Category Archives: Redemption

Brothers (2005)

From NetFilx:

When army major Michael (Ulrich Thomsen) is presumed dead on a mission to Afghanistan, his wife (Connie Nielsen) and transient younger brother (Nikolaj Lie Kaas) are drawn together. Michael is eventually found and sent home, but his harrowing experience as a prisoner of war changes the family forever. Winner of a Sundance Film Festival Audience Award, this Danish drama inspired a 2009 English-language remake from director Jim Sheridan (My Left Foot).

Danish directory Susanne Bier has made many films such as “Things We Lost In The Fire”. In this review and the other two reviews we are recommending three of her films: “Open Hearts”, “Brothers”, and “After the Wedding”. The language is Danish with subtitles. Susanne Bier directs fine films.

There is a newer film “Brothers (2009)” which is an American rewrite of the 2005 Danish version. I have read reviews of the newer version which say that the original Danish version is the better of the two.

In any case, this is in certain parts a tough film to watch, but well-acted and always worth the viewing effort.

Bent (1997)

From NetFlix:

In this drama based on the play by Martin Sherman (who also wrote the screenplay), a Berlin homosexual is caught up in the Nazi hysteria during World War II. After being forced to kill his lover, he’s placed in a concentration camp and lies to get himself classified as Jewish rather than gay. But several rule-breaking incidents and his love for a fellow male prisoner bring him to admit his true nature. Mick Jagger appears briefly as a drag queen.

If you see this film before you watch “Walk On Water” you might appreciate the second film more. “Bent” offers a unique view of Nazi cruelty, especially as directed towards homosexuals. This view couples well with “Walk On Water”.

I watched this film because I was trying to find films with Clive Owen. “Bent” only increases my appreciation of his acting skill. He is willing to take unusual, possibly controversial roles. I only hope he resists the temptation to which Anthony Hopkins succumbed, namely taking stupid roles in order to make money. Sadly, “Duplicity” comes close to that mistake.

This could be a difficult film for you to watch because:

  • Initial scenes show decadent public entertainment in Berlin including explicit homosexual activity. Indeed Berlin at that time in history was very decadent.
  • When the two male lovers are first captured, they are put on a train to Dachau in which the goal was to break their spirit and hopefully eliminate them before they arrived at Dachau. One of the partners is brutally tortured and Clive Owen is forced to deny he knows the victim and must beat that victim who is thrown bodily off the train.
  • The officers insist that Clive Owen perform straight sex on a 12 year old girl who is in fact dead during the encounter. The German officers laugh and have a gay old time.
  • In prison Clive finds a new gay acquaintance Horst. The two are forced to repetitive, meaningless hard labor moving rocks back and forth.
  • Needless to say, they cannot touch one another. At one point they verbally work thru a sexual encounter in which each achieves orgasm. It proves to them that they are still alive.
  • All along Clive managed to be classified as Jewish as opposed to gay. Toward the end of the film the officers cruelly kill Horst and ask Clive to dispose of the body.

As a side note on hypocrisy, many Nazis (some of them leaders such as Roehm) were openly homosexual. You can find an enlightening article on Homosexuality in the Nazi Party.

Jude Law, Mick Jagger, and others have cameo roles. I challenge you to spot Jude Law.

The music, believe it or not, was written by Philip Glass. He must have been very young because the music is beautiful.

If you can stomach the harsh details and try to ignore them, you will watch a story of a guilty man finally forgiving himself and admitting of love. Do NOT expect a happy ending.

Walk on Water (2004)

From NetFlix:

American-born Israeli director Eytan Fox lenses this contemporary road movie that takes its Israeli characters to Berlin as they attempt to understand the role that the past still plays in the lives of young Israeli and German people. Stars Lior Ashkenzai, Carola Ranier, Hans Tischler, Israeli Gideon Shemer and Yousuf Swaid. The soundtrack includes tunes by Esther Ofarim, Bruce Springsteen, Telepopmusic and Gigliola Cinquetti.

Thanks to my Spanish teacher Joaquín for lending me this film. If any theme is strongest, it is that of personal change and overcoming prejudices. The plot itself offers many surprising turns all the way to the end of the film. In fact for me this was one of those films in which the suspense of the plot line is so strong that I could not even pause the film for a second.

No film is perfect. The main actor, the Mossad assassin, was best when he was purposely emotionless. In one scene he is not terribly successful in portraying remorse. Was the ending a bit too good to be true ? And of course the Mossad agent is an expert martial artist.

This film is not for children not so much because of its gay subtheme but because there is very explicit discussion of gay sexual practices.

If I had not seen this movie, I would have missed a really worthwhile film.

The Reckoning (2004)

From NetFlix:

A priest (Paul Bettany) on the run gets mixed up with a band of wandering thespians in this tale of salvation based on the book Morality Play by Barry Unsworth. In a tiny village, the group comes upon a woman who’s been charged with murder and sentenced to death. The actors put on a production based on the crime and soon realize that the townsfolk know the woman isn’t guilty.

Consistent, well-acted, unusual, original, suspenseful are all adjectives that describe this worthwhile fim. Essentially it is a mystery story plus a quest for justice. I can only assume that the 1300s in England were exactly this grubby. Among the actors Gina McKee was Irene in the PBS production of “The Forsyte Saga”. Willem Dafoe is of course a well-established actor.

If I can’t stop watching a film, that’s a good sign. Highly recommended!

I’ll Sleep When I’m Dead (2003)

From NetFlix:

In this arresting film, retirement isn’t in the cards for mobster Will Graham (Clive Owen), who’s just settling into a quiet life in the country when he hears that his brother (Jonathan Rhys-Meyers) has met a brutal end. There’s nothing left for him to do but seek vengeance, even if it destroys his chances at peace and freedom. Charlotte Rampling and Malcolm McDowell co-star; Mike Hodges directs.

Revenge versus redemption is indeed the theme of this film. At one point a talk with a psychiatrist provides some interesting insight into male with male rape. But it is just this rape that inspires the revenge. Clive Owen fills the part of the avenger with his usual intensity. This film held my interest because it was never clear how it was going to end.

Gran Torino (2008)

From NetFlix:

Curmudgeonly Korean War veteran Walt Kowalski (Clint Eastwood, who also directs) must confront his Hmong immigrant neighbors — and his own long-held prejudices — when the family’s teenage son, Thao (Bee Vang), tries to steal Walt’s beloved 1972 Gran Torino. Walt soon assumes the unlikely role of guardian angel to young Thao and his sister Sue (Ahney Her), both of whom are vulnerable to local gang influences.

“Gran Torino” tells a good story with bad guys and good guys as black and white as a cowboy movie (after all, it’s Clint Eastwood). But Walt’s personality isn’t so clear cut and to his credit is able to grow and change. Enjoy the story even if you have to sometimes suspend disbelief. What’s wrong with the Lone Ranger arriving just in time to save the day ?

As for the acting, I sadly give it a B. Thao sometimes just reads his lines. His sister is a much better actor (N.B. it is no longer politically correct to use the word “actress”).

And the more I think about it, Walt’s final solution was just about perfect. Have fun!

The Secret Life of Words (2005)

From NetFlix:

After surviving the war in Yugoslavia, taciturn nurse Hanna (Sarah Polley) heads to Ireland for some rest and relaxation. But when she hears about an oil-rig accident off the coast, she agrees to tend heroic burn victim Josef (Tim Robbins). Personalities clash aboard the derrick as Hanna contends with Josef, a Russian soldier (Sverre Anker Ousdal), a lively Spanish chef (Javier Cámara) and other oddballs in this compelling character study.

Where to begin with this superb but disturbing film ?

If anything, this is a story of a severly damaged woman little by little returning to life due to her nursing the burn survivor Tim Robbins on the almost deserted oil-rig. It is also the story of his gradual return to life physically and mentally. His character has a wonderful talent for words. From the very outset he is determined to break through Hanna’s defenses, initially just because he is a very accomplished flirt. Both he and she have some horrible history which eventually emerges.

Some of the other actors are notable. I won’t say what role she plays (it is part of the mystery surrounding Hanna) but Julie Christie is still a beautiful woman with those startling blue eyes. It took me awhile to place the cook Jose Cámara. He was one of the men who was a caretaker for a comatose girl friend in the Almodóvar film “Hable Con Ella”.

I have some nitpiks: It would have been impossible in my opinion for the burn victim to have located Julie Christie’s character. Also Kathy and I found the ending to be too good to be true.

Challenge: Who or what was the childlike voice narrator ?

The next paragraph is a spoiler, but I owe it to you. WARNING: if vivid descriptions of war atrocities bother you, do NOT watch this film.

Jesus’ Son (2000)

From NetFlix:

Nominated for an Independent Spirit Award, director Alison MacLean’s reflective drama follows FH (Billy Crudup), a well-meaning drug addict who stumbles backward into redemption. When his longtime love (Samantha Morton) leaves, FH follows her but meets and falls for the older Mira (Holly Hunter) along the way. Amid his life’s wreckage, a near-fatal car crash and a chance to save a child’s life force FH to examine his existence and its meaning.

Believe it or not, this film (which has the feel of an independent film) won some awards. I first read the book because it was recommended in the NY Times as an older book which you might as well get at your local library. I can only guess that the book made a splash in an epoch in which it was a novelty to write about drug-addled losers. The book travels from episode to episode while the druggies do outrageous things. Maybe I am getting too old for such nonsense.

Following the book fairly closely, the film is also like some otherworld travelog. But I was never bored (“OK, now what ?”). Still, think twice before you start this trip.

Blindness (2008)

From NetFlix:

After a plague of blindness overtakes the residents of a city, all sense of order breaks loose in the hospital where the victims are being quarantined. It’s up to a woman (Julianne Moore) who’s keeping her sight a secret to lead a group safely to the streets. Gael García Bernal, Mark Ruffalo, Sandra Oh and Danny Glover also star in this psychological thriller, an adaptation of José Saramago’s gripping masterpiece.

“Blindness” is one of the most unusual films I have ever seen. Read carefully because it will not be everyone’s taste. Julianne Moore is excellent as the only secretly sighted person in a population where eventually everyone becomes blind. Ask yourself what would happen if in fact everyone went blind. To give you a taste of the unpleasantness you can expect: In the beginning the government sequesters all the afflicted persons into a kind of stone penitentiary. Moore is married to a doctor Mark Ruffalo. She can see, he goes blind. Saramago is careful with the details of just how people would even be able to move about, get food, etc. The prisoners are divided into groups. The guards shoot upon sight any blind person attempting to leave. Food arrives and must be distributed to the various groups. That is where the trouble begins. One group, led by Gael García Bernal decides to bully the other groups by capturing the food and demanding to be paid first with jewelry and eventually women’s sexual services. It gets ugly. If you can survive this descent into non-civilization, this movie is for you.

Another unusual aspect is the manner of vocal delivery. There is no actor voice projection. People speak as is there is no camera.

If you are still reading this review, then I should be a bit more positive and say that there is an underlying philosophy that once people stop seeing the superficial in others, then they begin to appreciate the real internal personalities. Despite the horror, the film ends as much as is possible on a happy note.

I dare you!

Undefeated (2003)

From NetFlix:

Lex Vargas (John Leguizamo), a Latino boxer from the mean streets of Jackson Heights, Queens, discovers that his success with his fists (and the big financial payoffs) alienates his friends. Question is, can he balance victories in the ring with life outside the squared circle? Robert Forster co-stars in this film, which marks Leguizamo’s directorial debut (he also co-scripted).

“Undefeated” is an unimportant, unexceptional, acceptable film. For this reason I might say it is a “B” film. However, there are no inconsistencies, all the actors do well, the story makes sense and offers a tale of partial redemption. For this reason I might say it is an “A” film.

There are many, many boxing scenes which prompted the “violent” category.

I don’t regret seeing the film, but then as a retired person I have a lot of time to do so.