Category Archives: Slow

Phoenix (2015)

From NetFlix:

After a reconstructive facial operation, concentration-camp survivor Nelly Lenz tracks down her husband, Johnny, who believes she’s dead. Unrecognizable to Johnny, Nelly befriends him to find out whether he betrayed her to the Nazis.

On a NetFlix DVD in German with English subtitles, this slow-moving and emotionally moving film is somewhat of a mystery whose suspenseful element is what the ending could possibly be: did Johnny really betray her? Will he ever really recognize her? Will his greedy scheme succeed? Let me just say that the ending is PERFECT and quite subtle.

An adult, well-constructed, slow, sad film with just the right conclusion.

Hinterland (2013)

From Netflix:

BBC police detective drama series set in Aberystwyth against the backdrop of mountainous terrain, close-knit villages, and windswept sand dunes of the coastline to the badlands of the hinterland. Starring Richard Harrington as DCI Tom Mathias.

UPDATE: April 2016

Netflix now offers Season 2 with 5 episodes. Below the older review still holds true, especially how slow moving and taciturn the scenes are.  Always start with the beginning episode: although each episode is a self-contained story, there are sub-threads that run through all the episodes which are crucial for appreciating the series.

From Netflix comes this Welsh one-season detective series either as DVDs or streamed. All four episodes are intense and grim. For example, episode 1 involves child abuse. Richard Harrington as DCI Tom Mathias is the silent type: he broods more than he speaks. Photography is beautiful although it depicts Wales as a barren, wild, scenic land. In this respect the mood of the country matches the mood of the characters. Episode 3 was a bit complicated. Spoken language is English and subtitles are available. Acting is superb. Plots are well constructed.

If you can survive the dark atmosphere, DO NOT MISS!

Enemy (2013)

From Netflix:

When humdrum academic Adam Bell spots his double in a rented movie, he launches a search that leads him to a small-time actor who seems uncannily like him in every way — except for his personality.

Ever since first seeing Jake Gyllenhaal in “Donny Darko”, I have always expected the unusual in his films. This semi-crazy film is no exception. Here he plays two parts: a nervous, hesitant history teacher and a womanizing actor. His first persona is so hesitant that the story moves at a very slow pace, including long-held shots where he just stares.

Hang in there, because after awhile the story gets interesting when the two look-alikes start to interact.

So far in my movie viewing life, this film has the most unexpected, crazy, and difficult-to-interpret ending I have ever seen. Please send me your reactions as comments. Just exactly what is going on in this story?

Jimmy P. (2013)

From Netflix:

Returning home from World War II, Blackfoot Native American Jimmy Picard suffers from a host of psychosomatic symptoms. In this drama based on a true story, he bonds with psychoanalyst Georges Devereux as the two explore his psyche for causes.

From Wikipedia:

Jimmy P. stars Benicio del Toro as the titular character, Jimmy Picard, a Blackfoot Indian who has returned from war with debilitating symptoms. Mathieu Amalric, who has appeared in most of Arnaud Desplechin’s films, plays George Devereux, a French doctor of Hungarian Jewish background, who specializes in ethnology and psycho analysis. Jimmy P. was shot in Michigan and Montana, and is primarily based on a book by George Devereux , “Reality and dream: Psychotherapy of a Plains Indian” (New York: International Univ. Press, 1951). The film is about some of the pioneering days of psychoanalysis.

Because this is basically a psychological talking-heads film, not everyone would find this story interesting. Except for some sad violence involving mentally ill patients, there is no action.

Assumedly Benicio del Toro’s first language might have been Spanish because he was born in Puerto Rico as the son of two Spanish lawyers. In this film he speaks in a slow, well articulated manner that presumably a Blackfoot Indian would use in speaking English. If you read del Toro’s full biography in IMDB, you might discover some films worth watching.

Mathieu Amalric is no great actor, but he delivers a believable performance.

For me seeing Gina McKee as Amalric’s “lover” was a nice surprise. Everytime I see her I remember her performance as Irene Forsyte in the British TV series “The Forsyte Saga”. Probably her portion of this film could have been entirely omitted without affecting the intent of the story.

Language fans will enjoy the discussion of Amerian Indian languages.

Not for everyone, but I was fascinated.

Trishna (2011)

From Netflix:

Raised in rapidly changing rural India, well-educated Trishna is torn between cultural tradition and her own desires when she falls in love with a British businessman who has returned to India to work in his family’s hotel business.

According to Wikipedia, this film is an adaptation of Thomas Hardy’s novel “Tess of the d’Urbervilles.” Hopefully that will not spoil the plot for you (although the adaptation is only very approximate).

Not for everyone, this film features:

  • Many different views of life in India, rural and urban.
  • Dancing.
  • Some Bollywood film-making.
  • Details in Indian life that you may or may not find interesting.
  • Slow development of the story.
  • Quite a few (discreet) sex scenes.

Nonetheless, I could not stop watching. Perhaps I see too many violent films, but I kept expecting something awful to happen. Instead, for awhile the plot seems too easy, almost as if the writers were sparing us any stress. But eventually there is an unexpected change in direction and (for me, at least) a surprise ending. In fact, I cheated and did not list all the possible categories because I did not want to introduce any spoilers.

If nothing else, you can spend two hours appreciating the very beautiful female star.

Fill The Void (2012)

From IMDB:

A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute.

If you want to see a quiet (except when the men are singing and dancing), slow, thoughtful portrait of the ultra-Orthodox Hasidic culture, you will enjoy this film in Hebrew with English subtitles.

Spoken words are scarce enough that it can be difficult if not impossible to know what is motivating some of the characters.

To summarize the film is easy: Yochay’s wife Esther dies in childbirth. Yochay needs a wife for his newborn child Mordechai. More exactly, he wants to marry Esther’s youngest sister Shira. But Shira’s older sister Frieda is, to her great shame, not yet married. Mother, father, aunt, Yochay and the culture pressure Shira to marry Yochay. Unfortunately Shira is unwilling to do so. Her conflict is more or less the content of the entire film. More I will not say.

Whether love was ever an issue is not clear.

If nothing else, the film is a captivating peek into the lives of these aloof and separate Jews.

For more information on this worthwhile film see the Wikipedia discussion.

Teddy Bear

From NetFlix:

Physically massive but shy and socially inept, a 38-year-old Danish bodybuilder longs to fall in love — but finds it impossible under the disapproving eye of his mother. Traveling to Thailand, he learns some unexpected lessons about life and love.

Imagine a 38-year-old giant bodybuilder who has yet to break away from his domineering and physically tiny white-haired shriveled old mother. She uses every trick in the book to keep him from becoming independent. Throughout this film I was rooting for this guy to escape and find a wife.

Here is a quote from IMDB about the actor Kim Kold:

Kim Kold is a former football (soccer) goalkeeper, who in 1993 at 27 years of age suffered a serious injury in his Achilles tendon. He was sent to the gym doing rehabilitation training. He took up an interest in bodybuilding and started competing in 1997. He won the Danish National Bodybuilding Championship in 2006.

In the film actors speak Danish and English. In fact their English is fluent and often without accent. They speak English when it is necessary to have a common language, for example in Thailand among [sex] tourists. But when Dennis (Kim Kold) speaks Danish it seems as if he is mumbling. In fact I could not even hear consonants. But there is a point here. Dennis is so shy and understated that he almost whispers throughout the film. Even when his clinging mother is her nastiest Dennis never raises his voice to her. More than that, he seems either afraid of her or is making a conscious effort to not offend her. Dennis is a kind, moral, gentle giant who has no idea how to break away and find a woman to love.

Enter a friend who has already found a wife in Thailand. He tells Dennis how to get to Thailand and whom to contact. Unfortunately, the contact is involved in sex tourism and introduces Dennis to several prostitutes. But Dennis is so decent and sincere that he walks away from that scene in disgust. Finally he finds a gym and fellow bodybuilders who recognize him and invite him to join them for a social evening. There he is introduced to the widow owner of the gym. And the rest is history once we get past certain difficulties, which means “mommy dearest”.

Kim Kold is certainly not an actor. But whoever directed him never missed a beat. Dennis behaves consistently and as you would expect him to behave throughout. He gives the impression that at 38 he is still a virgin. There is no sex in the film but there are scenes where we feel sorry and embarrassed for Dennis who flees from sexual advances on the part of several women.

Yes, Dennis is a good guy. And yet he tells lies to his mother from beginning to end. He speaks and looks at her sincerely and seems to be shamefully admonished by his mother and yet “lies like a rug”.

This quiet and slow film is not for everyone. Mostly it is about rooting for a well-meaning underdog.

Young Adam (2009)

From NetFlix:

A young drifter named Joe (Ewan McGregor) finds work on a barge that travels between Glasgow and Edinburgh. But when the corpse of a young woman is found floating in the river, is Joe really telling everything he knows? Making things even messier is the unspoken attraction that develops between Joe and Ella (Tilda Swinton), one of the barge’s owners, in the barge’s claustrophobic confines. Emily Mortimer and Peter Mullan co-star.

If you ever wondered what some film stars look like when they are completely naked, now’s your chance. If you take away the nudity and all the sex scenes you are left with Ewan McGregor as a hollow shell of irresponsibility and self gratification. Supposedly he is so sexually attractive that each woman he gets close to (i.e. one or two feet away) is eager for a sexual encounter whether it be in a boat, on some public foot path, in some alley, on lying on the ground in some train yard.

Composed of a mixture of events from the present and from the past, little by little you put together the whole story. For most of the film the question is: Will our non-hero actually let an innocent man be hanged? Stay tuned.

Is Scotland really that gloomy? We spend a lot of time looking at either dreary weather or Ewan McGregor staring off into space. Do you notice that I am trying to steer you away from this downer?

It would be fair to summarize this film as “What’s the point ?”.

Last Night (2010)

From NetFlix:

During an evening apart, married couple Joanna and Michael encounter tempting opportunities to cheat on each other: Michael spends time on a business trip with his sexy colleague, Laura, while Joanna crosses paths with a former flame, Alex.

Imagine a film in the 21st century about marital fidelity! In fact, it was a pleasure watching the subject being taken seriously. Unfortunately the writing at times was either stilted or just plain amateurish.

Keira Knightley is beautiful (and possible anorexic) and reminds me of young Audrey Hepburn. Her smile sometimes seems to me somewhat less than genuine.

Sam Worthington projected an air of uncertainty that I found realistic and appealing. In addition his remorse towards the end of the film was well-done. He keeps his Australian accent during the film.

Alex is played by Guillaume Canet, a French heart-throb.

How realistic the scenes between Knightley and Canet were (they spend the night sleeping together fully clothed) I cannot say.

Although I give the film a “B+”, it was an adult feel-good, something increasingly rare these days.

Till Human Voices Wake Us (2002)

From NetFlix:

Dr. Sam Frank is haunted by his first love, an unforgettable romance that ended in loss and terror. Years later, he’s become an expert in the psychology of repression but remains a loner. Then, a beautiful stranger on a train changes everything.

At the end of this quiet, slow, sad love story, do not expect everything to have made sense. Just appreciate the parallel between Sam’s boyhood first love and his encounter as an adult with Helena Bonham Carter. Expect a semi-happy ending of acceptance with a bit of magic realism thrown in.