Category Archives: Satirical ultra-violence

The Spy Who Dumped Me (2018)

From IMDB:

Audrey and Morgan are best friends who unwittingly become entangled in an international conspiracy when one of the women discovers the boyfriend who dumped her was actually a spy.

From IMDB you can stream this 2 hour thriller comedy.

If you register with IMDB, then for FREE you can stream using IMDB some of the films you find on that site.  Locate a film and then on that page you will see a list of just which sites stream that film.  Now and then one of those streaming sites will be IMDB.

One of my guilty pleasures is watching acceptable trash films for which I need a new category.   As time goes by such films are in competition to provide the most vulgar conversations, the most explicit nudity,  the most explicit sexual activity, and the most violent scenes possible. Often such films are touted as “comedies”.  So from now on, if I call a film a “vulgar action comedy,” then you know what I mean.

This film under review fits all those criteria except that there is just kissing instead of sexual activity.

Until the end of the film you really do not know who the good guys are.  But as is so often the case,  each of the candidates can shoot guns so well that they never miss a shot.  In addition these candidates are superb athletes that have mastered gymnastics and martial arts and can leap over tall buildings.  Here the two leading competitors are Justin Theroux (from American Psycho) as Drew and Sam Heughan (from Outlander) as Sebastian.

Another requirement for such films are the wild, out-of-control car chases. Usually the car must travel the wrong way on a one-way street or highway.  There must be several collisions in which some cars are turned upside down.

Why do I love this type of film?

Kiss Kiss Bang Bang (2005)

From Kanopy:

From producer Joel Silver and screenwriter Shane Black, both of Lethal Weapon fame, comes an action-comedy spoof of rough-and-tumble buddy films–KISS KISS BANG BANG. A private detective (Val Kilmer – Alexander), a thief posing as a struggling actor (Robert Downey Jr. – Gothika) and an actual struggling actress (Michelle Monaghan – The Bourne Supremacy) become entangled in a murder mystery filled with twists, turns, betrayal and, most importantly, romance.

From Kanopy you can stream this 103 minute complete film.

Is it possible to call a film a comedy in which there is a succession of murders by gun shot ?  No matter what that says about our current culture,  the non-stop action and the rapid-fire bromantic (yes, Webster lists that word) dialog was just plain fun.

Harry Lockhart (Robert Downey) is a screw-up from start to finish whose skin is regularly saved by Gay Perry (Val Kilmer). Yes, Kilmer plays a gay man named Gay Perry.

Yet another violent guilty pleasure.

Hardcore Harry (2015)

From IMDB:

Henry is resurrected from death with no memory, and he must save his wife from a telekinetic warlord with a plan to bio-engineer soldiers.

Seriously in the running for “Most Mindless Film Ever Made”,  there is not a single non-violent scene (more exactly, moment) in all hour and a half of this bizarre form of entertainment. Only because of one unique feature  does this film deserve a review: You never see Harry. Instead you watch the entire sequence of (did I mention “violent”?) events through Harry’s bionic eyes. In fact, just about everything of Harry is bionic. So naturally he is physically super-capable, never misses a shot, is amazing at fist fighting. leaps over tall objects, escapes burning vehicles, and just never gives up. When the film started with a chase sequence I thought “Oh, the usual gimmick to get my attention at the beginning”. But the chase sequence NEVER ENDS.

Possibly there is a plot in there somewhere, but darn if I could figure out just exactly what was happening.

You do get the opportunity to put yourself in Harry’s place and be surrounded for possibly 10 minutes by  voluptuous, ample breasted,  naked women. Probably not a film for children.

You should have some time to waste before watching Harry (who cannot speak) do his thing. Isn’t it great to be a retired film watcher!

Dom Hemingway (2014)

From Netflix:

After finishing a 12-year prison sentence, safecracker Dom Hemingway sets out to collect the money he’s owed by his former partners in crime. When that mission tanks, Dom returns to London to try and gain forgiveness from his estranged daughter.

As a violent tour-de-force for Jude Law, this film might interest you. However, I rate it as barely acceptable trash and outrageous behavior.

In order to dissuade you, I describe the very opening:

Dom Hemingway stands naked in prison. We see only his upper body. He recites a poem of praise for his “cock” while another inmate performs fellatio on him.

If that is not enough to dissuade you, what is?

One outrageous and usually violent episode follows another. Law’s acting is embarrassing at least in one scene when he visits the grave of his much abused and now dead wife.

You are warned.

Flypaper (2011)

From Netflix:

Two gangs unwittingly attempt to rob a bank at the same time, catching innocent Tripp in the middle of the action. He saves bank teller Kaitlin, and together they scheme to stay alive and out of love.

Looking for some laughs sprinkled with quite a bit of obscenity? Looking for a plot that entangles more and more as the film advances? Looking for some clever plot twists and turns? Go no farther — at times “Flypaper” is farce-funny. Most of the humor is due to the crazy characters, either bank employees or the genuine imbeciles trying to rob the bank.

Patrick Dempsey plays Tripp Kennedy, an obsessive compulsive not-so-idiot-savant. He and Ashley Judd are caught in the middle of the mayhem.

You may recognize Jeffrey Tambor as the Bluth family father from “Arrested Development”.

Pruitt Taylor Vince often plays a blathering redneck idiot, this film included. You might recognize him as the heavy-set supervisor from “The Mentalist” whose eyes never stopped circling.

Although it is a funny satire, to understand the complications at the end might be a challenge.

Shallow Grave (1994)

From Netflix:

Ewan McGregor stars in this grimly comic tale of three roommates who find their enigmatic new flatmate dead in his room with a stash of drugs and a suitcase full of cash. What will they do with all that money — and the corpse?

Basically the plot is that the suitcase full of cash little by little corrupts each of the three friends. Suspense builds as their increasingly paranoid behavior leads to conflicts and more. Be prepared for violence along with the good acting. Ewan McGregor almost never appears in an unworthy film. But this film is also a bit strange.

And who will win the cash competition ?

Django Unchained (2012)

From NetFlix:

Accompanied by a German bounty hunter, a freed slave named Django travels across America to free his wife from a sadistic plantation owner. Quentin Tarantino directs this modern-day spaghetti Western.

Excuse the horrible pun, but this film is just too black and white. At least you know who the bad guys are (hint: they are white). However, there is at least one bad black guy Samuel L. Jackson (who plays the black-hating black house master). Today in public life we still have blacks who hate blacks (hint: think Supreme Court).

As usual violence is spelled “Quentin Tarantino”. During the entire film Django never misses a shot and each shot produces something like a giant tomato exploding. Additionally the dynamite is lots of fun. By the end not one white man or woman has survived.

Even the satire is not so subtle. There is a somewhat funny scene involving KKK sheets reduced to unsuccessful white hoods. In Candyland the white women are obvious stereotypes.

Just 165 fun minutes of exploding body parts.

Nobel Son (2008)

From NetFlix:

About to receive the Nobel Prize in chemistry, Prof. Eli Michaelson learns that kidnappers have snatched his son, a promising grad student. But when the captors demand a ransom — the $2 million Nobel Prize money — Eli refuses to cough up the cash.

Alan Rickman, when last seen, was an Englishman selling wine in Paris in the film Bottle Shock. In “Nobel Son” he personifies perfectly an egotistical, womanizing professor who has belittled his son Barkley (played by Bryan Greenberg who was Parker in “Friends with Benefits”) all his life. Shawn Hatosy (who plays Sammy Bryant in “Southland”) here plays Thaddeus James who engineers a kidnapping of Barkley. Bill Pullman and Mary Steenburgen round out the cast.

Black humor is the order of the day. Do NOT be put off by the initial scene in which someone cuts off a man’s thumb. Similar to films made by Quentin Tarantino, the violence, gore, explicit language are all purposely and satirically exaggerated. Cannibalism is actually a source of humor. What initially seems to be some gross violence usually turns out to be fake (except for poor Danny DeVito).

Take it all in a spirit of outrageous fun.

The Cabin In The Woods (2011)

From NetFlix:

In this twisted thriller from Joss Whedon and Drew Goddard, five friends arrive at a secluded cabin with clear instructions for their anticipated mountain getaway. But when the rigid rules are broken, punishment is swift — and everyone will pay. Kristen Connolly, Jesse Williams, Anna Hutchison, Fran Kranz, Chris Hemsworth and Brian J. White star with Richard Jenkins and Bradley Whitford in this surprising spin on a classic horror setup.

At some point while watching this acceptable piece of horror trash you will probably wake up and say “This is really stupid”. But hold on … Granted that I do not watch many horror films, as in “seen one, seen all of them”, this almost-stinker is probably one of the most original horror flicks I have seen. Following the usual script of “a bunch of friends travel together to a secluded location when all of a sudden …” in fact ALL OF A SUDDEN the film takes an unexpected turn which caused me to say “Wait a minute: is this really a horror film or some sort of a satiric prank?” Lo and behold there stand Richard Jenkins (the father ghost in “Six Feet Under”) and Bradley Whitford (Josh Lyman in “The West Wing”) in a different setting. You will spend the rest of the film trying to figure out what is happening. Along the way you get to see the usual assemblage of zombies, slashers, creepy monsters, nightmares come to life, etc. That part (the ghoul parade) is the ho-hum part. Rather the interesting part is the juxtaposition of two seemingly disparate story threads. In addition, the dialog is tongue-in-cheek and sometimes funny.

Sigourney Weaver must really need the money. Her walk-on towards the end of the story is ludicrous. In fact, the hypothesis of the entire film is ludicrous. Richard Jenkins and Bradley Whitford must also be desperate for acting work. Chris Hemsworth plays Chris Hemsworth.

Because I am retired, I can waste the time watching this silly but somehow intriguing farce. Can you afford to waste your time?

The Hard Word (2002)

From NetFlix:

Guy Pearce, Joel Edgerton and Damien Richardson play three brothers — Dale, Shane and Mal — who are out on bail and awaiting trial for armed robbery when they decide to attempt one more massive heist before they’re hauled off to jail. To top it off, their criminal lawyer (Robert Taylor) is sleeping with Dale’s wife (Rachel Griffiths). Oh, what a tangled web they weave — but will everything unravel?

By “satiric violence” I refer to films like Lock, Stock, and Two Smoking Barrels (1998). This current film is nowhere near as violent (but people do get shot). As just another “major heist goes wrong” film, there is nothing special here. However, there are funny unexpected little bits here and there. Think of the film as part of a Guy Pearce festival.

Just OK, but fun enough.