Category Archives: 1955

Kiss Me Deadly (1955)

From Netflix:

Shortly after sleazy detective Mike Hammer (Ralph Meeker) picks up a scantily clad hitchhiker (Cloris Leachman), his car is forced over a cliff. He awakens from unconsciousness to find his passenger dead — but it wasn’t the fall that killed her. As Hammer sets out to uncover the woman’s deadly secret and find her unknown assassins, he ignores explicit signs that he should mind his own business. This film noir was adapted from Mickey Spillane’s novel.

PBS showed this 106 minute black-and-white film from 1955. You can also get it from Netflix. To think that I was only 15 when this film came out – how films have changed. Nonetheless, despite the old style stiff way of acting (at times seemingly mere line reading), the film is fascinating, if only from a historical perspective.

The Wikipedia article has this to say:

Kiss Me Deadly is a 1955 film noir drama produced and directed by Robert Aldrich starring Ralph Meeker. The screenplay was written by A.I. Bezzerides, based on the Mickey Spillane Mike Hammer mystery novel Kiss Me, Deadly. Kiss Me Deadly is often considered a classic of the noir genre. The film grossed $726,000 in the United States and a total of $226,000 overseas. It also withstood scrutiny from the Kefauver Commission which said it was a film designed to ruin young viewers — leading director Aldrich to write against the Commission’s conclusions.

Kiss Me Deadly marked the film debuts of both actresses Cloris Leachman and Maxine Cooper.[2]

As you approach the surprising end of the film you will understand the comment from the same Wikipedia article:

Critical commentary generally views it as a metaphor for the paranoia and nuclear fears of the Cold War era in which it was filmed.

Ralph Meeker, the lead actor, has a huge resume even though I never heard of him before seeing this (to me) unusual film.

Even the orchestral music seems old-fashioned.

The Night of the Hunter (1955)

From NetFlix:

Bogus “preacher” Harry Powell (Robert Mitchum) learns cellmate Ben Harper (Peter Graves) has stashed stolen loot on his property. So after the demented Powell is released, he charms Ben’s widow (Shelley Winters) into getting hitched, and in time, only Ben’s kids stand between him and the money. As he stalks the siblings relentlessly, they seek refuge with the indomitable Rachel Cooper (Lillian Gish), setting the stage for a battle of wills.

Lately I have read much praise for this film. In fact you should read the Wikipedia article that mentions the positions this film occupies in various anthologies of worthy films. Its descriptions of why the film is special surpass any description I could write.

Personally I found the black and white impressionistic photography incredibly clear and a new experience. This film was Charles Laughton’s only directed film (probably because it was not a success). Times have changed and for me the film was a bit corny and much too long. Moreover in those days you had to see the bad guy get his comeuppance. Today’s films love ambiguous endings instead of the clear resolutions demanded in the black and white years of the 50’s.

You may never have heard of Lillian Gish (1893-1993) but surely you have heard of Robert Mitchum and Shelley Winters. I always knew Peter Graves (TV’s “Mission Impossible”) as an older man. In this film he played Ben Harper (the bank robber father) and was only 29 years old. Billy Chapin (John Harper, the son) had a small part in “Leave it to Beaver” and seems to have vanished.

At the very least you get to see and feel what small towns were like during the depression. It’s a bit like going to a museum to watch a “talkie”. I don’t regret the experience.