Category Archives: Sensitive treatement of emotions

Love Is Strange (2014)

From Netflix:

After 28 years together, Ben and George finally get hitched. But when the marriage raises controversy at the school where George works, he’s fired. Unable to afford their New York City apartment, the couple is forced to live apart.

Poignant is the first adjective that comes to mind. Despite the fact that real life always seems to get in the way, you could call this a “feel good” film. As the Netflix summary indicates Ben and George (played to perfection by John Lithgow and Alfred Molina respectively) must live apart until something better happens. Meanwhile it is the living with kind relatives or friends that is so difficult for everyone concerned. Their uncomfortable presence either (in Ben’s case) interferes with the family life of their hosts or shows (in George’s case) how badly the guest’s age matches the other inhabitants.

What is striking is how many times the camera lingers on a face, on a scene, or on someone’s great sadness. But that lingering is entirely appropriate. Note especially the scene in which Ben’s nephew Joey silently morns someone’s death.

If you are at all homophobic, this film will be uncomfortable for you (or quite possibly it may nudge your attitude). Otherwise this sensitive story is

A MUST SEE!

Last Tango in Halifax (2013)

From Netflix:

Two widowed childhood sweethearts fall for each other all over again when they are reunited over the Internet after nearly 60 years.

Several sources (Netflix, Amazon) let you stream seasons one and two of this off-beat British TV series set in Yorkshire. We inadvertently started with season two and after getting acquainted with the many characters it really did not matter that we skipped season one.

Expect to find a celebration of multi-family dysfunctionality. Because the circumstances and relationships are so abnormal, you have to call this series a comedy. Of course, it you are willing to take any of it seriously, then you could say there are also sad or serious parts.

Just to give you a sample of the nuttiness:

  • Celia (Anne Reid) and Alan (the wonderful Derek Jacobi) marry in their seventies.
  • Celia’s daughter Caroline (Sarah Lancashire, who was wonderful in “Happy Valley”) is divorcing the loser John and taking up with Kate (Nina Sosanya who was Lucy Freeman in “W1A”).
  • Alan’s daughter Kate (Nicola Walker who was Ruth Evershed in “MI-5” or the remarkable Helen Bartlett in “Scott & Bailey”) is an impetuous unpredictable sheep farmer who has a complicated relation with Robbie (Dean Andrews who as Pete Lewis in “Being Eileen”) which is not at all helped by the fact that she slept with loser John.

Derek Jacobi’s Yorkshire speech pattern is wonderful to hear.

Because of its unrelenting sexual references, this series is probably not for children. But it does offer a pleasant and funny alternative to serial killers and rape victims.

Five Days (2007)

From IMDB:

A five-part miniseries that revolves around the disappearance of a young mother in a quiet British suburb and the circumstances that leave her children abandoned far from home.

From Netflix:

Each season of this innovative crime thriller focuses on the most significant five days in a particular police investigation. The series delves into variety of cases, including missing persons, infant abandonment and suicide.

If your are looking for a British detective mystery TV series that is well-written, well-acted, and has a good beginning, middle, and ending, then “Five Days” is for you. HBO streams the series.

By now, if you have watched enough British TV series, you will recognize many of the British actors:

Matt Wellings (played by David Oyelowo [Louis Gaines in “The Butler”]) has a wife Leanne and three children, the youngest of which is Rosie. One day Leanne and Rosie go missing. Among the police we find DS Amy Foster (played by Janet McTeer [Mrs. Dashwood in Masterpiece Classic “Sense and Sensibility”]) and DSI Iain Barclay (played by Hugh Bonneville [Robert Crawley, Earl of Grantham in “Downton Abbey”]). Rosie is soon found. But Leanne’s disappearance is a torture for her parents Barbara Poole (played by Penelope Wilton [Isobel Crawley of “Downton Abbey”]) and John Poole (played by Patrick Malahide [Balon Greyjoy of “Game of Thrones”]).

Within the plot are subplots: Barbara and John Poole are whites who disapprove of Matt who is black; Leanne is divorced from a cad but Leanne’s child by him is white and dislikes her stepfather Matt; Leanne was close to her grandfather Victor who is cold to his daughter Barbara Poole; Victor favors his nurse Hazel Betts over his own daughter and that nurse is the mother of another important character Kyle Betts.

Despite the large number of characters, the plot is well-constructed and not really confusing. More than anything the emotional content is what is important.

Well worth your time, in fact DO NOT MISS!

Hateship Loveship (2013)

From Netflix:

Hired to look after an elderly man and his teenage granddaughter, a dowdy caretaker finds herself drawn to the girl’s ne’er-do-well father, never realizing that the subversive teen has been sending her tender e-mails in her father’s name.

Because the film starred Guy Pearce (whose films are usually very good) I took a chance on this film and won the raffle! Small gems such as this are rare finds.

Of course Guy Pearce does well. But the absolute star of the show was Kristen Wiig (young Lucille Bluth in “Arrested Development”) as the character Johanna Parry. Here is a woman who, as far as I can recall, never smiles in the film. Instead she is this determined, stoic, practical, hard-working, and lonely young woman who despite seemingly hopeless circumstances sets her sight on what she wants. Sometimes her doggedness seems a bit unrealistic, but let us remain optimists.

Nick Nolte (who is now 73 years old) plays a wonderful grandfather. In case you are wondering where you have seen her, his eventual girlfriend Eileen is played by Christine Lahti who portrayed Executive A.D.A> Sonya Paxton in “Law and Order”.

But hats off to the two high school girls Hailee Steinfeld as the granddaughter Sabitha and Sami Gayle (Nicky Reagan-Boyle in “Blue Bloods”) as mean-girl Edith. Sabitha is the lonely, sad, insecure, and vulnerable daughter of Guy Pearce (character Ken). In “Blue Bloods” Sami Gayle as Nicky is sweet and mature. In this film Sami Gayle is perfect as the prototypical high school bitch. Look for two moments: At one point Edith’s sex buddy points out that what she is doing is mean and she pauses only for a moment before continuing in her meddling; At the end of the film she is jabbering on about how wonderful her life will be while trying to ignore Johanna’s accusing stares.

In the small gem category I nominate this film as a DO NOT MISS!

Fading Gigolo (2014)

From Netflix:

Middle-aged Fioravante and Murray are an unlikely gigolo and pimp in this farce about two cash-strapped friends who turn to the sex trade to make ends meet. Their new enterprise is fruitful, but things get complicated when romance enters the picture.

Accepting Woody Allen as a pimp is easy. But would you ever think of John Turturro as a professional male whore with Woody Allen as his pimp? Despite appearances, Turturro as “Fioravante” is convincing not so much because of his sexual prowess but because he understands the emotional needs of his women clients. Actually touching is the way he brings the repressed and lonely Hassidic widow Avigal back to life while falling in love with her. Live Schreiber is perfect as the Hassidic cop who also loves Avigal.

Sharon Stone tries desperately to redo her sexy legs movements from “Basic Instinct”.

While not an especially worthwhile film, it was good enough to watch on a plane ride to Ireland.

Nebraska (2013)

From Netflix:

When a cantankerous old boozer thinks he’s won a magazine sweepstakes prize, his son reluctantly takes a road trip with him to claim the fortune. As they drive from Montana to Nebraska, they visit friends and relatives to whom the dad owes money.

Ignore the misleading Netflix blurb. In summary, this is a wonderful film – HOWEVER …

When the movie began I did a lot of squirming, as in:

  • Who wants to watch a concentration of losers all in one desolate spot?
  • In fact who wants to visit such desolation? (Somehow the towns reminded us of Herkimer in upper state New York where Kathy grew up.)
  • Why would the sons of such a hateful father turn out to be such kind men?
  • How could that old boozer have lived with such a bitch all those years?
  • Who wants to watch incipient Alzheimer’s disease?
  • Who wants to watch greedy cretins?

Even if your initial response is a complete turn-off, please stick with the film. For one thing, the acting is so superb that it can be depressing. Will that be us in a few years? If so, let me off the planet right now!

Eventually I was cheering for “the bitch” of a mother. Dave (played to affectionate perfection by 44 year old Will Forte) was almost too good to be true. His final gestures toward his failing father are almost tear-jerkers. Bruce Dern turns in a solid performance at the tender age of 78.

Sometimes you have to get past momentary discomfort to earn a really good watching experience. DO NOT MISS!

The Silence (2010)

From Netflix:

When 13-year-old Sinikka goes missing from the same spot where another girl was murdered 23 years earlier, a retired investigator teams up with a younger colleague to unravel the parallel mysteries.

According to Wikipedia, this film is based on the German crime fiction novel The Silence (German: Das Schweigen) by Jan Costin Wagner. In fact the film is in German with subtitles.

Everything about this film is incredibly well done. Not only the story, but the photography, the pace, and above all else the acting.

Lifelong sadness over the loss of a loved-one is the pervasive theme of the film. From the very beginning we witness the initial rape and murder. (Later on we witness the second murder.) Rather than being a mystery story, the film centers on how the crimes effect each of the many characters: a retired detective whose marriage failed under the stress of his desperate efforts to solve the initial crime; a young brilliant detective trying to get over the recent death of his wife; the mother of the first victim; the parents of the second victim; the smug, officious, inept present-day chief detective; and each of the two guilty parties.

Only a bit of a mystery exists: can you recognize how one of the original killers has morphed into a present-day respectable citizen?

WARNING: be prepared for sadness and irony. However, DO NOT MISS THIS SUPERB FILM!