Category Archives: Unusual

Stoker (2013)

From Netflix:

An impressionable teenager grieving for her late father lives with her unstable mother and is bewitched by her enigmatic uncle, who has mysterious motives for his sudden appearance in her life.

“Creepy” is the first adjective that comes to mind. “Stoker” is not a horror film. Rather it is a psychological, suspense-filled, well-written story with unexpected plot and character twists. In addition it is somewhat of a mystery story that asks “Just who is this suddenly appearing uncle?” At each step you think you know what will happen, but you are probably wrong.

Does Nicole Kidman get more beautiful each day? Matthew Goode, the British actor who played Charles Ryder in the 2008 production of “Brideshead Revisited”, is the perfectly cunning psychopath. Mia Wasikowska, the Australian actress who played Jane Eyre in the 2011 production of “Jane Eyre”, steals the show as an enigmatic and unpredictably strange teenager.

You will stay glued to your seat during this frighteningly possible sequence of events.

Shallow Grave (1994)

From Netflix:

Ewan McGregor stars in this grimly comic tale of three roommates who find their enigmatic new flatmate dead in his room with a stash of drugs and a suitcase full of cash. What will they do with all that money — and the corpse?

Basically the plot is that the suitcase full of cash little by little corrupts each of the three friends. Suspense builds as their increasingly paranoid behavior leads to conflicts and more. Be prepared for violence along with the good acting. Ewan McGregor almost never appears in an unworthy film. But this film is also a bit strange.

And who will win the cash competition ?

Oscar Shorts (2012)

From Netflix:

This collection of Oscar-winning shorts from 2003-2012 covers works from around the globe, including “God of Love,” “The New Tenants,” “Toyland,” “West Bank Story,” “The Lost Thing,” “Logorama,” “The Danish Poet,” “Ryan” and “Harvie Krumpet.”

Live Action shorts are:

  • God of Love – Singer uses unusual methods (timed darts) to cultivate love affairs.
  • The New Tenants – Surprise! Vince D’Onofrio (looking really overweight and unhealthy) The new tenants have a series of crazy visitors.
  • Toyland – German with subtitles – Persecution of Jews in Nazi Germany. “Toyland” is a euphemism for a concentration camp. Little Aryan child wants to accompany his Jewish friend to “Toyland”. Grim, sad, beautifully done.
  • West Bank Story – Much effort went into making this satirical take-off on “West Side Story”. Kosher King versus Hummus Hut.

Animated shorts are:

  • The Lost Thing – Australian – On beach man finds incredibly imaginative “thing” that seems to be a giant almost-teapot with reptilian extremities. Priceless!
  • Logorama – Vulgar mockery of American products and their logos, complete with car chases shoot-outs, earthquakes, an oil flood, and the west coast under water.
  • The Danish Poet – A Danish poet visits Sigrid Unset
  • Ryan – Imaginative but grotesque people missing parts (e.g. missing half a skull) provide opportunities for digital distortions. Downright weird.
  • Harvie Krumpet – Claymation story of Polish Harvie born to insane mother and lumber jack father. Harvie escapes the Germans and flees to Australia where he lives a life full of funny misfortunes each of which lands him once again in the hospital. Meanwhile he continues to collect increasingly funny facts (misspelled as “fakts”). Explicitly vulgar and very tongue-in-cheek.

“West Bank Story” is probably famous. In fact, I think I have seen it in other collections. Well worth watching.

“Harvie Krumpet”, while funny, could also be a bit depressing.

“The Lost Thing” may well be one of the most original animations I have seen. To enjoy all its details you might have to watch it more than once.

The Master (2012)

From NetFlix:

Freddie, a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd, the charismatic leader of a new “religion” he forms after World War II.

Put Joaquin Phoenix and Philip Seymour Hoffman together in the same story (even better, in the same cult) and you get a really well acted film with an intriguing and always surprising plot. Hoffman plays the cult leader called “The Master” who goes by the name Lancaster Dodd. Scene after scene shows what a fraud Dodd really is. But what is cult-worthy is how the members of cult practically worship their fearless leader.

While Hoffman is doing a “masterful” job as charlatan, Phoenix plays to scary perfection Freddie the violent (WWII) PTSD drunk who has attached himself firmly to The Master who is indeed a master at using quasi-hypnosis to soften his victims’ self-hate. Freddie feels better under tutelage despite his many lapses into drunkenness, stealing, and physical violence. Even more insidious The Master tells Freddie that he, The Master, is the only person on the planet that loves Freddie. No wonder Freddie so blindly worships The Master even to the point of violence.

Looking at Joaquin Phoenix is uncomfortable. He is skinny, misshappen, hunched, almost limping rather than walking, sexually maladjusted, and often acts in a manner that is just plain weird. He has this way of putting his hands on his waist so that his body is twisted. When Phoenix puts his heart into a role he goes all the way, even if it is embarrassing to watch. His rages are so uncontrolled and overpowering (despite his diminutive size) that it takes three men to subdue him. In real life he is 38 years old but I think he looks older.

What eventually happens to Freddie? You will have to watch this strange film through to the end to find out.

Teddy Bear

From NetFlix:

Physically massive but shy and socially inept, a 38-year-old Danish bodybuilder longs to fall in love — but finds it impossible under the disapproving eye of his mother. Traveling to Thailand, he learns some unexpected lessons about life and love.

Imagine a 38-year-old giant bodybuilder who has yet to break away from his domineering and physically tiny white-haired shriveled old mother. She uses every trick in the book to keep him from becoming independent. Throughout this film I was rooting for this guy to escape and find a wife.

Here is a quote from IMDB about the actor Kim Kold:

Kim Kold is a former football (soccer) goalkeeper, who in 1993 at 27 years of age suffered a serious injury in his Achilles tendon. He was sent to the gym doing rehabilitation training. He took up an interest in bodybuilding and started competing in 1997. He won the Danish National Bodybuilding Championship in 2006.

In the film actors speak Danish and English. In fact their English is fluent and often without accent. They speak English when it is necessary to have a common language, for example in Thailand among [sex] tourists. But when Dennis (Kim Kold) speaks Danish it seems as if he is mumbling. In fact I could not even hear consonants. But there is a point here. Dennis is so shy and understated that he almost whispers throughout the film. Even when his clinging mother is her nastiest Dennis never raises his voice to her. More than that, he seems either afraid of her or is making a conscious effort to not offend her. Dennis is a kind, moral, gentle giant who has no idea how to break away and find a woman to love.

Enter a friend who has already found a wife in Thailand. He tells Dennis how to get to Thailand and whom to contact. Unfortunately, the contact is involved in sex tourism and introduces Dennis to several prostitutes. But Dennis is so decent and sincere that he walks away from that scene in disgust. Finally he finds a gym and fellow bodybuilders who recognize him and invite him to join them for a social evening. There he is introduced to the widow owner of the gym. And the rest is history once we get past certain difficulties, which means “mommy dearest”.

Kim Kold is certainly not an actor. But whoever directed him never missed a beat. Dennis behaves consistently and as you would expect him to behave throughout. He gives the impression that at 38 he is still a virgin. There is no sex in the film but there are scenes where we feel sorry and embarrassed for Dennis who flees from sexual advances on the part of several women.

Yes, Dennis is a good guy. And yet he tells lies to his mother from beginning to end. He speaks and looks at her sincerely and seems to be shamefully admonished by his mother and yet “lies like a rug”.

This quiet and slow film is not for everyone. Mostly it is about rooting for a well-meaning underdog.

A Collection of 2007 Academy Award Nominated Short Films (2007)

From NetFlix:

This anthology features the nominees for the 80th Academy Awards Short Film category, including the live-action winner, “Peter and the Wolf,” and the animated winner, “The Mozart of Pickpockets.” Other entries in the collection are “At Night,” “The Substitute,” “Tanghi Argentini,” “The Tonto Woman,” “Even Pigeons Go to Heaven” and “Madame Tutli-Putli.”

Shorts in foreign languages are subtitled. Production values are good and not amateurish as are some collections of shorts. But it was not possible to skip around to various shorts on the DVD.

Contents:

  • “At Night” consists of the relationships among three young women cancer (?) patients in a hospital. [Sad] [Danish]
  • “Il Suplente” [The Substitute Teacher] Bizarre behavior of a substitute teacher and his students. [Funny] [Italian]
  • “The Mozart of Pickpockets” Two thieves teach a little boy to pickpocket. [Funny] [French]
  • “Madame Tutli-Putli” Sequence of bizarre, nightmarish sights during a train ride. [Animated 3-D characters] [Unusual] [No voices]
  • “Even Pigeons Go To Heaven” Priest sells old man a one-way space vehicle to heaven. [Animated 3-D characters] [French]
  • “Prokofiev’s Peter and the Wolf” Imaginative version of the classic. [Animated 3-D characters] [No voices]

Beasts of the Southern Wild (2012)

From NetFlix:

This fantastical drama follows a little girl named Hushpuppy who lives in a dilapidated pocket of homes in the Mississippi Delta. When her father falls ill and natural disasters strike, Hushpuppy sets off to find her long-lost mother.

Netflix’s description above is misleading. Hushpuppy wants to find her mother but that is just a small part of this film, one of the most inventive and original films I have ever seen.

Quvenzhané Wallis portrays Hushpuppy as a defiant, curious, lonely little girl whose father Wink is an unpredictable, at times violent, alcoholic whose wish for his daughter is that she learn to live independently. We understand Wink more as the film progresses.

Even if the film were merely a travelog it would be acceptable. For me the area and characters were an eye-opener. As a city dweller I expect a home to be orderly, clean, and strongly constructed. But the homes we visit are disorderly pig-pens just about ready to fall down of their own accord. As a city dweller I expect people to be sober, hard-working, clean, affectionate persons. But the personalities in this film are hard-drinking, seemingly non-working, dirty humans who are, however, affectionate. Most of all they are determined to stay in their beloved bayou (which they call the “bathtub”) even after a relentless storm has almost completely destroyed their world.

Magic realism enters in the appearance of aurochs who were released by global warming from their prisons of icebergs. These giant beasts (like warthogs) in their roaming represent the violence wrought upon the earth by global warming.

Compare the acting here of Quvenzhané Wallis as Hushpuppy with that of the child Pierce Gagnon as Cid in Looper.

If you have a taste for the unusual, DO NOT MISS THIS FILM!

The Cabin In The Woods (2011)

From NetFlix:

In this twisted thriller from Joss Whedon and Drew Goddard, five friends arrive at a secluded cabin with clear instructions for their anticipated mountain getaway. But when the rigid rules are broken, punishment is swift — and everyone will pay. Kristen Connolly, Jesse Williams, Anna Hutchison, Fran Kranz, Chris Hemsworth and Brian J. White star with Richard Jenkins and Bradley Whitford in this surprising spin on a classic horror setup.

At some point while watching this acceptable piece of horror trash you will probably wake up and say “This is really stupid”. But hold on … Granted that I do not watch many horror films, as in “seen one, seen all of them”, this almost-stinker is probably one of the most original horror flicks I have seen. Following the usual script of “a bunch of friends travel together to a secluded location when all of a sudden …” in fact ALL OF A SUDDEN the film takes an unexpected turn which caused me to say “Wait a minute: is this really a horror film or some sort of a satiric prank?” Lo and behold there stand Richard Jenkins (the father ghost in “Six Feet Under”) and Bradley Whitford (Josh Lyman in “The West Wing”) in a different setting. You will spend the rest of the film trying to figure out what is happening. Along the way you get to see the usual assemblage of zombies, slashers, creepy monsters, nightmares come to life, etc. That part (the ghoul parade) is the ho-hum part. Rather the interesting part is the juxtaposition of two seemingly disparate story threads. In addition, the dialog is tongue-in-cheek and sometimes funny.

Sigourney Weaver must really need the money. Her walk-on towards the end of the story is ludicrous. In fact, the hypothesis of the entire film is ludicrous. Richard Jenkins and Bradley Whitford must also be desperate for acting work. Chris Hemsworth plays Chris Hemsworth.

Because I am retired, I can waste the time watching this silly but somehow intriguing farce. Can you afford to waste your time?

The United States of Leland (2003)

From NetFlix:

Teenager Leland Fitzgerald appears to have everything going for him, including a famous writer father. So, what drove him to kill? It’s up to a teacher who works with inmates to unearth the anger and fear lurking beneath Leland’s unruffled surface.

Sadness and a questioning sense of despair pervades this quiet gem of a film. Every character has done something regrettable or been hurt, betrayed, or murdered by someone close to them. “Are we all evil or is there real goodness in at least some people ?” is the repeated theme in the film. Most of the film is “talking heads” as opposed to any action. You never actually see violence.

Perhaps I am prejudiced but I think of Ryan Gosling as an actor’s actor. Look him up in IMDB to see his amazing resumé. During the filming Ryan, who plays Leland Fitzgerald, was 23 years old, but seemed somehow much younger. Despite his young age, that spark of originality that sets him apart was still apparent.

Don Cheadle plays Pearl Madison who evolves during the plot from a exploitive wannabe writer to a repentant, caring, wiser person.

Kevin Spacey plays the writer Albert T. Fitzgerald who is Leland’s emotionally absent father. He is perfect as a smug, sarcastic, egocentric bastard who completely ignores his son.

Despite the pervasive sadness and sense of loneliness, you can always appreciate a quiet gem.

DO NOT MISS!

In Her Skin (2009)

From NetFlix:

When pretty 15-year-old Rachel (Kate Bell) goes missing, the police dismiss the incident as a runaway, but her parents don’t believe it. Soon everyone suspects envious 19-year-old Caroline (Ruth Bradley), a heavyset, acne-ridden daughter of a domineering father (Sam Neill). Simone North writes and directs this Australian drama, which is based on a 1999 news story. Guy Pearce and Miranda Otto also star.

Why does it seem that almost every Australian film I watch is somehow out of the ordinary or even a piece of eccentric originality? “In Her Skin” fits this description even though it is oddly imperfect in certain aspects.

Stay with the film because the beginning seems like a dull, ordinary film about a missing girl. What held my attention was the fact that the story is a true one based on a 1999 news story. You meet many familiar Australian film stars:

  • Guy Pearce (Rachel Barber’s father) is currently in “Prometheus” and “Lawless”. He has here a somewhat secondary role.
  • Sam Neill (Caroline’s father) plays an aloof, ego-centric, uncaring father. He was 62 during the filming. When he was a mere 30 years old he played Harry Beecham in “My Brilliant Career”, which was the first time I ever saw him.
  • Ruth Bradley (Caroline) was 22 at filming. She OWNS this film. She delivers a believable and utterly chilling portrayal of a psychotic who craves the approval of her cold fish of a father. In fact one thread that kept me interested was to see how and how soon her clever plot would unravel. This film is NOT a mystery. You get to watch Caroline’s unraveling in detail. Expect one ugly murder scene.

    If you look for Ruth Bradley in IMDB you see a photo of a very attractive woman. Somehow in this film she is anything but attractive. Conceivably she put on weight just for the film just as Robert De Niro did in “Raging Bull”.

Unfortunately the film drags on after the climax. We have to sit through a funeral, family grieving, and Caroline’s continuing fantasies in prison. However, at the very end the screen text tells us a bit about the Barber family.

One irritation for me was that the skeptical police who refused to investigate never seem to be admonished in the film. But then the film and story itself is more than enough of a reminder of their abject failure.

Worth watching if only because it is somewhat unusual.