Category Archives: Suspense

Luther (2010)

From NetFlix:

Idris Elba (“The Wire”) stars in this powerful television drama as Det. John Luther, whose personal demons complicate the chase as he searches for the evidence to convict mass murderer Alice Morgan (Ruth Wilson), who is also his closest confidante. Luther’s marriage to the long-suffering Zoe (Indira Varma) is equally complicated, and after she leaves him, he pours even more frenetic energy into the pursuit of London’s most nefarious criminals.

So grim at times that wife Kathy left the room during certain scenes, this well-done detective series will hold your attention. Each episode is self-contained although throughout the entire series the super intelligent and equally psychotic Alice meddles with every plot. We almost did not get past the initial episode because Luther is seemingly so out of control it was messy to watch. However, we did continue and it did pay off.

It seems to me that TV series such as “Law and Order: Special Victims”, “Criminal Minds”, and the other wannabees are competing to be every more gory and explicit. In this respect “Luther” is no exception. In one episode the sadist kidnaps a mother, stores her alive in a freezer, drains her blood, and freezes her to death (which is where Kathy fled from the TV screen). Is this entertainment? At least NOT FOR CHILDREN !

And to think I enjoyed the series !

The Next Three Days (2010)

From NetFlix:

When his wife (Elizabeth Banks) is sent to jail on murder charges she fervidly denies, college professor John Brennan (Russell Crowe) comes up with a plan to break her out by meticulously plotting the ultimate escape — despite the fact that he’s never committed a crime in his life. Writer-producer Paul Haggis (Crash) also directs this remake of the French film Pour Elle by Fred Cavayé. Liam Neeson and Brian Dennehy co-star.

An old saying is “The Devil is in the Details”, and indeed this is a film about a desperate, intelligent man calmly plotting to extract his wife from prison without her realizing what he is planning. Frankly, I had to suspend disbelief because it does not seem possible that the character John Brennan could have successfully executed his scheme. Of course I was rooting for the family to escape from the United States, justifying my cheering for the bad guy because after all the wife was supposed to be innocent. Indeed that is one of the threads of the story: did she or did she not murder that woman ? Watch carefully at the very end where the detective who originally prosecuted her is ruminating over the murder case and … but I don’t want to spoil a really exasperating and clever detail.

Russell Crowe plays Russell Crowe: “Speak softly and carry a big stick” (attributed to Theodore Rossevelt). Russell should lose some weight.

Acceptable for children. Ignore the impossibilities and just enjoy the chase!

The Hunted (2003)

From NetFlix:

Tommy Lee Jones is Agent Bonhan, an FBI deep-woods tracker who captures an assassin (Benicio Del Toro) with a weird proclivity — he makes a sport of killing deer hunters. When the killer escapes in the city, Bonham must team up with another Bureau agent (Connie Nielsen) to hunt down the thrill killer before he starts to hunt them. William Friedkin directs.

Many Tommy Lee Jones films have a thought provoking theme or sub-theme. Interestingly enough, both In the Valley of Elah (2006) and this film “The Hunted” deal with the effects of warfare on the combatants. In the former the message was that after experiencing the violence of Irag the young military personnel became emotionally numb and could kill even their own without feeling any remorse. In “The Hunted” Tommy Lee Jones taught Benicio Del Toro to be an expert killer for the military to such a point that eventually Del Toro could not “turn off” and continued to kill in civilian life. Both films in their way are anti-war films.

In the second half of this film we watch Jones using the skills he taught in order to locate and capture Del Toro. Both men are expert trackers, woodsmen, trappers, survivors, fighters and killers. If you enjoy bloody hand to hand combat, then stay tuned for an exciting adventure.

Centurion (2010)

From NetFlix:

In 2nd-century Britain, Roman fighter Quintas Dias (Michael Fassbender) is the lone survivor of a Pictish attack on a Roman frontier post. Eager for revenge, he joins the Ninth Legion — under General Virilus (Dominic West) — and journeys north on a mission to destroy the Picts. Writer-director Neil Marshall’s rousing sword-and-sandals adventure also stars Olga Kurylenko as the beautiful Pict warrior Etain.

There is a point to this film, something like “ET Go Home”.

Traipsing (or actually running breathlessly to avoid being eaten by wolves or slaughtered by Picts) through beautiful forests, fields, and mountains, the only thing these poor survivors of the Roman Ninth Legion want to do is leave nasty northern Britain and go home.

As usual our wanderers are superb (dare I say, super-hero) fighters who, unfortunately, for the most part eventually die. In fact, the entire film is for the most part just watching their demise, one by one.

For me Olga Kurylenko was just plain silly: lady, get a better makeup artist! Michael Fassbender was Lieutenant Archie Hicox in Inglourious Basterds (2009).

No spoilers allowed: stick around for an ending that surprised me.

For what it is worth, I give you this quote from IMDB:

German archaeologists have found evidence of the Ninth legion on the banks of the River Rhine and carbon dated them long after these events took place suggesting that rather than them being wiped out, the reason that there is no evidence of them being in Scotland after these battles is that they moved to Germany.

Taken (2008)

From NetFlix:

While vacationing with a friend in Paris, an American girl (Maggie Grace) is kidnapped by a gang of human traffickers intent on selling her into forced prostitution. Working against the clock, her ex-spy father (Liam Neeson) must pull out all the stops to save her. But with his best years possibly behind him, the job may be more than he can handle. Famke Janssen also stars in this relentless action-thriller from director Pierre Morel.

Perhaps we should rate these kidnap-revenge films by body count. Either Man on Fire (2004) or this film might be clear winners. In fact both films share a common laughable trait: Denzel Washington in the former and Liam Neeson in this film are presented as outrageous superheros who never fail in each encounter with villainous bad guys. Liam Neeson never met a neck he couldn’t break. Only once is our hero trapped (in a Parisian underground auction house for kidnapped virgins to be purchased by shieks) and even then his chains pull miraculously from the ceiling.

Perhaps we should rate these films by stereotypes encountered. In “Man on Fire” Mexico was the cliché target. In this film consider:

  • Albanians are genetically inclined to kidnap well-off young female tourists in order to make them drug addicts and prostitutes.
  • French bureaucrats are mostly corrupt.
  • Wealthy sheiks purchase kidnapped virgins for their evil purposes
  • You really don’t love your daughter unless you give her a horse on one of her birthdays.
  • American spy operatives are in such incredible physical shape that they can outrun automobiles (and speeding bullets).
  • And the list goes on.

My big disappointment was that in the end our hero did not taunt his ex-wife with a really nasty “I told you so!”. And, by the way, the lead up to his agreeing to let his 17 year old daughter travel with a (really dizzy) girl friend to Paris is well done.

Despite all these objections, I was glued to the screen. But then I LOVE TRASH

Man on Fire (2004)

From NetFlix:

Jaded ex-CIA operative John Creasy (Denzel Washington) reluctantly accepts a job as the bodyguard for a 10-year-old girl (Dakota Fanning) in Mexico City. They clash at first, but eventually bond, and when she’s kidnapped he’s consumed by fury and will stop at nothing to save her life. Tony Scott directs this thriller about a demoralized soul whose sense of purpose is reawakened by a human connection. Christopher Walken and Mickey Rourke co-star.

Seeing one kidnapping film is almost tantamount to seeing all of them. Plot twists keep this kidnapping adventure alive. Also the secondary (primary ?) theme of John Creasy finding something worth living for helps to hold the plot together. Violent revenge takes over after the kidnapping which disappointed me because I thought Creasy was trying to rise above his life of killing. Assumedly the justification is that the action takes place in Mexico which is so corrupt that our American notion of law and justice has no meaning. Unfortunately that is a fairly accurate description of Mexico.

Dakota Fanning as the girl Pita is her usual cute self. I wonder what kind of actress she will eventually become. Denzel Washington plays Denzel Washington.

Tell No One (2006)

From NetFlix:

Eight years ago, pediatrician Alexandre Beck (François Cluzet) was the prime suspect in his wife’s murder. He’s put all that behind him, but now that two dead bodies have been found near his home, he’s suspected of wrongdoing once again. The case takes an unexpected turn when he receives an anonymous e-mail showing his wife alive — and eight years older — instructing him to “tell no one.” Kristin Scott Thomas co-stars.

Second Review – August 2021

NetFlix no longer offers this film. Instead you can stream this 2 hour 11 minute film from Kanopy (free from your local library).

Harlan Coben always writes wonderful suspense mystery stories. Many of his stories, including this one, have been made into films. In this particular adaptation it seemed to me that the final and very satisfying conclusion came a little too easily.

Somehow I have the impression that for the most part American films are noisy and French films are quiet. At least in this case, this excellent French intrigue film is fairly quiet, with the exception of some foot pursuit escape sequences and a highway pile-up.

What starts out as a simple murder mystery gets more and more complicated. Eventually one character especially tells us all the details in a way we can understand. But if you need a recap you could read the Wikipedia summary.

French with subtitles. Well worth the time spent watching.

In the Electric Mist (2008)

From NetFlix:

Detective Dave Robicheaux (Tommy Lee Jones) finds himself swimming in a murky sea of corruption, deception and lies when he probes the connection between a rash of murders and a notorious New Orleans mobster (John Goodman) — and discovers secrets that were better left untold. With Robicheaux’s family, and his life, in serious danger, can he stem the rising tide of blood and bring justice back to the bayou?

If it were not for some notable actors such as Tommy Lee Jones, John Goodman, Peter Sarsgaard, and Mary Steenburgen, this ordinary B-film would not be worth watching. The only unusual theme is that Robicheaux is a reformed alcoholic who wants to get Sarsgaard into Alcoholics Anonymous. Better to watch a Law and Order episode.

The Name of the Rose (1986)

From NetFlix:

In this adaptation of Umberto Eco’s best-selling novel, 14th-century Franciscan monk William of Baskerville (Sean Connery) and his young novice (Christian Slater) arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church’s authority and fight the shadowy conspiracy of monastery monks using only his intelligence — which is considerable

Umberto Eco wrote his first novel The Name of the Rose in 1980. Eco is a well-known modern scholar.

Jean-Jaques Annaud, the director, has assembled a cast of the most unusual, distorted, exaggerated, cretinous faces I have ever seen. These faces are perfectly in tune with the dark, forbidding atmosphere of the Benedictine monastery in northern Italy. To keep all the characters straight, try reading the Wikipedia article on the film. Besides Sean Connery and Christian Slater, Ron Perlman as Salvatore is particularly memorable. Salvatore is the retarded hunchback whose garbled speech is a mixture of several languages. Whoever restructured and tonsured all those heads was a genius in the art of actor makeup.

Thanks to my Italian teacher ,Vincenzo Santone, for recommending this film. Of course, Vincenzo would like me to read the original Italian version, which is a challenge. Because I have not read the book, I do not know if it is so condemning of the Catholic church of the early 14th century as is the film. Certainly the film makes the church hierarchy into a pack of sadistic, ignorant, self-indulgent, greedy, superstitious cretins. Naturally, the Inquisition is cast as the fundamentalist, intolerant Taliban of the 14th century.

Here is one film that I could not stop watching.

The Girl Who Kicked The Hornet’s Nest (2009)

From NetFlix:

Third in a trio of films inspired by Swedish author Stieg Larsson’s “Millennium Trilogy,” this thriller follows feisty computer hacker Lisbeth Salander (Noomi Rapace) as she finds herself hospitalized, suspected of murder and targeted for death by thugs. Meanwhile, Lisbeth’s journalist pal, Mikael Blomkvist (Michael Nyqvist), crusades to prove her innocence. Daniel Alfredson directs this film that also stars Lena Endre and Jacob Ericksson

My NetFlix version offered not only English subtitles but also English dubbing.

Although the third book in Larsson’s trilogy seemed procedural and not as exciting as the first two books, the third film was not boring. Probably for me what kept the tension going was the need to see Salander vindicated. In a certain sense it all seemed to work out too easily. At the very least, seeing Dr. Teleborian get his comeuppance was very satisfying.

For the most part the film was faithful to the book while omitting certain unimportant details. For example, her wounded father, Zalachenko, does not roam the hospital hall trying to get at Salander. Nor could the treatment of her clandestine use of technology in her hospital room be so elaborate.

Only in one instance do I object: without giving anything away, in the last part of the film Niedermann is given a different solution from that planned by Larsson in order to continue the series.

If you’ve seen the first two installments, how can you not watch the conclusion ?