Category Archives: Slow

Incendies (2010)

From NetFlix:

When their mother’s will implores them to deliver letters to the father they thought was dead and a brother they never knew about, twins Jeanne (Mélissa Désormeaux-Poulin) and Simon (Maxim Gaudette) journey to the Middle East and attempt to reconstruct their family’s hidden history. Adapted from a Wajdi Mouawad play, director Denis Villeneuve’s Oscar-nominated drama flashes back to intense scenes set during the Lebanese civil war in the 1970s.

Yet another film that is hard to watch, “Incendies” dramatically is better than The Whistleblower (2010). Just be aware that the pace of the film is very slow.

In a certain sense the film involves solving a mystery in which two twins after the death of their mother are asked in her will to find their father and a brother that they had never heard of up to the mother’s death.

Languages are French and Arabic with (subtitles) because the action takes place during the incredibly confusing 1970 Lebanon civil war. If you are confused by the end of the film, try reading the Wikipedia summary which for me explained things I had missed (especially towards the end of the film). You may be surprised by the final piece in the puzzle.

Although this is a brutal film, it is not as explicit as The Whistleblower (2010).

For me watching this film was well worth the patience required.

The Artist (2011)

NetFlix:

This modern-day silent film artfully recounts the poignant end of the silent-movie era in the late 1920s. The story contrasts the declining fortunes of a silent-screen superstar with his lover’s rise to popularity as a darling of the “talkies.”

Making a black and white and silent film these days is an unusual idea. But it works because the photography is good, the period costumes fun to see, the dog is cute, Jean Dujardin is a handsome ham, and Bérénice Bejo really is peppy (her name in the film). And the best news is that I only napped through part of the film (which might seem a tad slow in places). What is really amazing is to watch the two stars tap dance!

You may remember Jean Dujardin from “OSS 117: Lost in Rio” which is a spoof on James Bond films. On the other hand, Bérénice Bejo was in “OSS 117: Cairo, Nest of Spies”.

Possibly not everyone’s cup of tea.

Beginners (2010)

From NetFlix:

Based on indie director Mike Mills’s relationship with his father, this intriguing drama tells the story of Oliver (Ewan McGregor), a graphic artist coming to grips with the imminent death of his father (Christopher Plummer), who, at 75, has one last secret: He’s gay. Both inspired and confused by his father’s determination to find true love at last, Oliver tentatively pursues a romance with commitment-shy French actress Anna (Mélanie Laurent).

Ewan McGregor (now 40 years old) is not afraid to appear in movies outside the mainstream such as “Moulin Rouge” or “I Love You Philip Morris”. In fact, if you are looking for a good time, search for Ewan McGregor in IMDB for a long list of films. His biography in IMDB points out his determination to NOT conform.

And who could forget Christopher Plummer (now 82 years old) in the romantic role of Captain Von Trapp in “The Sound of Music” from way back in 1965.

Mélanie Laurent (age 28) is a French actress who appears in both French (“Jusqu’à Toi”) and American (“Inglourious Basterds”) films.

Possibly this film is not for everyone for reasons such as:

  • One half of the film centers on the 75 year old father coming out as gay.
  • Another important theme is the son’s difficulty in maintaining a relationship.
  • You could hear a pin drop because this is such a quiet film.
  • “Move Slowly” is the film’s motto. Often the young couple just stare at each other.
  • There is humor but it is very quiet and subtle.
  • Should I believe that a 75 year old gay man can find a young lover ?
  • You watch the father slowly succumb to lung cancer.

Despite these possible objections, I loved this unusual film.

The Missing Person (2008)

From NetFlix:

Hired to shadow a mysterious man leaving on a train from Chicago going to Los Angeles, heavy drinking private investigator John Rosow (Michael Shannon) discovers that the stranger is most definitely not who everyone thinks he is. With a large cash reward offered by the man’s wife dangling before his eyes, Rosow tangles with his own demons as he decides whether to turn the guy in for the money. Noah Buschel directs this moody film noir.

At first I thought this was a film in black and white. But the coloration seems to change as the film progresses and was pleasant in itself. As the film advances you learn more and more details, although often things are not always as they appear. Best not to read other reviews or plot explanations because they would spoil the surprises. All in all I enjoyed this unexpected find from NetFlix.

Michael Shannon was Dex in “Before the Devil Knows You are Dead” but to tell you the truth I never noticed him in any other film. Amy Ryan as Miss Charley was familiar to me as the wife in “Win Win” (a wonderful feel-good film). In 1999-2000 there was a TV series “Now and Again” that introduced Eric Close. In that series Margaret Colin played the caring mother Lisa Wiseman. However, in this film she poses as a prostitute who is really tracking Michael Shannon.

For me not all of the plot was crystal clear. If you would care to share, tell me:

  • What was the favor that Miss Charley did for John Rosow (Michael Shannon) ?
  • If the crooked lawyer wanted to keep Harold Fullmer dead, why did he not kill him ?
  • Why did John Rosow return all that cash to Harold’s wife ?
  • Did Harold understand Don Edgar ?

Slow moving, consistent, good acting, worth the time spent.

Valhalla Rising (2009)

From NetFlix;

After years of slavery, Viking warrior One-Eye (Mads Mikkelsen) escapes from his captors and seeks refuge on a Norse ship bound for his homeland. When a storm throws them off course, the crew lands at a mysterious realm inhabited by invisible demons. As the bloodthirsty creatures claim one sailor after another, One-Eye rediscovers his fighting spirit but begins to wonder if they have arrived in Jerusalem or someplace much more sinister.

Slow to the point of glacial, you might want to skip this one. After reading the Wikipedia article you get the impression that this is one of those film critic’s specials, although one critic called the film “unbearably self-important”.

After waiting 93 minutes for the lead character “One-Eye” to speak, he never utters a word. Instead he telepathizes to a young boy (yes, that really is an English word).

For some reason or other there are six parts none of which make a lot of sense:

Part I Wrath
Part II Silent Warrior
Part III Men of God
Part IV The Holy Land
Part V Hell
Part VI The Sacrifice

So did I waste 93 minutes ? If nothing else the film is a quiet, mysterious, SLOW “happening”. In a “happening” you just wait to see what will “happen” next. I am still waiting.

Of Gods and Men (2010)

From NetFlix:

Awarded Grand Prix honors at the 2010 Cannes Film Festival, this compelling historical drama relates the ordeal of seven French Trappist monks in the mountains of Algeria who are taken captive by Islamic fundamentalists. Before the monks’ abduction, they have ample reason to believe they may be in danger, but their assumption that there can and must be common ground between Islam and Christianity leads them to remain at the monastery.

Quiet, beautifully photographed, possibly inspiring (depending on your point of view), this film is an unusual gem. It is based on a true story which you will find in the Wikipedia article.

Notable throughout is the chanting of the monks. In fact the only other music that I can recall is Tchaikovsky’s Swan Lake overture played on a tape recorder in an unforgettable dinner scene.

Among other things the film is a study in the characters of each of the monks, each of whom must decide whether to flee from death by terrorists or to stay at the monastery and accept his fate. In this respect there is a constant atmosphere of menace at war with the peace and quiet.

Kathy and I debated afterward about whether their decision to stay really did any good for anyone or had any meaning at all.

Normally I don’t like to include spoilers, but here I make an exception for a good reason. Do not avoid this film because you expect to see violence brought against the monks. You never see this violence explicitly. (However, you do witness a Croatian worker having his throat slit.) Rather that final violence is implied in the perfect photographic ending.

French with subtitles.

Never Let Me Go (2010)

From NetFlix:

Based on Kazuo Ishiguro’s acclaimed novel, this sci-fi drama from director Mark Romanek is centered on thirtysomething Kathy (Carey Mulligan), who reflects on her time spent at Hailsham, an English boarding school, alongside classmates Ruth (Keira Knightley) and Tommy (Andrew Garfield). Born for an unusual reason, the three struggle with their destiny and their love triangle. Charlotte Rampling plays headmistress Miss Emily.

Until I reached approximately page 72 of Ishiguro’s novel I could only suspect what was happening. Since I don’t do spoilers, you will have to wait (if you haven’t already guessed) until one of the characters gives us the insidious answer. If you can’t stand the suspense then you can find the answer in the Wikipedia article.

In order for the story to work you must suspend much disbelief. Quiet, understated, beautiful scenery, beautiful children, handsome young adults are the hallmark of the film. But there could be no rebellion for the story to succeed. You have to believe that what is happening is now completely accepted by the rest of the world. You have to believe that the progress of the story is inevitable.

It is quite possible that many of you will be bored to death. Slow and politely quiet as a whisper, expect no action whatsoever. “Sci-fi” is a just plain incorrect description. Quite possibly you will find the entire film grim.

Personally I loved the film and thought the ending achingly sad.

Animal Kingdom (2010)

From NetFlix:

When his mother dies suddenly, a 17-year-old boy (James Frecheville) finds himself drawn into the clutches of a diabolical criminal family, until a good-hearted detective (Guy Pearce) makes a concerted effort to change the boy’s fate. Australian writer-director David Michôd’s first feature-length drama won the World Cinema Jury Prize: Dramatic at the 2010 Sundance Film Festival

How lucky I was to stumble on this gem of a film! Confirming my excited impressions are all the rave reviews in the Wikipedia article.

Instead of Joshua, the boy is called simply ‘J’. For this entire Australian film, the character J is practically mute. We can only assume that some awful battle is taking place inside. When he speaks it is usually some terse (i.e. one word) answer such as ‘yeah’, spoken with a strong Australian accent. Not all the characters are terse, especially if they are hopped up on cocaine.

Suspense is palpable, especially because J is trapped in a herd of unbalanced and unrestrained uncles who are guided, encouraged, and protected by a menacingly evil grandmother Smurf. Understand: this is a very controlled film atmosphere. There are violence, drug use, and insanity in a film that is mostly quiet, SLOW, and threatening.

Expect two surprising plot twists. Do NOT read the Wikipedia summary first because it will spoil these surprises.

Most memorable moment for me: Catch the interchange between Guy Pearce and the grandmother in the supermarket toward the end of the film.

Toward the end be sure to catch Guy Pierce asking J if J has “found his place in the world” and then ask yourself what that really meant when the film reaches its startling conclusion.

I highly recommend this film!

Mademoiselle Chambon (2009)

From NetFlix:

When shy schoolteacher and gifted violinist Véronique Chambon (Sandrine Kiberlain) invites blue-collar construction worker Jean (Vincent Lindon) to speak to her class about his trade, she’s surprised to find herself irresistibly attracted to him — and the feeling is mutual. But the gulf in their social positions and Jean’s marital status complicate matters in this quiet drama, which snagged an Independent Spirit Award nod for Best Foreign Film.

For the patient romantic only. Not only is the pace slow and quiet, but the film shots linger on and on. In this French film (with optional subtitles) often what is NOT said speaks loud and clear.

Basically it is the story of an attraction more than an affair. Personally I was thrilled that in at least one film the characters retain their honor and do the right thing.

For those of you who watch, do you think that Jean’s brooding and fixated behavior rings true ?