Category Archives: German

Europa Europa (1990)

From Wikipedia:

Europa Europa is a 1990 film directed by Agnieszka Holland. Its original German title is Hitlerjunge Salomon, i.e. “Hitler Youth Salomon”. It is based on the 1989 autobiography of Solomon Perel, a German Jewish boy who escaped the Holocaust by masquerading not just as a non-Jew, but as an elite “Aryan” German. The film stars Marco Hofschneider and Julie Delpy; Perel appears briefly as himself in the finale. The film is an international co-production between CCC Film and companies in France and Poland.

Hopefully you will watch both this 2 hour film and also the 3 hour film Sunshine.
Whereas “Sunshine” is an epic showing the history of Hungarian Jews during several epochs, “Europa Europa” is a true story about one Jewish teenager’s survival in the confusing changes in political alignment in Germany, Poland, and Russia between Hitler and Stalin.

WARNING: Once again (as in “Sunshine”) there will be some ugly scenes. Once such scene shows what it was like in the Jewish ghetto during WWII when the Germans either starved the Jews, or killed them outright, or sent them to concentration camps.

If this were not an autobiography I would label it as fantasy or magic realism or some such departure from reality. Yupp, the teenager, had literally unbelievable good luck. However, he survived partly because in all his reincarnations he learned to speak not only German but also Polish and Russian. Of course, he was also very resourceful. Moreover, when faced with a moral choice, he chose survival.

Watching the indoctrination of the Nazi Youth into a violent anti-Semitism was a revelation.

Despite the story’s best efforts, I will personally never believe that the German people did not know what was happening to the Jews.

Coupled with “Sunshine” I would call this film a DO NOT MISS!

In Darknes (2011)

From NetFlix:

As Nazis overrun Warsaw, many of the city’s Jews hide out in sewers, where they encounter Leopold, an anti-Semitic sanitation worker. His prejudice reflects the rift between Poland’s Jews and Catholics in this film inspired by true events.

This true story of a Polish Christian man who protected a group of Polish Jews hiding in the sewers to escape the German massacre of Polish Jews is not easy to watch. Be sure to read the final explanatory screen shots which tell what happened in real life to the characters in the film.

Sometimes the day to day details of grubby survival seemed a bit tedious. But the intent is to show that under stress we can accommodate and life goes on.

Also evident was the extreme prejudice of Polish Catholics towards Jews. At several times a Catholic Pole is surprised to learn that Jesus was a Jew.

At one harrowing point in the film, just above a group of Jews in the sewer is a Catholic church in which children are receiving their first holy communion. At that point a heavy rain starts such that the sewers begin to fill and threaten the Jews with drowning.

To encourage you to watch a somewhat grim film, I promise you a happy ending for the Jews in hiding (thanks to the Germans evacuating to escape the Russians).

The Free Will (2006)

From NetFlix:

When a convicted rapist (Jürgen Vogel) takes a job at a German print shop, he befriends the owner’s daughter (Sabine Timoteo), a young woman who’s been sexually abused by her father, and an intense but complicated bond forms between them. Matthias Glasner directs this Tribeca Film Festival selection that explores the boundaries of an unconventional romance between a former victimizer and one who’s been victimized.

At 2 hours and 44 minutes, this German film with optional English subtitles is a tough watch about which I shall now try to warn you. In what follows “he” is the rapist and “she” is the woman victimized by her father. You might NOT want to see this film because:

  • At the beginning you see an ugly rape scene. You can easily skip over this part and begin with his being released from prison.
  • Unfortunately he later relapses and there occurs a rape scene that is nowhere near as bad as that first scene but still ugly.
  • The film is very slow moving.
  • Fortunately we only get a hint of the father’s abuse. In fact we never really know if his abuse was sexual. At the very least he made his daughter a substitute in some ways for his deceased wife and prevented the daughter from being independent.
  • Intense loneliness is a constant presence.
  • Sadly the story does not end well.

So why on earth did I stick with this film? First of all I like independent films and this film has just that flavor. Also the film takes its time with the two characters. You can feel the sad conflicts with with they struggle, especially the self-hating rapist. Throughout the film, alas, I was rooting for them as a couple. Recidivism is all too real and there is nothing idealistic in filming the struggles of each of the characters.

Hopefully I have discouraged you from watching an unusual film which for me was fascinating.

Vitus (2007)

From NetFlix:

Pushed to succeed and live up to his parents’ ambitions at an early age, young Vitus (played by Fabrizio Borsani and Teo Gheorghiu) is a virtual genius and a prodigy at the piano. But as Vitus grows older, he decides on a different path: one that leads to an ordinary childhood. Julika Jenkins and Urs Jucker co-star in writer-director Fredi M. Murer’s heartfelt tale, which won the Swiss Film Prize for Best Film of 2007.

Grab this film soon because true feel-good (non-animated) films for adults and children are an endangered species. However, in order that this film be a feel-good for you, you must suspend disbelief during the entire story. That is because the boy Vitus is too good to be true. But that is the charm of this unusual film. Just watch as the young genius performs miracle after miracle. No, the plot is NOT cloying and is instead full of surprisingly original and fun ideas.

Robert Schumann’s piano concerto in A minor is the musical theme of the film and is the concerto that Vitus plays at the end of the film.

English subtitles are available for this Swiss film in which the actors speak Swiss German,
Hoch Deutsch, and English.

Of all the actors I recognized only one: the Swiss actor Bruno Ganz plays the free-spirited grandfather. If you haven’t seen him in the wonderful Italian comedy “Bread and Tulips” from 2000, don’t miss it!

In my humble opinion, “Vitus” is DON’T MISS !!!

Downfall (2004)

From NetFlix:

After introducing audiences to Adolf Hitler’s stenographer, Traudl Junge, in the gripping documentary Blind Spot: Hitler’s Secretary, director Oliver Hirschbiegel brings Junge to life in this Oscar-nominated drama. With painstaking realism, Hirschbiegel’s Best Foreign Language Film contender adopts Junge’s (Alexandra Maria Lara) point of view to recreate Hitler’s (Bruno Ganz) final 12 days in his Berlin bunker.

Before watching this entrancing recreation of Hitler’s last days, you will benefit greatly by reading the Wikipedia article. What is important to appreciate is that after reading this Wikipedia article you can believe that what you see is very close to what actually happened. The film begins and ends with a filmed interview with the real and elderly Traudl Junge whose accounts as a witness form the basis of much of what we know. Above all else, praise is heaped upon Bruno Ganz’s painstaking and near perfect imitation of Hitler’s voice with its Austrian accent. Ganz worked for months with recordings of Hitler’s voice.

Ignore the politics and the complete horror of what happened. Instead see if you can comprehend (and I find it difficult) the extent to which those involved were blindly loyal to the end to “Der Fürher”. He was revered as a god even while he was obviously unbalanced and out of touch with reality. It is chilling to watch Frau Goebbels poison her six beautiful children after which Joseph and Magda Goebbels shoot each other.

Stay to the end to see captions telling us what happened to many of the main personalities (for example, when and how they died). For me it was difficult attaching a name to each of the many many characters. This last recap fortunately provides photos of the actors as a reference.

Two hours and 36 minutes make a long film, but I couldn’t tear my eyes from the screen.

Antibodies (2005)

From NetFlix:

After confessed killer Gabriel Engel (André Hennicke) is captured, small-town cop Michael Martens (Wotan Wilke Möhring) interrogates him, hoping a journey into the madman’s twisted mind will give clues to an unsolved murder committed in the same heinous manner as Gabriel’s crimes. Gabriel claims to know the killer’s identity but turns the investigation into a psychological game, leaving Michael questioning his own sanity in this German thriller.

This German film is easily one of the best serial killer films I have seen. There are two themes intimately related: On the one hand there is the usual tug of war between a jailed serial killer (think “Hannibal Lector”) and a rural policeman with whom the killer is willing to converse. On the other hand the policeman is a decent, religious man at odds with his father-in-law. In jousting with the killer the policeman struggles to remain non-cynical and to believe is the possibility of good and innocence.

Finally the plot drives toward an unexpected twist at which I will not even hint. However, I was disappointed in a part of that very ending which seemed a bit contrived. Opinions ?

Please ignore the very opening of the film. It is sensationalistic and gory and need not even be watched to enjoy the rest of the film.

The White Ribbon (2009)

From NetFlix:

At a rural school in northern Germany in 1913, a form of ritual punishment has major consequences for students and faculty. But the practice may have bigger repercussions on the German school system — and maybe even on the growth of fascism. Celebrated Austrian filmmaker Michael Haneke helms this Golden Globe-winning, sumptuously photographed black-and-white drama that stars Susanne Lothar, Ulrich Tukur and Theo Trebs.

Quite possibly the gloomiest, most depressing, hopeless, and exasperating film I have ever seen. The gloom is aided and abetted by the fact that it is filmed in black and white with an emphasis on black. In fact, the houses in this pre-electric period were probably quite dark.

If you believe this film, pre-WWI rural Germans were beasts. What a wonderful collection of men who commit incest, men who treat their sex partners like dirt, undiscovered villagers that maim horses, torture retarded children, kill house pets, burn down buildings, etc. The pastor is such a strict disciplinarian that he canes his children, forces them to wear white ribbons (which mean that they are bad people who need to reform), and ties his son’s hands each night to the bed lest the boy masturbate. Need I continue ?

If you can stand this atmosphere, then as an art film it is excellent. Assumedly you really get a feeling for life in that era. I just hope it is historically accurate.

Aguirre, the Wrath of God (1972)

From NetFlix:

In the mid-16th century, after annihilating the Incan empire, Gonzalo Pizarro
leads his army of conquistadors over the Andes in search of the fabled City of
Gold, El Dorado. As Pizarro’s soldiers battle starvation, Indians, the forces of
nature and each other, Don Lope de Aguirre (Klaus Kinski), ‘The Wrath of God,’
is consumed with visions of conquering all South America and leads his own army
on a doomed quest into oblivion.

All three film catalogs rave about this film. In fact it is one of a kind, slow, and mesmerizing.

First some history: Pizarro sends a “small” task force to continue down th Amazon to find the City of Gold. The commander Pedro de Ursua and his aide, Lope de Aguirre, take soldiers (always in metal battle gear), one priest, Inca slaves, cannon, horses, and two noble women carried in a covered transport box down the mountain and eventually on rafts in the Amazon. Aguirre murders Ursua in an act of mutiny and forces the others, by force of his homocidal mania, to continue on to find the City of Gold. Much of this we know from the priest’s diary. The end is conjecture.

The marvel is that these poor actors had to live and suffer just as the historical figures did. Werner Herzog, the megalomaniacal director, was a fanatic that insisted on realism. Aquirre, played by Klaus Kinski, is obviously “nuts” from the get-go. At one point Kinski tried to flee the jungle and Herzog brandished a pistol and promised to kill Kinski if he escaped.

Just sit and watch this “happening”. It is slow, beautiful, and unforgettable. Hearing Spaniards speaking in German is admittedly a bit unusual, but there are English subtitles.

Violent, not for children. But a genuine screen classic.

The Lives of Others (2007)

From NetFlix:

Set in 1980s East Berlin, director Florian Henckel von Donnersmarck’s debut feature (which earned an Oscar for Best Foreign Language Film) provides an exquisitely nuanced portrait of life under the watchful eye of the state police as a high-profile couple is bugged. When a successful playwright and his actress companion become subjects of the Stasi’s secret surveillance program, their friends, family and even those doing the watching find their lives changed too.

For me this compelling film (recommended in “1001 Films To See Before You Die”) was a “feel good” because it has the most memorable and wonderful ending. In between there is a lot of sadness. Also the film is somewhat illustrative of the phrase “the banality of evil”. Not that those times were easy: the Stasi blackmailed ordinary people into spying on their neighbors.

The banality of evil is a phrase coined by Hannah Arendt and incorporated in the title of her 1963 work Eichmann in Jerusalem: A Report on the Banality of Evil. It describes the thesis that the great evils in history generally, and the Holocaust in particular, were not executed by fanatics or sociopaths but rather by ordinary people who accepted the premises of their state and therefore participated with the view that their actions were normal. This concept has it critics. See The Banality Of Evil