Category Archives: Suspense

Dead Man Down (2013)

From Netflix:

This taut crime thriller stars Colin Farrell as a brutal gang enforcer who falls for a woman bent on exacting revenge on his boss. Via seduction and blackmail, the woman persuades the gangster to help her achieve a bloody payback.

Do not be put off by the opening violence that makes the film look like every other shoot-em-up Hollywood knockoff. Only at the end is there another explosion of exaggerated destruction. In between, the largest segment of the film by far, the interplay between Colin Farrell and Noomi Rapace (Oh my gosh! It’s the Swedish Lisbeth Salander of the Millenium trilogy!) is downright poignant. What makes the give and take so appealing is the silence and hesitancy. As part of that, Colin Farrell says very little. My cynical comment here is that a clever acting trick is to keep your mouth shut and let the audience think for the character. So let’s just say that Farrell’s tortured facial expressions effectively substitute for a lot that goes unsaid.

Colin Farrell grabbed a very suitable script for himself. Not bad!

Shallow Grave (1994)

From Netflix:

Ewan McGregor stars in this grimly comic tale of three roommates who find their enigmatic new flatmate dead in his room with a stash of drugs and a suitcase full of cash. What will they do with all that money — and the corpse?

Basically the plot is that the suitcase full of cash little by little corrupts each of the three friends. Suspense builds as their increasingly paranoid behavior leads to conflicts and more. Be prepared for violence along with the good acting. Ewan McGregor almost never appears in an unworthy film. But this film is also a bit strange.

And who will win the cash competition ?

Orange is the New Black (2013)

From Netflix:

From the creator of “Weeds” comes a heartbreaking and hilarious new series set in a women’s prison. Piper trades her comfortable life for an orange jumpsuit and finds unexpected conflict and camaraderie amidst an eccentric group of inmates.

Prison life for a group of women characters, lesbian affairs, transsexuals, and more: sounds disturbing! Now I quote from the Boston Globe Critic’s Corner:

If you get Netflix, then you really ought to try this series. It’s thoroughly engrossing, as it follows a yuppi into a low-security prison for an old drug-related crime. Made by Jenji Kohan of “Weeds,” the show is funny but also dramatic, and all of the female characters are fully fleshed out, Taylor Schilling’s Martha Stewart-type heroine most of all. All 13 episodes are available right now, but I recommend spacing them out and savoring them across the summer.

As Piper Chapman (Taylor Schilling as the lead character) first enters prison the warden tells her “This is not Oz”. In case you don’t know, “Oz” was a TV series that ran from 1997 to 2003. Oz took place in a hard-core men’s prison and was quite brutal at times. “Orange” is, as the warden said, NOT Oz. But “brutal” is relative. Bully guards taking advantage of fairly helpless women prisoners makes for tense viewing. Framing a prisoner for some offense so that their sentence is lengthened is all too easy.

Nevertheless, if you don’t mind suspense and some really explicit scenes and discussion, and if you came even close to enjoying “Oz” you will really appreciate this TV series.

The Call (2013)

From Netflix:

When an abducted teenage girl makes a frantic call from the trunk of a serial killer’s speeding car, she connects with a sympathetic 911 operator who’s dealt with the perpetrator in the past.

Hold onto your seats! Halle Berry leads us through one of the most suspenseful film trips I have ever taken. Trying to catch a serial killer who has just abducted his latest victim leads from one exciting episode to another. This panicked killer is not squeamish so there is a fair amount of ugly violence.

Poor Michael Imperioli (who played Christopher Moltisanti in “The Sopranos”) tries to help the abducted girl. Oops!

Morris Chestnut plays Halle’s police officer boyfriend. He played Ryan Nichols in the 2011 TV version of “V”.

Michael Eklund’s portrayal of the serial killer is one of the more original such portrayals that I have seen. He is anything but calm, cook, and collected.

Do not watch this thriller too close to your bedtime!

A Good Day To Die Hard (2013)

From IMDB:

John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working to prevent a nuclear-weapons heist, causing the father and son to team up against underworld forces.

What can I say? You will see the usual car chase mayhem. Possibly the father and son theme adds a little (very little) something.

Jai Courtney, who plays the son Jack, played Varro in “Spartacus: Blood and Sand”.

There are at least two plot twists as a reward for actually sitting through this B film.

Side Effects (2013)

From Netflix:

Emily copes with her depression by taking antidepressant medication. But when her dire state apparently spirals out of control due to her husband’s prison release, she turns to a new medication that alters her life forever.

At first you may think this is a film about Big Pharma and its possibly controversial drug trials. Just stay tuned!

The fact that Channing Tatum is in this film is a red herring. He is practically a walk-on cameo. Instead, this show belongs to Jude Law who seems like a victim until he shows a resilience and cleverness not to be matched.

You could call this a “revenge” film and indeed the revenge is incredibly satisfying, especially since Catherine Zeta-Jones plays such a villainess and clever nemesis.

Hats off to Rooney Mara as Emily Taylor. In case you don’t recognize her, Rooney Mara was Lisbeth Salander in the American version of The Girl With the Dragon Tattoo.

In the category of suspense, intrigue, and conspiracy this film is a DO NOT MISS!

Top of the Lake (2013)

From Netflix:

When pregnant, 12-year-old Tui tries to kill herself in a freezing New Zealand lake, Detective Robin Griffin has plenty of questions for the girl. But when Tui suddenly disappears, Griffin finds herself knee-deep in small-town secrets.

Just about everything happens in this gritty, tough TV series taking place in a remote location in New Zealand. To name just of the few features:

  • An amoral, cruel hillbilly family that kills, rapes, manufactures illegal drugs, etc.
  • A cult-like compound for women who have had bad experiences and are sometimes completely naked.
  • Child molestation
  • Gang rape
  • A mother dying of cancer
  • Self-flagellation
  • Dishonest police officers
  • A very capable woman detective (played by Elizabeth Moss) trying to get on with her life while dealing with her troubled past
  • Quite a few nude sex scenes
  • A not quite civilized society
  • Several murders

Yes, this is one crazy TV series. Elizabeth Moss, who played Peggy in “Mad Men”, does a terrific job. But all the actors do wonderful jobs.

You might not want to eat a full meal before watching. Nonetheless, for me at least, in the category of gritty this series is a DO NOT MISS!

The Fall (2008)

From Netflix:

When his loser brother is accused of killing a priest, Frank (Scott Kinworthy), a hotshot lawyer with lofty political aspirations, steps in to defend him. But as Frank digs up the truth, he uncovers damning revelations from the past that could ruin his future. Written and directed by John Krueger, this suspenseful drama follows the conflicted attorney’s difficult choice between saving his sibling or himself.

If you are ever teaching a course in film writing or acting and you need an example of really bad writing or acting then have I got a HORRIBLE film you can use to great effect!

Only the (somewhat farfetched) plot kept me watching. Not that it would have cost me anything to stop watching this film streamed from Netflix. At times I sat watching in open mouthed wonder that anyone could act in such an amateurish and exaggerated manner. Think high school actors (although I have seen better acting in high school plays).

If the acting seems bad, wait till you learn the plot. Although I will spare you the gory details, this film manages to dredge up plot lines involving a hotel for gay encounters, a priest who commits a theatrical suicide, adultery, a psychotic gay prisoner, attempted murder using the AIDS disease, sadistic prison guards, a completely amoral and ambitious wife of a lawyer, and the list goes on.

Do not claim that I did not warn you! On the other hand, aren’t you really curious to see just how bad this film really is?

Deadfall (2012)

Netflix:

On the run after a casino heist, siblings Addison and Liza split up. When Liza gets a ride from a prison parolee heading to his parents’ home for Thanksgiving, unexpected events lead the two families toward a collision in this suspenseful thriller.

You might expect good things from a film in which Kris Kristofferson, Sissy Spacek, Olivia Wilde, and Treat Williams appear. In fact the film offered a good plot, good acting and well-done suspense. Note that the film is violent and gritty.

Essentially the story brings together a brother and sister who recently robbed a casino, a young man Jay recently released from jail but estranged from his father who together with his wife expects his son for Thanksgiving, and a young woman police officer whose police captain father does not respect her choice of career even though she is very competent. Eventually they all converge at the Thanksgiving dinner table with lots of guns in sight.

Liza and Jay’s falling in love is unrealistic. Jay could possibly be a better actor. Nevertheless …

Really not bad at all.

Cloud Atlas (2012)

From Netflix:

In this star-studded drama, six seemingly disparate stories take viewers from a South Pacific Island in the 19th century to 1970s America to a dystopian future, exploring the complicated links that humans share through the generations.

In Mitchell’s novel each of the various episodes, all of which are related one to another, continue uninterrupted up to a cliff-hanging point of the episode near its end. At the end of the novel each of the episodes concludes.

In the film, on the other hand, those episodes are shuffled like a deck of cards. You constantly and abruptly flit from episode to episode.

Story alone will get you through the 172 minutes, even if not all the actors (some quite well known, but mum’s the word) excel at their craft.

For me the most unsettling thread was the account of Corpocracy. Could that really happen? In the book names of objects are replaced by their brand names. For example, the word “Lipton” is used instead of the archaic “tea”. Also I found the costumes for that portion eerily appropriate.

Believe it or not, I preferred the film. Enjoy!