Category Archives: Redemption

People Like Us (2012)

From NetFlix:

When Sam flies home for his estranged father’s funeral, the reading of the will reveals a sister he never knew he had — and an order that Sam must bring his alcoholic sibling and her young son their inheritance.

If you like feel-good, wholesome tear-jerkers, do I have a film for you!

What’s not to like when Chris Pine and Elizabeth Banks pair off as step brother and sister. He knows, she doesn’t know that they are siblings. Plot and acting are well done. Michael Hall D’Addario does a great job as her son, his nephew (although I hope someday the boy gets a haircut). And let us not forget Michelle Pfeiffer who plays the mother of Chris Pine (but NOT the mother of Elizabeth Banks). Olivia Wilde has a small supporting role as Chris’ girlfriend. In all of this the villain is the common deceased father that we never see.

Just think: no violence, no serial killer, no sex. How could anyone ever enjoy such a warm-hearted family film?

The United States of Leland (2003)

From NetFlix:

Teenager Leland Fitzgerald appears to have everything going for him, including a famous writer father. So, what drove him to kill? It’s up to a teacher who works with inmates to unearth the anger and fear lurking beneath Leland’s unruffled surface.

Sadness and a questioning sense of despair pervades this quiet gem of a film. Every character has done something regrettable or been hurt, betrayed, or murdered by someone close to them. “Are we all evil or is there real goodness in at least some people ?” is the repeated theme in the film. Most of the film is “talking heads” as opposed to any action. You never actually see violence.

Perhaps I am prejudiced but I think of Ryan Gosling as an actor’s actor. Look him up in IMDB to see his amazing resumé. During the filming Ryan, who plays Leland Fitzgerald, was 23 years old, but seemed somehow much younger. Despite his young age, that spark of originality that sets him apart was still apparent.

Don Cheadle plays Pearl Madison who evolves during the plot from a exploitive wannabe writer to a repentant, caring, wiser person.

Kevin Spacey plays the writer Albert T. Fitzgerald who is Leland’s emotionally absent father. He is perfect as a smug, sarcastic, egocentric bastard who completely ignores his son.

Despite the pervasive sadness and sense of loneliness, you can always appreciate a quiet gem.

DO NOT MISS!

25th Hour (2002)

From NetFlix:

Monty Brogan has 24 hours to spend with his two best friends and his girlfriend before he’s sent to prison for seven years for dealing drugs. Spike Lee directs this meditative drama set in post-9/11 New York.

Edward Norton does it again! His portrayal of a drug dealer, Monty Brogan, facing a seven year black hole of almost certain prison sexual abuse is powerful, unflinching, sympathetic and pitch perfect. In fact, some good part of his open expressions of fear center around that sexual abuse, so much so that towards the end (no spoiler) he addresses that problem in a unique way. What was “sympathetic” in his presentation was his openly tearful regret for having taken such a wrong turn in his life, a decision that is next to impossible to correct.

He interacts meaningfully with:

  • Philip Seymour Hoffman as his friend Jacob Elinsky. Hoffman is perfect as a repressed man ashamed of his position as a trust-fund baby.
  • Barry Pepper is wonderful as his other best friend Frank Slaughtery who loves Monty but says that Monty ruined many lives with those drugs and deserves his punishment. He played Lucky Ned Pepper in True Grit.
  • Rosario Dawson played Monty’s girlfriend Naturelle Riviera. She played Connie in Unstoppable.
  • Brian Cox plays Monty’s father James Brogan. He was Argyle Wallace in “Braveheart”.

Because the plot, characters, and acting are all so good, I consider this film a

DO NOT MISS!

Machine Gun Preacher (2011)

From NetFlix:

Gerard Butler stars in this true-life story of Sam Childers, a drug dealer who turns his life around to become a spiritual warrior. His mission? Rescuing child soldiers in the Sudan from lives ruined by their forced participation in bloody conflict.

Before starting to watch this film I expected to watch part and then stop because Gerard Butler is not the star of the drama world. However, in portraying the real-life and still very active Sam Childers, Gerard Butler found for himself his perfect role. Granted the macho war scenes might be over the top Hollywood or (given the horrors inflicted on Ugandan and Sudan by the psychotic monster Joseph Kony who is at the present being hunted by UN forces) might just be what must really happen to protect the children. Butler convincingly lets his work bring him to a boiling cauldron of angry hate that nearly destroys his church, business, and family. His subsequent return to a more balanced approach to his even now continuing work is cleverly connected with the very first scene of the film (but no spoiler in this review!).

One other actor that you might recognize is Michael Shannon who plays Childers’ best friend Donnie. Shannon did an outstanding job in the film Take Shelter (2011).

Be sure to watch the closing credits because a side bar shows many photos of the real Sam Childers, his family, and his work in South Sudan.

First Snow (2007)

From NetFlix:

A roadside psychic shares two predictions with overconfident salesman Jimmy Starks, and one of them — that he’ll be hit with a major windfall — seems to be coming true. Now, Jimmy must prepare for the other, more ominous part of the prophecy.

When I think of Guy Pearce I think of extreme tension, psychic stress, and physical torment. Indeed this taut film is no exception. You probably remember him as the tortured lead in “Momento”. He is no less tortured in “First Snow” which joins the long list of forgotten but worthwhile films.

J.K. Simmons plays the fortune teller. His film credentials are ample and recognizable. For only one example, he is Kyra Sedgwick’s boss in “The Closer”. At the very end of the film we see Shea Whigham deliver an impressive cameo as Vincent, Jimmy Starks’ despairing buddy.

What did Mae West say: “So many films, so little time”? (No, wait, that was not quite correct).

Shame (2011)

From NetFlix:

Although handsome New Yorker Brandon Sullivan is outwardly reserved, inside he’s seething with an overwhelming sexual addiction. But when his uninhibited younger sister invades his life, Brandon struggles to control his self-destructive behavior.

First impressions count, as in, “this is a pornographic film!!!!”

Over the years I have reviewed many films. But this one sent my “explicit” meter soaring. Michael Fassbender spends a good deal of the time completely nude (full frontal included) and quite active sexually. In fact there are many nude attractive bodies in various positions and activities.

So much for the eye candy. But is there a point to all this (and does anybody really care) ? A severe addiction of any kind (sex, drugs, alcohol, smoking, neatness, gluttony) can control an individual and ruin that person’s life. In Brandon’s case most of his waking attention centers on his next orgasm to the point that he has no lasting personal relation, his work is endangered by the porn on his work computer, and he dismisses his sister as a nuisance who can only be in the way. Carey Mulligan as that sister Sissy portrays an emotionally needy and insecure young woman to perfection (while being as cute as ever).

Could I accept the “redemptive” ending ? Brandon reaches a low point and supposedly experiences an epiphany. He evidences this in a clever metro scene that seems to say he is on the mend. But in reality a cure for addiction requires much treatment: psychotherapy, group therapy, and possibly some helpful drugs (chemical castration anyone ?). But who needs reality in a movie ?

Loved the sex show, but gravitas is a bit missing.

Till Human Voices Wake Us (2002)

From NetFlix:

Dr. Sam Frank is haunted by his first love, an unforgettable romance that ended in loss and terror. Years later, he’s become an expert in the psychology of repression but remains a loner. Then, a beautiful stranger on a train changes everything.

At the end of this quiet, slow, sad love story, do not expect everything to have made sense. Just appreciate the parallel between Sam’s boyhood first love and his encounter as an adult with Helena Bonham Carter. Expect a semi-happy ending of acceptance with a bit of magic realism thrown in.

In Time (2011)

From NetFlix:

In a near future where aging stops at 25, time is the new currency and the wealthy can live forever. When Will Salas inherits decades of life from a wealthy murdered man, he’s pegged as the suspect by the corrupt Time Keepers, who enforce the law.

Each person’s forearm shows how much time that person has to live. You can earn, steal, give, and buy things with time. For me this was a novel theme although the idea has probably been used elsewhere.

Rich people live forever, poor people die young. Probably the plot intends an analogy with the corruption of our current financial world.

Justin Timberlake is convincing as an angry, honest, poor, and of course invincible crusader. Amanda Seyfried is OK as his sparring partner and love interest.

Net Flix got it wrong. The Time Keeper (Cillian Murphy) was un-corruptible to the point of death. But he was misguidedly enforcing a corrupt system. You can watch Cillian Murphy in Retreat (2011) with a wonderful Irish brogue.

Possibly a “B” film but fun anyway!

There Be Dragons (2011)

From NetFlix:

Roland Joffé directs this epic tale of love and betrayal set during the Spanish Civil War. When a present-day journalist (Dougray Scott) investigates Opus Dei founder Josemaría Escrivá (Charlie Cox), he uncovers a surprising link to his own father, Manolo (Wes Bentley). Manolo and Josemaría were childhood friends who followed different paths when the war broke out. Josemaría pursued his faith, while Manolo joined the rebels to fight Franco.

Centering around Josemaría Escrivá, the founder of Opus Dei, this Catholic melodrama (give it a B+) has as its background the Spanish Civil War.

Opus Dei (for those of you who are not familiar) is an ultra-conservative Catholic organization that is much maligned in fiction such as “The Da Vinci Code”. Whether or not Opus Dei is beyond the fringe really does not matter in the film. But just remember that Franco was supported by an ultra-conservative Catholic hierarchy. Indeed the film does not take sides, but suggests that there were enough abuses and neglect by that Catholic hierarchy to spark rebellion. Scenes in which Josemaría is seen flogging himself only suggest not untypical Spanish extremism. Spaniards seem genetically unable to see the color grey.

As melodramas go, someone spent a lot of money putting this epic together. Could be worse.

Incendies (2010)

From NetFlix:

When their mother’s will implores them to deliver letters to the father they thought was dead and a brother they never knew about, twins Jeanne (Mélissa Désormeaux-Poulin) and Simon (Maxim Gaudette) journey to the Middle East and attempt to reconstruct their family’s hidden history. Adapted from a Wajdi Mouawad play, director Denis Villeneuve’s Oscar-nominated drama flashes back to intense scenes set during the Lebanese civil war in the 1970s.

Yet another film that is hard to watch, “Incendies” dramatically is better than The Whistleblower (2010). Just be aware that the pace of the film is very slow.

In a certain sense the film involves solving a mystery in which two twins after the death of their mother are asked in her will to find their father and a brother that they had never heard of up to the mother’s death.

Languages are French and Arabic with (subtitles) because the action takes place during the incredibly confusing 1970 Lebanon civil war. If you are confused by the end of the film, try reading the Wikipedia summary which for me explained things I had missed (especially towards the end of the film). You may be surprised by the final piece in the puzzle.

Although this is a brutal film, it is not as explicit as The Whistleblower (2010).

For me watching this film was well worth the patience required.