Category Archives: Religious Theme

There Be Dragons (2011)

From NetFlix:

Roland Joffé directs this epic tale of love and betrayal set during the Spanish Civil War. When a present-day journalist (Dougray Scott) investigates Opus Dei founder Josemaría Escrivá (Charlie Cox), he uncovers a surprising link to his own father, Manolo (Wes Bentley). Manolo and Josemaría were childhood friends who followed different paths when the war broke out. Josemaría pursued his faith, while Manolo joined the rebels to fight Franco.

Centering around Josemaría Escrivá, the founder of Opus Dei, this Catholic melodrama (give it a B+) has as its background the Spanish Civil War.

Opus Dei (for those of you who are not familiar) is an ultra-conservative Catholic organization that is much maligned in fiction such as “The Da Vinci Code”. Whether or not Opus Dei is beyond the fringe really does not matter in the film. But just remember that Franco was supported by an ultra-conservative Catholic hierarchy. Indeed the film does not take sides, but suggests that there were enough abuses and neglect by that Catholic hierarchy to spark rebellion. Scenes in which Josemaría is seen flogging himself only suggest not untypical Spanish extremism. Spaniards seem genetically unable to see the color grey.

As melodramas go, someone spent a lot of money putting this epic together. Could be worse.

Purgatory (1999)

From NetFlix:

Big guns Eric Roberts, Sam Shepard, Donnie Wahlberg and Randy Quaid star in this offbeat Western, in which a band of rowdy outlaws ride into the town of Refuge, a settlement where no one carries a gun, there’s no jail, and swearing is not allowed. The desperadoes hatch a plan to take over the nonviolent town, only to discover they’re up against the legendary — and long since dead — Wild Bill Hickok, Jesse James and Doc Holliday.

Aw shucks, just give it a B and watch the shoot-out. It may take you just a short while to figure out just what the town of Refuge is really about (Hint: consider the film title).

Sam Shepard is Wild Bill Hickock. Eric Roberts is a really nasty Blackjack Britten. Randy Quaid is Doc Holiday. Donnie Wahlberg (who plays a detective in many of the “Saw I-II-III-IV” films [and no, I have never seen a Saw film]) is Billy the Kid.

If you want to see some really ugly villains, this is the film for you. However in the final analysis this film does not merit your full attention.

Nora’s Will (2010)

From NetFlix:

This award-winning black comedy follows the family of Nora (Silvia Mariscal), who carefully plans her suicide so that her assortment of estranged relatives, including ex-husband José (Fernando Luján), will have to celebrate Passover together and hopefully achieve a reconciliation. As José battles with unsympathetic cemeteries, a fractious rabbi and his devoted assistant, and his own son (Ari Brickman), he realizes how deeply he still loved Nora.

This Mexican film (in Spanish with English subtitles) has the Spanish title “Five Days Without Nora”. Throughout the film the Jewish culture is pervasive and always in conflict with Nora’s ex-husband (as he repeats many times) who is an atheist. One theme is the difficulty of burying Nora at the time of Passover, especially since Nora committed suicide (attempt number 15). Conservative Jews do not permit a proper Jewish burial in a Jewish cemetery when the deceased has died by suicide (the same used to be true for Catholics).

Two characters are comic (the aunt and a man hired to pray constantly in the presence of the body).

Finally I have found a warm, quiet, meaningful film that I can strongly recommend to adults.

A Serious Man (2009)

From NetFlix:

Larry Gopnik (Golden Globe nominee Michael Stuhlbarg) has hit a “rough patch,” according to a colleague, and it would seem so: people are dropping dead all around him, his wife (Sari Lennick) wants a “get” and his whining kids (Aaron Wolff and Jessica McManus) only add to the heavy load. Larry is just looking for some help. Can a few rabbis guide him to life’s answers? Richard Kind co-stars in Joel Coen and Ethan Coen’s 1960s-set, dark Jewish-culture send-up.

You don’t have to be Jewish to enjoy this satire on the Book of Job. However, the entire story centers on American Jewry and there are many Hebrew phrases appearing throughout.

One Saturday Kathy and I went to the Trinity Rep Theatre in Providence and I was sitting next to a young man who had recently received his Master of Fine Arts from Brown University. We started to talk about film and he suggested “A Serious Man” and said he was quite overcome with the final scene.

Probably I didn’t really get the film. Poor Larry Gopnik suffers one outrageous problem after another, but this constant sequence of misfortunes is comical. Part of the humor is the straight-faced, sincere, passive Larry who is always questioning “Why” in the manner of Job. He goes from Rabbi to Rabbi looking for answers. To my gentile (i.e. goy) eyes these Rabbis seem like such fakes giving poor Larry pat answers or, worse, answering his questions with more questions.

Let me remind you that Job suffers many losses and setbacks, meanwhile always asking “Why” in interminable discussion with friends and associates. But finally God changes Job’s life for the better and he ends happily with a new family and other blessings.

Pay close attention to the end of the film. As far as I can tell, the Cohen brothers have changed the end of the story considerably. Let me know what you think.

The Apostle (1997)

From NetFlix:

When charismatic but troubled Pentecostal preacher Euliss “Sonny” Dewey (Robert Duvall) discovers that his wife (Farrah Fawcett) is having an affair, he promptly puts the other man in a coma and flees his home state of Texas for Louisiana. Once there, he takes on a new name, renovates an old church and brings new life to a congregation. Written and directed by Duvall, the film also earned an Oscar nod for Duvall’s complex, captivating performance.

All the excited Pentecostal preaching, praying, shouting, curing, etc. at the start of the film almost turned me off immediately. But that is the intense atmosphere of this entire story. Although the Bible Belt style of religion might not appeal to everyone, the attraction here is the amazingly energetic performance of that actor’s actor Robert Duvall. Once he gets going in a charismatic fury, there is no stopping him. Could he have actually memorized such a flood of words from a script or was he ad-libbing?

If you can divorce yourself from all the commotion (or SHOULD you?), try to answer my question: was the Apostle insane? Alternatives are:

  • He lived in a culture where such behavior was considered normal.
  • He lived in a state of sane self-delusion.
  • He was perfectly sane and a consummate huckster. This same alternative has been voiced
    against the founders of certain (all?) religions.

And will you recognize Farrah Fawcett as his wife, Billy Bob Thornton as a trouble maker converted in a scene whose probability I had trouble accepting (but again it is a question of that culture), John Beasley as the Reverend Blackwell, or Walton Goggins as the young man crying at the end (Goggins plays Hunt in “Cowboys and Aliens”) ?

Maybe not your cup of tea, but certainly one of the more memorable performances in film history.

The Adjustment Bureau (2011)

From NetFlix:

A congressman (Matt Damon) who’s a rising star on the political scene finds himself entranced by a beautiful ballerina (Emily Blunt), but mysterious circumstances ensure that their love affair is predestined to be a non-starter. Screenwriter George Nolfi (The Bourne Ultimatum) makes his directorial debut with this romantic adaptation of Philip K. Dick’s classic sci-fi short story “Adjustment Team.”

Matt Damon comes across as a nice down-to-earth person. For years I have tried to convince myself that he can act. I am still trying. It is true that his flirting conversations with Emily Blunt come off as being very authentic and natural. Perhaps he was chosen for this role because there is a lot of running involved, something he does in many of his films (example, the “Bourne” movies). At 41 years of age I suppose he can still run.

Based on a pseudo-religious gimmicky idea, for me the film got tiresome if for no other reason than there were just too many doors to open. Of course, there was no way David (Damon) could explain his behavior to Elise (Blunt) without showing her all those doors.

Finally, I really did not need a final sermon on free will (of which I am a big fan despite the film).

Emily Blunt was another Emily in “The Devil Wears Prada” and was also “The Young Victoria”.

John Slattery, who played the angel Richardson, for me will always be one of the “Mad Men” of HBO fame.

An acceptable film on a night when you just don’t want to exert any effort thinking.

Lebanon, PA (2010)

From NetFlix:

Urbane Philadelphia ad man Will (Josh Hopkins) heads to small-town Lebanon for his father’s funeral, and the road leads not only to closure but to a revelation when the 35-year-old meets his precocious teenage cousin, CJ (Rachel Kitson), and her winsome teacher, Vicki (Samantha Mathis). As his friendship with CJ deepens and his warmth for the married Vicki grows, Will comes to realize that life can’t always be summed up in a catchphrase.

It probably can’t get any more real than this film that sadly captures the difficulty of living in a small town. Almost a feel-good film because of the way in which characters help each other with their problems, it is just those problems that are all too real and present in today’s world. You learn about those problems early in the film, so listing them is not a spoiler. But you will have to watch the film to discover what, if any, are the resolutions for those problems.

  • Will is a lonely 35-year-old dissatisfied with his life and finding it difficult to come to terms with his memory of his deceased father.
  • Vicki is in a troubled marriage and sees life and opportunities passing her by.
  • CJ is pregnant in her last year of high school and wants desperately to go to Drexel University for college. She suffers at the hands of her spiteful school mates, her conservative Catholic father, and others in the small(-minded) community.
  • Will’s mom faces poverty in her old age

Seems like a microcosm of today’s world, wouldn’t you say ? But it is NOT a downer film. Stay tuned for the good parts.

Undertow (2009)

From NetFlix:

Writer-director Javier Fuentes-León sets this offbeat romantic ghost story on the rough-hewn but gorgeous Peruvian coast, where a married fisherman must come to terms with his love for another man, despite the strict moral codes of his homeland. This winner of the World Cinema Audience Award: Dramatic at Sundance is a vivid examination of the ways in which affairs of the heart supersede social strictures and all other forms of logic.

NetFlix’s summary more or less says it all. What make this film (in Spanish with subtitles) worthwhile are its authenticity, good-acting, realistic personal dilemma, and beautiful surroundings.

In theory the village is conservative Catholic. Some cultural practices are at odds with Catholicism. For example, the villagers believe that if the enshrouded corpse is not carried in procession to the ocean and then dumped from a boat and thus buried in the water, then that soul cannot rest in peace. It is this practice that causes trouble for the husband Miguel.

And yes, it is the first gay ghost film I have ever seen. In this respect it reminds me of the Brazilian film “Dona Flor and her Two Husbands” (one of whom was a ghost).

Expect some gay and straight explicit sex scenes.

Valhalla Rising (2009)

From NetFlix;

After years of slavery, Viking warrior One-Eye (Mads Mikkelsen) escapes from his captors and seeks refuge on a Norse ship bound for his homeland. When a storm throws them off course, the crew lands at a mysterious realm inhabited by invisible demons. As the bloodthirsty creatures claim one sailor after another, One-Eye rediscovers his fighting spirit but begins to wonder if they have arrived in Jerusalem or someplace much more sinister.

Slow to the point of glacial, you might want to skip this one. After reading the Wikipedia article you get the impression that this is one of those film critic’s specials, although one critic called the film “unbearably self-important”.

After waiting 93 minutes for the lead character “One-Eye” to speak, he never utters a word. Instead he telepathizes to a young boy (yes, that really is an English word).

For some reason or other there are six parts none of which make a lot of sense:

Part I Wrath
Part II Silent Warrior
Part III Men of God
Part IV The Holy Land
Part V Hell
Part VI The Sacrifice

So did I waste 93 minutes ? If nothing else the film is a quiet, mysterious, SLOW “happening”. In a “happening” you just wait to see what will “happen” next. I am still waiting.

21 Grams (2003)

From NetFlix:

A tragic car accident brings together three strangers — a teacher (Sean Penn) with a weak heart, a former drug addict (Naomi Watts) turned housewife and an ex-con (Benicio Del Toro) who’s found Christ — forcing them to face their darkest fears, reevaluate their lives and seek redemption. Alejandro Gonzalez Inarritu directed this complex drama that earned Oscar nominations for lead actress Watts and supporting actor Del Toro.

Mexican directory Alejandro González Iñárritu is known for possibly disturbing films such as “Babel”, “Amores Perros”, “21 Grams”, and “Biutiful”. His “Nine Lives” did not please me very much.

“21 Grams” is a jigsaw puzzle. Scene sequences are scrambled and you eventually have to figure out what the complete story really is. Some scenes are repeated such that on a succeeding viewing you finally understand what that scene means. Not that the scrambling is random, rather the non-linear sequencing is done very well. What really keeps the film moving is the sudden changes in scene without any warning. Expect some sudden surprising plot twists.

Violence, infidelity, ill health, forgiveness, and possibly redemption are the major themes.

“Redemption” is debatable because Del Toro’s character possibly never forgives himself for what he has done (we are talking ambiguity here). He certainly was a horrible father in addition to his other shortcomings. His little son does a great job showing that he had to keep himself distant from his capricious and often violent father. His daughter accepts him unconditionally.

Sean Penn seemed to me a basically selfish man, mostly concerned with his identity (“who am I with this newly transplanted heart ?”). He finds it easy to abandon the woman who loves him.

Naomi Watts’ character asks the question: “How possible is it to forgive someone who killed your loved ones ?” Watching her life go down the drain is no fun.

Interest never flags in this intense, worthwhile, demanding film.