Category Archives: Wonderful photography

Moss (2017)

From Kanopy:

In this coming-of-age tale set in the American South, Moss is an isolated and troubled young man who embarks, on his eighteenth birthday, on an unexpected adventure never to be forgotten.

For Moss, whose mother died while delivering him, the day means freedom, especially from his father, whom Moss believes resents him for his very existence. However, it will take more than this milestone day to set him free. During a chance encounter with a woman fleeing her own heartache, the two escape into a psychedelic journey that teaches Moss lessons of life and loss.

From Kanopy you can stream this 1 hour 21 minute complete film.

Perhaps you should be smoking a joint while watching this photographic essay go dreamily on its way.  Sometimes the camera work seems clumsy,  but the film captures a piece of the South notable for raw, beautiful nature and the poverty of its inhabitants.  In this rush-rush age it is amazing to watch folk who are in no hurry, have no ambitions, and are content to smoke pot and just enjoy watching the day go by.

Cider With Rose (2015)

From IMDB:

In 1918, with her husband working in the War office – and subsequently leaving the family – devoted mother Annie Lee takes her step-daughters and her own children to live in the idyllic Gloucestershire countryside, the youngest being the sickly Laurie, known as Loll. Here they witness two feuding matrons, Granny Trill and Granny Wallon and shelter a young army deserter hiding in the woods until his capture. At school Loll and his classmates are terrorized by the formidable teacher Crabby until hulking Spadge Hopkins literally puts her in her place. Far more important to Loll’s schooldays are the captivating Burdock sisters, Jo and Rosie, and, as he grows into adolescence and beyond, eventually leaving home to seek his fortune, he samples the delights of cider with Rosie.

From Acorn TV:

This beautifully shot, elegiac drama is a coming-of-age story set in a remote English valley post-WWI. Raised by his kindly mother (Samantha Morton, In America) among a pack of siblings, Laurie Lee experiences the wonders of love and friendship but also the brutality of loss and death. “Brilliant performances underpin a lyrical, languid, and poetic adaptation [of Lee’s memoir]” -The Telegraph.

From Wikipedia:

Cider with Rosie is a 1959 book by Laurie Lee (published in the US as Edge of Day: Boyhood in the West of England, 1960). It is the first book of a trilogy that continues with As I Walked Out One Midsummer Morning (1969) and A Moment of War (1991). It has sold over six million copies worldwide.

From Acorn TV you can stream this heart-warming 89 minute film.

Annie Lee, the mother, is played by Samantha Morton (Alpha in the 2019 The Walking Dead).  Granny Trill is played by Annette Crosbie (Clarice Millgrove in  Call the Midwife) whose face was immediately familiar to me even though at the time of filming she was 81 years old.

If you want a beautiful yet sad-at-times reproduction of WWI life in rural England from a century ago, DO NOT MISS!

Call Me By Your Name (2017)

From IMDB:

In 1980s Italy, a romance blossoms between a seventeen year-old student and the older man hired as his father’s research assistant.

British Airways offered this film with subtitles. In fact, there is a mixture of languages.

In the book by André Aciman as I recall, correct me if I am wrong, there is no sexual contact between Oliver (played by Armie Hammer) the older assistant and Elio (played by Timothée Chalamet) the teenage son. But this supposed screen adaptation shows almost explicit sexual activity. In one review I read, the critic complained that the film could be seen as condoning Oliver’s self-interested grooming of the young, inexperienced Elio. So you must do at least three things: forget the book, prepare yourself emotionally for the scenes, and decide for yourself what you really think about Oliver’s behavior. 

Evocative portrait of a small setting in northern Italy, but quite possibly not to everyone’s taste.

La La Land (2016)

From IMDB:

A jazz pianist falls for an aspiring actress in Los Angeles.

From the moment all the drivers in an LA car jam leave their autos and start singing and dancing I was hooked.  Probably this means you will either love or hate this film which is in some way a throwback to such Gene Kelly films as “Singin’ In The Rain” or “An American In Paris”. In fact the last time I can remember the actors in a scene breaking into song was the unexpected moment in “My Best Friend’s Wedding” in the restaurant when the cast joined in singing “I Say a Little Prayer For You”. Of course the characters sing in musicals, but I am not sure you can call this film a musical. Give the film an A for originality because it is almost sui generis.

Adding to the enjoyment was the clever and swift changes from scene to scene, the unexpected time sequence changes, to say nothing of the clever but surprising ending.

Hats off to Ryan Gosling as Sebastian and Emma stone as Mia.  As a pair they have appeared together in several films. Ryan had to learn tap dancing and piano for his role because no piano hand models were used.  On the Internet you will find many articles about how much they rehearsed.

Ryan Gosling (age 36 during filming) is one of my favorite chameleons. For example he has played the following: Hercules; a young prosecutor matching wits with Anthony Hopkins in “Fracture”;   a delusional man in “Lars and the Real Girl”;  a sociopathic killer in “All Good Things”;  and a motorcycle stunt driver in “The Place Beyond the Pines”.

For helpful details see the Wikipedia article.

Possibly destined to be a classic. DO NOT MISS!

 

A Place To Call Home (2013)

From Acorn TV:

An instantly irresistible saga (Wall Street Journal) brimming with secrets, passion, romance, and intrigue, A Place to Call Home explores the ties that hold families together and the betrayals that can tear them apart.

In this case Acorn’s description got it exactly right: INSTANTLY IRRESISTIBLE!

UPDATE May 2016:

Usually I hate spoilers, BUT — you at least have to know that this soap opera is destined to go on forever. Each season ends with agonizing cliff-hangers that force you onto the next season.  Unfortunately that includes season three which ends with all the characters in their own separate threads in great difficulty and with evil about to triumph. As of this update there is no season four, which makes me cry “Foul!”

Our audiologist alerted me to Acorn TV and especially to this Australian soap opera. Acorn TV shows presentations exclusively from the British commonwealth, including New Zealand and Australian. Currently Acorn TV costs $5 per month and offers a huge selection for streaming. We use ROKU to do the streaming.

Season 1 ends as a cliffhanger which sent us diving immediately into Season 2. Originally there were to be only two seasons, hence Season 2 ends happily ever after. BUT — when someone decided to do Season 3 they cleverly offer a Season 3 on Acorn TV which begins with a substitute episode for the last episode of Season 2. This rewrite ends with cliffhangers to prepare us for Season 3. Never before have I found such a maneuver. Season 1 has 13 episodes, Season 2 has 10 episodes, and Season 3 has 11 which includes the substitute final episode of Season 2.

“Schmaltz” is German for rendered chicken or goose fat. Have no doubt, this is a real soap opera with lots of schmaltzy emotions, nasty villains, noble heroes and especially heroines. If you do nothing more than just stare at the beautiful and entrancing Marta Dusseldorp (who plays the heroine Sarah Adams), you will have enjoyed yourself. Deborah Kennedy plays the best town gossip I have ever seen. All the conflicting topics are there: Catholic versus Anglican, Jews versus Gentiles, Italian workers against the upper class snobs, homophobia, veterans versus the Japanese, and the enticing list goes on. Australia is beautiful, especially in a perfect rendering of the years just after World War II.

Don’t blame me if your life is devoured by this captivating series.

DO NOT MISS!

The Silence (2010)

From Netflix:

When 13-year-old Sinikka goes missing from the same spot where another girl was murdered 23 years earlier, a retired investigator teams up with a younger colleague to unravel the parallel mysteries.

According to Wikipedia, this film is based on the German crime fiction novel The Silence (German: Das Schweigen) by Jan Costin Wagner. In fact the film is in German with subtitles.

Everything about this film is incredibly well done. Not only the story, but the photography, the pace, and above all else the acting.

Lifelong sadness over the loss of a loved-one is the pervasive theme of the film. From the very beginning we witness the initial rape and murder. (Later on we witness the second murder.) Rather than being a mystery story, the film centers on how the crimes effect each of the many characters: a retired detective whose marriage failed under the stress of his desperate efforts to solve the initial crime; a young brilliant detective trying to get over the recent death of his wife; the mother of the first victim; the parents of the second victim; the smug, officious, inept present-day chief detective; and each of the two guilty parties.

Only a bit of a mystery exists: can you recognize how one of the original killers has morphed into a present-day respectable citizen?

WARNING: be prepared for sadness and irony. However, DO NOT MISS THIS SUPERB FILM!

After Earth (2013)

From NetFlix:

A thousand years in the future, Gen. Cypher Raige and his young son, Kitai, crash-land their crippled ship on the long-abandoned, desolate Earth. With his father near death, Kitai sets out to find a beacon that will save them from certain doom.

If nothing else, the visual effects and scenery are worth watching. Although Avatar was more fantastic (in the literal sense), still this film reminds me of Avatar. Digital artistry just gets better and better. Hopefully, the other aspects of a film will keep pace: story, acting, and something in the plot that connects to the human experience.

Up to now Will Smith has had mostly comedy roles and never seemed destined for anything deeper. Here he is a much more serious actor, although it is still science fiction, after all. If anything the story revolves completely around his relation as a Ranger General with his son who aspires to also be a Ranger.

Imaginative and realistic suspense is ever present as the son fights the savage nature of a now-primitive Earth in order to save both his life and that of his injured father.

If you liked “Avatar” or if you are a sci-fi fan, then this well constructed film is for you. (Could be scary for young children).

Sunshine (1999)

From Netflix:

A single actor portrays father, son and grandson in this epic historical tale that follows a Jewish family as they struggle to survive anti-Semitism, war and corruption in Hungary. Each man deals with the prevailing regime in his own way.

Istvan Szabo, the director, presents us with a wonderful three hour epic that leads us through many periods in Hungarian history: Austria-Hungary, World War I, Communism after WW I, Nazi occupation of Hungary in World War II, Pro-Stalin Communism after WW II, and finally the fall of Communism.

For a detailed account of the film see the Wikipedia article.

For those of us in Massachusetts please note that “Sunshine” was written by the director Istvan Szabo and Israel Horovitz. Horovitz is Founding Artistic Director of the Gloucester Stage Company in Gloucester, Massachusetts. Kathy and I have seen several of his plays.

Although there are too many wonderful actors to mention, clearly the film was a tour de force for Ralph Fiennes who plays parts in three generations of the family. Jennifer Ehle as Valerie Sonnenschein was strikingly beautiful.

Warning: there is one ugly scene when Fiennes as the character Adam in a concentration camp is tortured to death. Szabo makes it quite clear that the villains in this piece are not Nazis, not Germans, but HUNGARIANS who are very anti-Semitic.

Three hours may seem like a long time, but this film is worth every second.
DO NOT MISS!

Life of Pi (2012)

From NetFlix:

Based on Yann Martel’s best-selling novel, this coming-of-age tale recounts the adventures of Pi, an Indian boy who is the sole survivor of a shipwreck. Pi finds himself on a lifeboat with only some zoo animals for company.

Based beautifully on the book, the photography alone is worth the price of admission. From the very first shot of unusual zoo animals, through a wild storm at sea, and accompanying Pi on his journey in a lifeboat with a Bengal tiger, the scenes are exciting and memorable.

Additionally the story is one of determined and remarkable survival. Pi finds a book amoung the lifeboat supplies a book that teaches him to survive shipwreck. He also learns to effectively train the tiger (or at least try to train the tiger).

There are some comic moments but certainly never a dull moment. Hang onto your oars!

The 39 Steps (2008)

From NetFlix:

Richard Hannay (Rupert Penry-Jones) has his holiday interrupted when secret agent Scudder (Eddie Marsan) bursts into his apartment, staying alive just long enough to deposit a notebook. Pegged with murder, Hannay must decode the book and nab the culprits — before they find him first. In this nimble BBC update of John Buchan’s novel, German spies and British police give chase as Hannay races to deliver the coveted code and avert a world war.

Rupert Penry-Jones and Matthew MacFadyen take turns starring in the excellent British TV series MI-5 . That series started in 2002. Since this Masterpiece Classic was made in 2008, I assume these two actors rotate in order to give them time to do other acting.

Think of “The 39 Steps” as a Harlequin Spy Romance with possibly its tongue in its cheek. Penry-Jones is accidentally thrust into an effort to prevent Germany from attacking the British navy just prior to World War I. He gets to run up and down hills, run through woods, drive vintage cars in exciting 20 mph car chases, solve encrypted messages, discover spies, and woo a winsome maiden, all the while remaining a presentable handsome Brit with a flare for witty comebacks.

If you can stand not having digital special effects enhance the performance of the actors, then you might enjoy this melodrama, despite a few “aw shucks!” moments.