Category Archives: TV Culture

2012, Acceptable for teenagers, Alcoholism, Ambitious Dirty Tricks, Anxiety Attacks, Brother-Sister relations, Career Competition, Character Driven, Corruption, Could Be Sad, Cover-up, Danish, Danish Politics, Danish TV series, Depression, Divorce, DO NOT MISS, Drama, Embezzlement, Ethical struggles, Extramarital Affair, Failing Marriage, Family Conflict, Father-daughter relations, Father-son relations, Husband leaves wife, Love Story, Love Triangle, Marital Infidelity, Mental Illness, Mother-daughter relations, Mother-son relations, Netflix Streaming, Newspaper Culture, NOT violent, Personal Betrayal, Political Intrigue, Politicians, Psychiatrists, Revenge, Romance, Thought provoking, TV Culture, TV news industry, TV Reporter, Well developed plot, Womanizing

Borgen (2012)

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From IMDB:

A political drama about a prime minister’s rise to power, and how power changes a prime minister.

From Netflix you can stream 3 seasons of this Danish political drama series. Each season consists of 10 one-hour episodes.  Recent news hints that there might someday be a fourth season. Danish with English subtitles.

In Danish, Borgen, lit. ’The Castle’, is the informal name of Christiansborg Palace where all three branches of Danish government reside: the Parliament, the Prime Minister’s Office, and the Supreme Court, and is often used as a figure of speech for the Danish government.

In the very first episode we see  Birgitte Nyborg become Prime Minister of Denmark.  This first episode is OK but does not begin to compare with the gut-punching episodes that follow.  Can a woman “have it all” is one of the issues.  Birgitte comes off as a morally upright and  sincere woman steering her way through the compromising pressures of political life.   She will pay a personal price for her success.

Surrounding Birgitte are a multitude of characters meaningful to the plot,  some praiseworthy and quite a few sneaky , malicious,  ambitious “villains.”  Quite a few of those characters are members of the news media.  All these many characters are involved throughout the series and often have their own personal stories to tell.

Each episode usually centers around a theme:  health care, peace negotiations,  and many others.  Don’t expect each episode to have a happy ending.  After most episodes Kathy and I exclaim “WOW, how do the writers maintain such consistent excellence?”

DO NOT MISS!

2018, Abandoned child, Abduction, Abortion, Adultery, Algerian-French relations, Binge worthy, Blackmail, Bloody scenes, Brother-Sister relations, Career Competition, Conspiracy, Controlling personality, Corny at times, Corruption, Detective, DO NOT MISS, Drama, Ethical struggles, Extramarital Affair, Failing Marriage, Family Conflict, Father-daughter relations, Father-son relations, Frame someone for a crime, French, French Culture, French Detective Series, Illegitimate Child, Jealousy, Journalist, Lesbian Theme, Made For TV, Male Chauvinism, Marital Infidelity, MHz Choice, Mother-daughter relations, Mother-son relations, Murder, Murder Investigation, Occasionaly violent, Orphanage, Paris in the 1960s, Police Corruption, Police Politics, Political Intrigue, Romance, Suspense, Torture, TV Culture, Unhappy Marriage, Womanizing, Women's Equality

Speakerine (2018)

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From MHz Choice:

In 1960s Paris, TV announcer Christine Beauval crashes the glass ceiling and brings criminals to justice in a drama that’s part ‘Mad Men,’ part Agatha Christie.

From MHz Choice you can stream the 6 episodes of this French TV dramatic series.  Each episode lasts roughly 50 minutes.

Looking for a binge-worthy TV series with all the right elements: corruption, male chauvinism, OAS terrorists associated with the Algerian drive for independence, powerful Frenchmen taking sexual advantage of women ?   Look no further because this French TV soap opera has it all. Consider the cast of characters:

  • Christine Beauval must prevail against French male chauvinism in her fight to be accepted as a woman TV personality.
  • Pierre Beauval, her husband and boss, is a TV careerist executive opposing her all the way, as in “the women belong in the home and kitchen.”
  • Colette Beauval, her daughter, is being taken advantage of by Eric Jauffret, another bureaucratic wannabe.
  • Jean-Claude Beauval, her son, who becomes involved with the OAS terrorist group who tried to assassinate General Charles de  Gaulle.
  • Isabelle Auclair, a young woman using her charms to induce men to help her replace Christine.
  • And many. many corrupt politicians and executives loosely connected through sometimes fatal sex parties. (Are you interested now?)

Among these French actors, the only one I recognized was Grégory Fitoussi who plays Eric Jauffret.   He played a lead in Spiral, another French TV series.  If you haven’t already seen Spiral, run do not walk to Netflix.  You can find my review  in this web site.

Granted that “Speakerine” is an unabashed soap opera which at the very end is a bit over the top, but

DO NOT MISS!

 

1976, Crude Talk, Cynical, Drama, Preachy, Satire, Sex Scenes, TV Culture, TV news industry, Unscrupulous drive to power

Network (1976)

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From NetFlix:

When a network news anchor loses his mind on the air, his outrageous rants reach viewers at home, boost the ratings and intrigue a pair of cutthroat network executives in this Oscar-winning masterpiece that predicted today’s rash of trash television.

Thanks to a fellow movie fan after reading my review for “Nightcrawler” who suggested that I should have seen “Network” first. Indeed, to borrow from my neighbor again, the depiction of the pandering sensationalist behavior in “Network” was a precursor to today’s trash TV (reality TV anyone?).

In at least one respect, the film feels dated: the speech delivery is loud, almost shouting oratory. It could take awhile to get used to this unrelenting patter. If you think Peter Finch (as Howard Beale) shouts a lot, just wait for the reprimand speech delivered to Howard Beale by Ned Beatty (as Arthur Jensen) whose message is “Money Is Everything”. Another way to put this is to say that the film is preachy.

Another impression for me was that “Network” was a bit like “Mad Men” meets “Nightcrawler”. Much like “Mad Men” we witness the merciless win and lose of jobs, positions, and sanity.

Whether Faye Dunaway (as Diana Christensen) is capable of love comes in question when the aging William Holden (as Max Schumacher) leaves his wife for Diana. In one clever scene she and Max make love while during the entire love-making session she jabbers on non-stop about network business.

In some sense the film is scary, possibly because it holds too much truth. But from a historical perspective, I am very glad I saw this 40 year old film which in many aspects has not aged at all.