This intense crime drama stars Oscar nominee David Strathairn as liberal Jewish attorney Danny Dunckelman, who’s appointed by the court to defend Mike Downey (Andrew W. Walker), a neo-Nazi skinhead on trial for the murder of an East Indian man. Confronting religious and racial intolerance, Mike and Danny struggle to form an alliance despite their divergent beliefs and sensibilities in this provocative exploration of hatred and forgiveness.
“Steel Toes” is violent because Andrew Walker as a Nazi skinhead in Montreal kicks a defenceless East Indian to death. As a result liberal Jewish lawyer David Strathairn (CIA Deputy Directory in “The Bourne Ultimatum”) decides to defend the skinhead. What follows is some very tight ensemble acting and I found myself riveted to their give and take. My appreciation of Strathairn has, as a result, grown immensely.
To take down South Boston’s Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise in Martin Scorsese’s multiple Oscar-winning crime thriller, including Best Director and Best Picture. While an undercover cop (Leonardo DiCaprio) curries favor with the mob kingpin (Jack Nicholson), a career criminal (Matt Damon) rises through the police ranks. But both sides soon discover there’s a mole among them.
“1001 Films to See Before You Die” praises Scorsese for successfully adapting a successful Hong Kong action film “Infernal Affairs” and its two sequels to the Boston Irish-American culture. For this film Mark Wahlberg was nominated for “best actor in supporting role”. Needless to say it is violent and not for children.
In this fairy tale for adults, 10-year-old Ofelia (Ivana Baquero) stumbles on a decaying labyrinth guarded by Pan (Doug Jones), an ancient satyr who claims to know her destiny. With a new home, a new stepfather (Sergi Lopez) — a Fascist officer in the pro-Franco army — and a new sibling on the way, nothing is familiar to Ofelia in this multiple Oscar-winning tale set in 1944 Spain from director Guillermo del Toro.
In “1001 Films to See Before You Die”, this film is recommended as probably the best film by Mexican directory Guillermo del Toro. The film has a split personality: half is the suffering and torture due to Ofilia’s stepfather who is a bitter and twisted member of General Franco’s fascist army; the other half is the fantasy world to which Ofilia escapes in order to get away from the ugly realities. So, yes, there is violence and some torture. And also there are some memorable fantastic special effects scenes. Not for children.
A 36-hour period in the diverse metropolis of post-Sept. 11 Los Angeles is the theme of this unflinching drama that challenges viewers to confront their prejudices. Lives combust when a Brentwood housewife and her D.A. husband, a Persian shopkeeper, two cops, a pair of carjackers and a Korean couple all converge. Director Paul Haggis’s Best Picture Oscar winner stars Sandra Bullock, Brendan Fraser, Don Cheadle, Matt Dillon and Jennifer Esposito.
Recommended in “1001 Films to See Before You Die”, this film seems to be the gold-standard for films that offer multiple seemingly independent threads that ultimately come together before the film ends. Sometimes those relations are a bit forced.
Racial predjudice (and whether it can be overcome) is the theme of the film. I have reviews that rave and reviews that rant about how well this theme is treated. At least it is not a boring film. What I remember most is the heroic car scene with Matt Dillon.
Oscar winner Russell Crowe is Maximus, whom Roman emperor Marcus Aurelius (Richard Harris) had picked to succeed him. But Marcus’s son Commodus (Joaquin Phoenix) snatches the throne, ordering Maximus dead. Instead, he’s enslaved and learns to be a skilled fighter. When the Coliseum opens for gladiator games, Maximus finally has the chance for revenge. Ridley Scott directs this vivid epic, winner of the Oscar and Golden Globe for best picture.
This film (recommended by “1001 Films to See Before You Die”) was the first film in which I ever saw Russell Crowe and every time I see him I think of this film. In fact the same is true for Joaquin Phoenix who makes a wonderful warped bad guy. By its nature this epic is violent. But just as important as the pomp and fighting is the human side of the story.
Interesting side fact: Oliver Reed (who plays Proximo) died during the filming and his remaining scenes were generated using a stand-in and computer-enhanced filmwork.
In three interwoven vignettes, Traffic offers disturbing snapshots of America’s drug war. Drug czar Michael Douglas sees his life turned upside down when the drug problem hits home, while Tijuana cop Benicio Del Toro tries to keep his hands clean — and stay alive. Meanwhile, Drug Enforcement Agency operatives arrest a major dealer, forcing his wife (Catherine Zeta-Jones) to take over the family business.
Recommended both by “1001 Films to See Before You Die” and “NY Times 1000 Best”, this film is in the “Crash” tradition of many separate interrelated plot threads. As such, the film can be confusing.
Besides violence (e.g. torture) there is much ugliness (e.g. The U.S. drug czar finally tracks down his cocaine-addicted daughter as she is prostituting herself to an old man in order to get drug money). Another main theme is governmental corruption. This film, which won 4 oscars, is not an easy watch.
Gifted British filmmaker Stephen Frears brings to the screen the troubled life of bold 1960s writer Joe Orton (Gary Oldman) in this portrait of an obsessive, controlling coupling set against history. Orton’s infamous relationship with his tempestuous lover, Kenneth Halliwell (Alfred Molina), fueled but also eventually destroyed Orton — literally and figuratively — at a time when the world didn’t at all embrace or understand homosexuality.
