Category Archives: Talking Heads

Your Sister’s Sister (2011)

From Netflix:

Jack, who is mourning the death of his brother, has a complicated relationship with his best friend, Iris, who used to date his brother. Their chaotic situation becomes even more tangled when Jack has a drunken tryst with Iris’s flighty sister.

Why was I smiling while listening to young adult superficial banter? Granted it was clever banter, but somehow …

And then it gets complicated and serious. Are 21st century relationships really more contorted than in previous generations? Or is this plot contrived enough that we should just ignore or reject the situation? Or are 21st century young adults just a bit confused?

But I did have to stick around to see how the three characters got themselves out of their self-created emotional tangle. And just to spoil this film for you, they come up with a solution, believable or not — you decide, that made this film a “feel good”.

And the very ending was PERFECT!

The Place Beyond the Pines (2012)

From Netflix:

Luke is a professional motorcycle rider who turns to bank robberies to support his newborn son, but when he crosses paths with a rookie police officer, their violent confrontation spirals into a tense generational feud.

By this time (2012) in their lives 32 year old Ryan Gosling and 37 year old Bradley Cooper may well be in their young adult film prime. Each already has a long list of credits. Of the two, Gosling can better play more eccentric roles as he does here in this film, although he belongs to that school of acting which promotes the idea “The less you say the better, let the audience think the thoughts that you should be having in this particular scene”. Call it the silent meditation school of acting. Cooper is a more direct actor. In a certain sense the acting style is often a natural and very real “talking heads”, but the story line is so good that it all works together.

Good writing and plotting has produced a story with two parts: Part One portrays the events that affect the lives of the characters in Part Two, fifteen years later. Without giving much away (plot is paramount in this film), Gosling and Cooper are crook and cop, each with a son Jason and AJ respectively. Interaction between the fathers early in their lives has strong repercussions later in the lives of the sons. Dane DeHaan (as Jason) and Emory Cohen (as AJ) did fine jobs as lost teenagers.

All that I feel that I must tell you is: Do not expect a happy ending. Century 21 is the century of unresolved conflicts.

The Master (2012)

From NetFlix:

Freddie, a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd, the charismatic leader of a new “religion” he forms after World War II.

Put Joaquin Phoenix and Philip Seymour Hoffman together in the same story (even better, in the same cult) and you get a really well acted film with an intriguing and always surprising plot. Hoffman plays the cult leader called “The Master” who goes by the name Lancaster Dodd. Scene after scene shows what a fraud Dodd really is. But what is cult-worthy is how the members of cult practically worship their fearless leader.

While Hoffman is doing a “masterful” job as charlatan, Phoenix plays to scary perfection Freddie the violent (WWII) PTSD drunk who has attached himself firmly to The Master who is indeed a master at using quasi-hypnosis to soften his victims’ self-hate. Freddie feels better under tutelage despite his many lapses into drunkenness, stealing, and physical violence. Even more insidious The Master tells Freddie that he, The Master, is the only person on the planet that loves Freddie. No wonder Freddie so blindly worships The Master even to the point of violence.

Looking at Joaquin Phoenix is uncomfortable. He is skinny, misshappen, hunched, almost limping rather than walking, sexually maladjusted, and often acts in a manner that is just plain weird. He has this way of putting his hands on his waist so that his body is twisted. When Phoenix puts his heart into a role he goes all the way, even if it is embarrassing to watch. His rages are so uncontrolled and overpowering (despite his diminutive size) that it takes three men to subdue him. In real life he is 38 years old but I think he looks older.

What eventually happens to Freddie? You will have to watch this strange film through to the end to find out.

Shorts: Vol 3 (2005)

From NetFlix:

Good things come in small packages, as evidenced by the 16 award winners showcased in this collection, which represents the best short films screened at Cannes, Sundance, Telluride, Tribeca and many other film festivals. This international collection includes Johan Brisinger’s “Passing Hearts Sweden,” Kathleen Na’s “L’Entretien,” Shawn Ku’s “Pretty Dead Girl” and many other superb shorts. Extras include extensive commentaries by the filmmakers.

These supposedly Award-Winning Film Festival Shorts are not very good, excepting for the poignant “Passing Hearts Sweden”. Instead try 2007 Shorts.

Shorts included are:

  • “Hyper” Oddly enough, concerns a really hyper young man. [Funny]
  • “Gowanus, Brooklyn” So slow I gave up watching.
  • “Passing Hearts Sweden” Slow, warm story about boy in 8th grade. Somewhat of a mystery until you understand the sadness behind the story. [Swedish with English subtitles]
  • “My Name is Yu Ming” Adventuresome Chinese student visits Dublin. He spent 6 months learning Irish only to discover that almost no one in Ireland understands Irish. [Mandarin with English subtitles]
  • “Seventeen” Grotesque depiction of young man who cannot find a sexual partner. Explicit sexual drawings. {Netherlands] [Drawn animation]
  • “Loose Ends” Two twenty something young men arguing about “Star Wars” [Norwegian with English subtitles]
  • “L’Entretien” Young man receives strange invitation to join the “Good Life”followed by a strange sequence of events. [French with English subtitles]
  • “Confection” Little girl has fantasies while holding onto a sweet from a bakery.
  • “Colorform” Little girl makes a mess with finger paints. Has a harp lesson with an Italian teacher. Throws spahetti at dinner. Etc.
  • “Date” Demanding girl friend changes her attitude.
  • “The Fridge” Tale of a mysterious refrigerator. [Greek with English subtitles]
  • “Clay Pride” The difficulty of being Clay in America. [Animated Play Dough]
  • “Pretty Dead Girl” Off-color hospital song and dance routing.
  • “Climactic Death of Dark Ninja” Kids in the woods.
  • “Archipelago” Acceptable short drama on a beach. [Spanish with English Subtitles]
  • “A Ninja Pays Half My Rent” Young man tries to get along with his new Ninja roommate.

The United States of Leland (2003)

From NetFlix:

Teenager Leland Fitzgerald appears to have everything going for him, including a famous writer father. So, what drove him to kill? It’s up to a teacher who works with inmates to unearth the anger and fear lurking beneath Leland’s unruffled surface.

Sadness and a questioning sense of despair pervades this quiet gem of a film. Every character has done something regrettable or been hurt, betrayed, or murdered by someone close to them. “Are we all evil or is there real goodness in at least some people ?” is the repeated theme in the film. Most of the film is “talking heads” as opposed to any action. You never actually see violence.

Perhaps I am prejudiced but I think of Ryan Gosling as an actor’s actor. Look him up in IMDB to see his amazing resumé. During the filming Ryan, who plays Leland Fitzgerald, was 23 years old, but seemed somehow much younger. Despite his young age, that spark of originality that sets him apart was still apparent.

Don Cheadle plays Pearl Madison who evolves during the plot from a exploitive wannabe writer to a repentant, caring, wiser person.

Kevin Spacey plays the writer Albert T. Fitzgerald who is Leland’s emotionally absent father. He is perfect as a smug, sarcastic, egocentric bastard who completely ignores his son.

Despite the pervasive sadness and sense of loneliness, you can always appreciate a quiet gem.

DO NOT MISS!

Inside Job (2010)

From NetFlix:

From filmmaker Charles Ferguson comes this sobering, Oscar-winning documentary that presents in comprehensive yet cogent detail the pervasive and deep-rooted corruption that led to the global economic meltdown of 2008. Through unflinching interviews with key financial insiders, politicos, journalists and academics, Ferguson paints a galling portrait of an unfettered financial system run amok — without accountability. Actor Matt Damon narrates.

For a long while I resisted watching this infuriating film. But then my dental hygienist, Kathleen, said it is better to know even if there is nothing that can be done and even if I have to admit that our bankers, financial system, economists and government are very corrupt. But I was particularly disappointed in the current President Obama who has done NOTHING to improve the situation.

Is this film the legacy of all those crooks ? Will this film even be remembered ? Who will take the trouble to watch a film about complicated financial instruments that probably no one understands (including the corrupt economists) ?

Only at one point was it fun watching a slimy Harvard economist lose his cool.

You will NOT be happy after having watched this documentary!

Ciao (2008)

From NetFlix:

After the death of his close friend, Mark, Jeff (Adam Neal Smith) begins corresponding via e-mail with Andrea (Alessandro Calza), an Italian with whom Mark had an online relationship. Upon Jeff’s suggestion, Andrea comes to visit, and the two men explore Mark’s life and grow closer. A quiet and tender look at relationships and desire, this drama also stars Ethel Lung, Chuck Blaum and John Boles.

Essentially a very quiet talking heads film, there is not a cliché in the entire film, unlike so many gay-themed films. Nor is there any sex. Jeff lived loved Mark but Mark did not reciprocate. Andrea and Mark were a possible pair but Mark dies. Andrea comes to visit Jeff despite Mark’s death and eventually helps Jeff to mourn and accept the situation. It may sound dull (as in, where’s the sex and violence) but I found the film interesting.

Question: Could this story have worked if the relationships were straight instead of gay ?