Category Archives: 1976

Network (1976)

From NetFlix:

When a network news anchor loses his mind on the air, his outrageous rants reach viewers at home, boost the ratings and intrigue a pair of cutthroat network executives in this Oscar-winning masterpiece that predicted today’s rash of trash television.

Thanks to a fellow movie fan after reading my review for “Nightcrawler” who suggested that I should have seen “Network” first. Indeed, to borrow from my neighbor again, the depiction of the pandering sensationalist behavior in “Network” was a precursor to today’s trash TV (reality TV anyone?).

In at least one respect, the film feels dated: the speech delivery is loud, almost shouting oratory. It could take awhile to get used to this unrelenting patter. If you think Peter Finch (as Howard Beale) shouts a lot, just wait for the reprimand speech delivered to Howard Beale by Ned Beatty (as Arthur Jensen) whose message is “Money Is Everything”. Another way to put this is to say that the film is preachy.

Another impression for me was that “Network” was a bit like “Mad Men” meets “Nightcrawler”. Much like “Mad Men” we witness the merciless win and lose of jobs, positions, and sanity.

Whether Faye Dunaway (as Diana Christensen) is capable of love comes in question when the aging William Holden (as Max Schumacher) leaves his wife for Diana. In one clever scene she and Max make love while during the entire love-making session she jabbers on non-stop about network business.

In some sense the film is scary, possibly because it holds too much truth. But from a historical perspective, I am very glad I saw this 40 year old film which in many aspects has not aged at all.

Dona Flor and Her Two Husbands (1976)

From NetFlix:

Proving that bad boys are hard to shake, this fanciful Brazilian comedy follows the adventures of Dona Flor (Sonia Braga), a conventional girl who weds a handsome ne’er-do-well (José Wilker) whose only saving grace is his talent in bed. When he dies suddenly, Flor remarries — but to his polar opposite: an exceedingly dull pharmacist (Mauro Mendonça). Soon, she finds herself longing for hubby No. 1 … and next thing you know, his ghost appears.

“Dona Flor” is the most successful Brazilian film ever made. For more history see wikipedia. Because I am studying Brazilian Portuguese I watched this historical film. Today’s audience would probably find the film dull even though it is completely about sex. In fact the nudity and the sex scenes are fairly chaste. Unless you are a determined afficionado of Brazilian film history, skip this one. I was just grateful to understand some small amount of the Brazilian.