite 1950s science fiction movie alongside ‘Forbidden Planet’. Both are very different movies. ‘Forbidden Planet’ is arguably the first SF blockbuster, an intergalactic adventure, in colour, with a large budget and impressive special effects. ‘Invasion Of The Body Snatcher’s is a smaller movie, a low budget black and white paranoid thriller that is a classic of its type. Many subsequent movies have been influenced by this one, and there have been at least two remakes (Philip Kaufman, Abel Ferrara), but it still takes some beating! Director Don Siegel is best known for tough guy crime dramas like ‘The Killers’ and ‘Dirty Harry’, but shows his versatility with this extremely effective and disturbing horror story. The legendary Sam Peckinpah had an uncredited hand in the script, and (keep an eye open for) a small cameo as a meter reader. Kevin McCarthy is terrific as the small town doctor turned hero. His performance is excellent, and made him a legend to SF and horror fans everywhere (he reprises it briefly in Kaufman’s excellent 1970s remake by the way). The lovely Dana Wynter leads a strong supporting cast, and buffs will get a particular kick out of seeing Carolyn Jones (a.k.a. Morticia Addams) and Whit Bissell. (‘I Was A Teenage Werewolf’, ‘Creature From The Black Lagoon’ and too many others to mention!) This movie has aged very well, much better than say, ‘The Thing From Another World’, and still stands as THE 1950s paranoid SF/horror movie. An absolute classic that I guarantee still packs a punch! Highly recommended!

Have fun!

Lebanon (2009)

From NetFlix:

In this claustrophobic drama by first-time director Samuel Maoz — a veteran of the early ’80s Israel/Lebanon conflict in which the film is set — four Israeli soldiers command a tank in a situation that becomes increasingly tense and chaotic. Like Das Boot before it, most of the action is confined to the stark interiors of that tank, as the men wrestle with fear, anger and their own consciences in the face of possible death and worse.

As soon as you finish watching this grubby film which takes place entirely in an Israeli tank, you will probably rush to take a shower.

It might help to read some background on the first Lebanon war. Probably all you need to know is that Israel was aligned with the Phalangists (Christian Arabs) in their fight against Syria. And even that does not really matter. Essentially this is a study of a team of Israeli soldiers manning an old, unreliable, filthy dirty, and leaking tank which may or may not start when needed. These men start out with clean faces and by the end of the film their faces are black with grease, dirt, grime, and sweat. Your only view of the outside world is through the sight lenses of the gunner-driver. Inside this bleak world the men argue, tell jokes, become psychotic, make mistakes, and perhaps die.

As film-making goes, this was well-done. For me the personal interactions were riveting. But it is easy to see that this intense film is not for everyone.

Biutiful (2010)

From NetFlix:

Diagnosed with terminal prostate cancer, Uxbal (Javier Bardem) — a divorced father raising two children — is determined to atone for his life as a black marketeer in this engrossing character study that unfolds in the slums of Barcelona, Spain. Co-starring Maricel Álvarez as Uxbal’s estranged wife, director Alejandro González Iñárritu’s haunting tale received Oscar and Golden Globe nominations for Best Foreign Language Film.

Why do you watch a film ? My most honest answer is “I want to be entertained”. “Entertainment” usually means “escape” or “relax” or “laugh” or “solve a puzzle” or “be excited by action (or sex)”. Therefore, this film, which is probably the most grubby film I have ever seen, might not qualify as “entertainment”. One possible subtitle for this film might be “Watching Javier Bardem Die” because there are an awful lot of shots that linger on his unshaven, haggard, unhappy face.

Another reason for calling the film “grubby” is that it takes place in the slums of Barcelona. Of course, every great and beautiful city has its slums. If all I knew about Barcelona was this film, I would avoid at all cost visiting the city. There is even a beautiful shot of a sunny clear sky into which ugly black factory smoke is pouring. Another view of the sea has dead Chinese immigrant bodies floating into the beach. Are you starting to get the picture ?

At least we get an honest view of how horrible life is for third-world immigrants (legal or otherwise) trying desperately to scratch out a meager living. Do you really want to watch that ?

One sub-theme centers around Bardem’s supposed ability to communicate with the dead for which services he charges a fee. Keep the initial snow scene in mind. Eventually you figure out what is happening.

Only Javier Bardem was familiar to me. However, the woman who plays his wife, Maricel Álvarez, has an unforgettable face. Because of the disproportionate size of her nose, she reminds me of another Spanish actress (whose name I could not find) favored by the director Almodóvar possibly for her striking looks (meaning her nose).

For some of you this film might be 2.5 hours too long.

Kalifornia (1993)

From NetFlix:

While researching a book on serial killings, writer Brian Kessler (David Duchovny) and his girlfriend, Carrie Laughlin (Michelle Forbes), travel cross-country to the murder sites and unwittingly stumble upon strangers who know the subject firsthand. A pair of hitchhikers (Brad Pitt and Juliette Lewis) offer to share expenses for the trip, but Kessler doesn’t realize just how close he is to his subject — even as bodies pile up behind them.

Brad Pitt and Juliette Lewis steal this show. David Duchovny was a success in the X-Files, but he is not much of an actor. Michelle Forbes also did well.

But Brad Pitt was sickeningly convincing as homocidal trailer trash. His character Early Grayce was not so much a serial killer as he was a willful out-of-control monster who did whatever he felt like which was usually and often to shoot people.

Juliette Lewis almost trumps Brad Pitt. She plays Adele Corners who is Early’s live-in girl friend. Naive almost to the point of seemingly retarded, Adele remains steadfastly blind to Early’s obvious faults because she feels that he can protect her from life’s dangers. For example, when he shoots someone she just says “Early you are mean”.

Almost entirely this film is a relentless blood bath. Supposedly the conceit is that David Duchovny is researching serial killers and when he realizes just how unhinged Early really is, the author wants to delve into Early’s motivations. This conceit just doesn’t work for me.

Because I had to see Early get his comeuppance, I stuck with the film to the expected end. Only the final body count could not be predicted.

You are warned !

Valhalla Rising (2009)

From NetFlix;

After years of slavery, Viking warrior One-Eye (Mads Mikkelsen) escapes from his captors and seeks refuge on a Norse ship bound for his homeland. When a storm throws them off course, the crew lands at a mysterious realm inhabited by invisible demons. As the bloodthirsty creatures claim one sailor after another, One-Eye rediscovers his fighting spirit but begins to wonder if they have arrived in Jerusalem or someplace much more sinister.

Slow to the point of glacial, you might want to skip this one. After reading the Wikipedia article you get the impression that this is one of those film critic’s specials, although one critic called the film “unbearably self-important”.

After waiting 93 minutes for the lead character “One-Eye” to speak, he never utters a word. Instead he telepathizes to a young boy (yes, that really is an English word).

For some reason or other there are six parts none of which make a lot of sense:

Part I Wrath
Part II Silent Warrior
Part III Men of God
Part IV The Holy Land
Part V Hell
Part VI The Sacrifice

So did I waste 93 minutes ? If nothing else the film is a quiet, mysterious, SLOW “happening”. In a “happening” you just wait to see what will “happen” next. I am still waiting.

Bordertown (2006)

From NetFlix:

Nearly 400 women have been murdered in the border town of Juarez, Mexico, since 1993, prompting newspaper reporter Lauren Fredericks (Jennifer Lopez) to investigate and unearth a startling cover-up by the local authorities. With the help of a colleague (Antonio Banderas), Lauren helps the only survivor find the courage to tell her story. Director Gregory Nava weaves a dramatic narrative against the backdrop of shocking true events.

Before you get all riled up after seeing this film, you should read the Wikipedia article in the sections entitled “Background” and “Critical Response”. To summarize their ideas: basically it is true that many Mexican women are raped, tortured, and murdered in Juarez. It is not clear that NAFTA has to take all the blame.

So what if critics panned the film ? From my Spanish teacher Joaquín (from Mexico) I have learned enough about to Mexico to understand just how corrupt and dangerous a place it is. Moreover, despite the film’s faults, there was more than enough suspense to keep me interested.

Perhaps some faults are preachiness and a really unnecessary and out of place sex scene between Lopez and an almost random Mexican factory owner.

Whether you see the film or not, above all else do NOT visit Mexico.

21 Grams (2003)

From NetFlix:

A tragic car accident brings together three strangers — a teacher (Sean Penn) with a weak heart, a former drug addict (Naomi Watts) turned housewife and an ex-con (Benicio Del Toro) who’s found Christ — forcing them to face their darkest fears, reevaluate their lives and seek redemption. Alejandro Gonzalez Inarritu directed this complex drama that earned Oscar nominations for lead actress Watts and supporting actor Del Toro.

Mexican directory Alejandro González Iñárritu is known for possibly disturbing films such as “Babel”, “Amores Perros”, “21 Grams”, and “Biutiful”. His “Nine Lives” did not please me very much.

“21 Grams” is a jigsaw puzzle. Scene sequences are scrambled and you eventually have to figure out what the complete story really is. Some scenes are repeated such that on a succeeding viewing you finally understand what that scene means. Not that the scrambling is random, rather the non-linear sequencing is done very well. What really keeps the film moving is the sudden changes in scene without any warning. Expect some sudden surprising plot twists.

Violence, infidelity, ill health, forgiveness, and possibly redemption are the major themes.

“Redemption” is debatable because Del Toro’s character possibly never forgives himself for what he has done (we are talking ambiguity here). He certainly was a horrible father in addition to his other shortcomings. His little son does a great job showing that he had to keep himself distant from his capricious and often violent father. His daughter accepts him unconditionally.

Sean Penn seemed to me a basically selfish man, mostly concerned with his identity (“who am I with this newly transplanted heart ?”). He finds it easy to abandon the woman who loves him.

Naomi Watts’ character asks the question: “How possible is it to forgive someone who killed your loved ones ?” Watching her life go down the drain is no fun.

Interest never flags in this intense, worthwhile, demanding film.