Category Archives: Rape

In the Land of Blood and Honey (2011)

From NetFlix:

Danijel, a Bosnian Serb soldier serving under his father’s command, reunites with Ajla, a Bosnian Muslim woman he was involved with before the war, when she is captured by his camp and forced to work as a sex slave.

Most wars are not one-sided. Of course, there are exceptions: the Nazi Holocaust was one-sided. Behind the Serbian slaughter of the Bosnians are many years of conflicts and offenses on both sides. History is not the point here, but rather the review of a film.

Angelina Jolie has done a marvelous job creating an engrossing view of the war as seen from the side of the Serb killers while maintaining a clever ambivalence in the experience of Danijel. Danijel’s relation with his fanatic warrior father and Ajla, his Muslim lover, make for a difficult contrast. He is so torn between both loyalties that he finds himself trapped in personal conflict.

You are hereby warned that this is, to say the least, a difficult film to watch. If you are the slightest bit squeamish, DO NOT SEE THIS FILM! You will encounter nudity, many rapes (one of the principle Serbian weapons), and Serbian sadism.

For this film to have a satisfying end would be impossible.

The Girl with the Dragon Tattoo (2011)

From NetFlix:

When a young computer hacker is tasked with investigating a prying journalist, their separate missions become entangled amid a decades-old conspiracy. David Fincher directs this English adaptation of Stieg Larsson’s novel.

By now you have probably read Stieg Larsson’s book (or maybe the entire Millenium trilogy). Because I have done so, I was a little disappointed in some few plot changes. But for the most part the film follows the book.

All the characters are well chosen. Daniel Craig correctly plays an understated Mikael Blomkvist. Blomkvist was equally a calm and quiet character in the Swedish film version. For my tastes Christopher Plummer looked too healthy as Henrik Vanger at the start of the film. But after his heart attack he looked like a tired, sick old man. Yorick van Wageningen is a wonderfully sleazy lawyer who rapes Lisbeth and gets paid back in spades. Stellan Skarsgård is excellently creepy as Martin Vanger.

But in the end the film captures the book well. Enjoy!

The Skin I Live In (2011)

From NetFlix:

Brilliant plastic surgeon Robert Ledgard seeks to overcome the grief of his late wife’s disfigurement in a fiery car crash by inventing skin that’s impervious to injury. But his experiments on a living woman hasten his descent into madness.

Only Almodóvar could dream up such a weird film. Of course, sexual ambiguity is his specialty. An aging Antonio Banderas plays a somewhat expressionless jack-of-all-trades surgeon who does creepy things with his scalpel. Half way through the story there is a plot twist that I did not expect. This twist (a bit tough to experience) changes whatever you thought you understood. For me the ending was like a METRO bus that just came to the end of the line, i.e. it just stopped.

Expect to see two rapes, much nudity, and a story that is not for everyone.

The Guilty (1992)

From NetFlix:

Wildly disparate lives converge in this two-part television thriller about a respected London barrister facing a career-ending rape charge and a punk ex-con caught up in a dangerous conspiracy while searching for his biological father.

Michael Kitchen is probably best know to you as Foyle of the British TV series “Foyle’s War” which is a must-see in its own right. Foyle is the good guy. However, in “The Guilty” Michael Kitchen plays the London barrister-rapist Steven Vey who is definitely the bad guy. He portrays perfectly a cynical cad caught up in his own evil past.

His victims come together by twists of fate in this clever plot. Stay tuned to see what happens to the lawyer-as-monster.

Two DVD disks from NetFlix offer English subtitles.

DO NOT MISS !

Incendies (2010)

From NetFlix:

When their mother’s will implores them to deliver letters to the father they thought was dead and a brother they never knew about, twins Jeanne (Mélissa Désormeaux-Poulin) and Simon (Maxim Gaudette) journey to the Middle East and attempt to reconstruct their family’s hidden history. Adapted from a Wajdi Mouawad play, director Denis Villeneuve’s Oscar-nominated drama flashes back to intense scenes set during the Lebanese civil war in the 1970s.

Yet another film that is hard to watch, “Incendies” dramatically is better than The Whistleblower (2010). Just be aware that the pace of the film is very slow.

In a certain sense the film involves solving a mystery in which two twins after the death of their mother are asked in her will to find their father and a brother that they had never heard of up to the mother’s death.

Languages are French and Arabic with (subtitles) because the action takes place during the incredibly confusing 1970 Lebanon civil war. If you are confused by the end of the film, try reading the Wikipedia summary which for me explained things I had missed (especially towards the end of the film). You may be surprised by the final piece in the puzzle.

Although this is a brutal film, it is not as explicit as The Whistleblower (2010).

For me watching this film was well worth the patience required.

The Whistleblower (2010)

From NetFlix:

Sent to Bosnia to train cops in the aftermath of that country’s brutal civil war, American policewoman Kathryn Bolkovac (Rachel Weisz) uncovers evidence that U.N. peacekeepers are complicit in a flourishing sex-trafficking trade. But when she brings her allegations to light, she discovers that her foes are more powerful than the law. Based on a true story, this thriller from director Larysa Kondracki co-stars Monica Bellucci and David Strathairn.

Probably one of the harshest films I have watched recently, I was tempted to stop watching several times. But the cynical engagement in sex trafficking sponsored by UN peace keepers was so unnerving that I had to see some resolution at least in the case of Kathryn Bolkovac. Although Bolkovac got some satisfaction for her heroic efforts, no one would ever hire her again and the practice of sex trafficking still flourishes (and probably always will).

Be prepared for some brutal treatment by the peacekeepers of these women (rape, murder, etc).

As an artistic endeavor the film is so-so. But the events are riveting.

The Free Will (2006)

From NetFlix:

When a convicted rapist (Jürgen Vogel) takes a job at a German print shop, he befriends the owner’s daughter (Sabine Timoteo), a young woman who’s been sexually abused by her father, and an intense but complicated bond forms between them. Matthias Glasner directs this Tribeca Film Festival selection that explores the boundaries of an unconventional romance between a former victimizer and one who’s been victimized.

At 2 hours and 44 minutes, this German film with optional English subtitles is a tough watch about which I shall now try to warn you. In what follows “he” is the rapist and “she” is the woman victimized by her father. You might NOT want to see this film because:

  • At the beginning you see an ugly rape scene. You can easily skip over this part and begin with his being released from prison.
  • Unfortunately he later relapses and there occurs a rape scene that is nowhere near as bad as that first scene but still ugly.
  • The film is very slow moving.
  • Fortunately we only get a hint of the father’s abuse. In fact we never really know if his abuse was sexual. At the very least he made his daughter a substitute in some ways for his deceased wife and prevented the daughter from being independent.
  • Intense loneliness is a constant presence.
  • Sadly the story does not end well.

So why on earth did I stick with this film? First of all I like independent films and this film has just that flavor. Also the film takes its time with the two characters. You can feel the sad conflicts with with they struggle, especially the self-hating rapist. Throughout the film, alas, I was rooting for them as a couple. Recidivism is all too real and there is nothing idealistic in filming the struggles of each of the characters.

Hopefully I have discouraged you from watching an unusual film which for me was fascinating.

Trust (2010)

From NetFlix:

After curious and vulnerable teenager Annie (Liana Liberato) falls into a trap set by an online sexual predator, her family begins to disintegrate, uncertain how to cope with such a devastating tragedy. Utterly consumed by rage, her father (Clive Owen) sets out seeking vengeance. Directed by David Schwimmer, this intensely emotional drama also stars Viola Davis, Jason Clarke and Catherine Keener.

Being a parent of a teenager in today’s world of internet chat rooms is a perilous responsibility. Perhaps this film shows what happens if the parents fail to monitor the child’s online activities, no matter how much that child will resent the interference.

Possibly this sad sequence is all too common, but that does not make it any easier to watch: young girl chats with cute boy; young girl arranges to meet with cute boy; cute boy turns out to be in his 30’s; cute boy rapes young girl. But now comes the part that surprised me: young girl, despite the entreaties of the FBI, her parents, and her psychotherapist, remains convinced that the predator truly loves her and that everyone else is just being mean in refusing to see what a wonderful person that predator is.

Meanwhile Clive Owen goes nuts. He fantasizes his revenge on the rapist. He becomes estranged from his daughter, although to be fair, she is angry and distances herself from her family. You will have to watch the film to see what happens.

Clive Owen, Catherine Keener, and Liana Liberato deliver wonderful performances.

Please pay attention to the scenes unfolding during the final credits. If you don’t understand what you are seeing, then please read the final line of the plot synopsis in the Wikipedia article.

Law and Order: UK (2009)

From NetFlix:

Dick Wolf’s long-running “Law & Order” franchise expands across the pond in the first season of this gritty police procedural that’s set on the streets of London and based on scripts from the American series. The first case finds detectives Ronnie Brooks (Bradley Walsh) and Matt Devlin (Jamie Bamber) teaming up with prosecutors James Steel (Ben Daniels) and Alesha Phillips (Freema Agyeman) to get to the bottom of a baby’s untimely death.

Don’t get me wrong, Kathy and I love all the American “Law & Order” shows. But I find that this British version is better, more intense, and offers more courtroom drama. Beginning in 2009 the series ran into 2011. And then one of the lawyers, James Steel, used some plot excuse to leave the show and as far as I know the series ended at that point.

If you like “Law and Order”, DO NOT MISS THIS TV SERIES!

Kalifornia (1993)

From NetFlix:

While researching a book on serial killings, writer Brian Kessler (David Duchovny) and his girlfriend, Carrie Laughlin (Michelle Forbes), travel cross-country to the murder sites and unwittingly stumble upon strangers who know the subject firsthand. A pair of hitchhikers (Brad Pitt and Juliette Lewis) offer to share expenses for the trip, but Kessler doesn’t realize just how close he is to his subject — even as bodies pile up behind them.

Brad Pitt and Juliette Lewis steal this show. David Duchovny was a success in the X-Files, but he is not much of an actor. Michelle Forbes also did well.

But Brad Pitt was sickeningly convincing as homocidal trailer trash. His character Early Grayce was not so much a serial killer as he was a willful out-of-control monster who did whatever he felt like which was usually and often to shoot people.

Juliette Lewis almost trumps Brad Pitt. She plays Adele Corners who is Early’s live-in girl friend. Naive almost to the point of seemingly retarded, Adele remains steadfastly blind to Early’s obvious faults because she feels that he can protect her from life’s dangers. For example, when he shoots someone she just says “Early you are mean”.

Almost entirely this film is a relentless blood bath. Supposedly the conceit is that David Duchovny is researching serial killers and when he realizes just how unhinged Early really is, the author wants to delve into Early’s motivations. This conceit just doesn’t work for me.

Because I had to see Early get his comeuppance, I stuck with the film to the expected end. Only the final body count could not be predicted.

You are warned !