Category Archives: Race Relations

Lincoln (2012)

From NetFlix:

Director Steven Spielberg takes on the towering legacy of Abraham Lincoln, focusing on his stewardship of the Union during the Civil War years. The biographical saga also reveals the conflicts within Lincoln’s cabinet regarding the war and abolition.

As soon as the film started I knew this was directed by Steven Spielberg even though I hadn’t realized that before the film started. How could I possibly criticize the work of a great director? However, taking advantage of my American freedom of speech I cannot fail to notice that his films are: long (this one logs in at two hours and thirty minutes), grandiose, possibly long-winded, and wear their hearts on their sleeves (dare I say “corny”?).

Once you get past that first scene in which black union soldiers personally berate Lincoln for the U.S. military discrimination against black soldiers and then walk away reciting by heart Lincoln’s Gettysburg Address (honestly, I am not joking), then you will begin to realize that this film concerns almost exclusively the passage of the Thirteenth Amendment which abolished slavery.

Please read the rather long Wikipedia article which talks about Doris Kearns Goodwin and her wonderful book “Team of Rivals” which was the inspiration for the film. In fact you might want to read “Team of Rivals” which my wife Kathy read twice and still talks about. You might then appreciate more all those scenes of roundtable meetings with Lincoln talking to (arguing with ?, confronting ?) groups of importantly-dressed men. Lincoln cleverly surrounded himself with men who were not only his rivals but were adversaries with their other cabinet members. That is the point of “Team of Rivals”.

Listen to the language these politicians used. Although it may seem flowery, that is how educated people back then actually spoke. Words were important then as opposed to our current twitter-dumb manner of speaking.

At first I squirmed and then settled down to watch 2.5 hours that really zoomed by. As an capsule introduction to Lincoln and his times this film is worth watching.

Django Unchained (2012)

From NetFlix:

Accompanied by a German bounty hunter, a freed slave named Django travels across America to free his wife from a sadistic plantation owner. Quentin Tarantino directs this modern-day spaghetti Western.

Excuse the horrible pun, but this film is just too black and white. At least you know who the bad guys are (hint: they are white). However, there is at least one bad black guy Samuel L. Jackson (who plays the black-hating black house master). Today in public life we still have blacks who hate blacks (hint: think Supreme Court).

As usual violence is spelled “Quentin Tarantino”. During the entire film Django never misses a shot and each shot produces something like a giant tomato exploding. Additionally the dynamite is lots of fun. By the end not one white man or woman has survived.

Even the satire is not so subtle. There is a somewhat funny scene involving KKK sheets reduced to unsuccessful white hoods. In Candyland the white women are obvious stereotypes.

Just 165 fun minutes of exploding body parts.

The Bubble (2006)

From NetFlix:

When a young Israeli named Noam (Ohad Knoller) falls for a handsome Palestinian (Yousef “Joe” Sweid) he meets while working at a checkpoint in Tel Aviv, he recruits his roommates Yelli (Alon Friedman) and Lulu (Daniela Virtzer) to help find a way for the two to stay together. Director Eytan Fox’s poignant film offers a glimpse at life inside the tumultuous borders of Israel, where everyday people are constantly surrounded by conflict.

Two themes run concurrently throughout this film: The difficulty of being gay in the Arab world (Israel is very accepting) and the constant wearying and dangerous conflict between Jews And Arabs.

Previously I reviewed Yossi and Jagger which was written and directed by Etan Fox. Ohad Knoller who was the lead actor in that film is also the lead Jewish character in “The Bubble”. He again plays a Gay Jew who this time falls in love with a Gay Arab named Ashraf. Arab culture is strongly homophobic so that Ashraf’s life becomes not only difficult but dangerous. Much film footage is devoted to the perilous border crossing where several sad scenes are enacted.

Realize that the cast of characters are young adults and as such spend their time talking about romances and popular music. But the entire film rings true as it portrays the lives of young single (and mostly Gay) Jews most of whom are tired of and against the unending war.

WARNING: In the film Gays exchange much same-sex kissing. Additionally there is one explicit scene in which the two male leads engage in anal intercourse.

For Ashraf the situation seems hopeless (for further reasons as the film develops) and this hopelessness leads to a surprising but possible fitting conclusion. Comments welcome.

Hebrew and Arabic with English subtitles.

Bullhead (2011)

From NetFlix:

Tortured by his past and despairing of his stultifying present life, Belgian cattle farmer Jacky becomes entangled in a violent web of deceit involving local mobsters and determined policemen after he uses illegal growth hormones on his herd.

Belgian actor Matthias Schoenaerts is the perfect choice to play the sadly damaged character Jacky Vanmarsenille in this film spoken in Limburgish and French. His facial expressions capture Jacky’s shame, longing, loneliness, shyness, and rage. To say why he feels these emotions would be a major spoiler. Through a series of flashbacks you learn his past history. Expect some very violent scenes.

Although you may find all the crime details confusing, they really are not very original or important. Jacky is important along with those characters associated with his tragic life.

Much of the violence stems from traditional racial hatreds between the many distinct communities, each with its own language.

Bullhead was on the 2012 list of Best Foreign Language Film of the Year.

In retrospect, the ending chosen for the story is quite probably the only possible conclusion.

If you can accept the sadness, violence, and somewhat brutish characters,

DO NOT MISS THIS FILM!

The Help (2011)

From NetFlix:

In 1960s Jackson, Miss., aspiring writer Eugenia Phelan crosses taboo racial lines by conversing with Aibileen Clark about her life as a housekeeper, and their ensuing friendship upsets the fragile dynamic between the haves and the have-nots. When other long-silent black servants begin opening up to Eugenia, the disapproving conservative Southern town soon gets swept up in the turbulence of changing times.

After viewing this film for about 15 minutes I was glued to my seat while cringing and steaming the entire time at the Southern culture of that civil rights era in the Jim Crow south. At first I almost decided to stop watching because surely those self-centered, empty-headed, racist Southern belles were only some caricature invented by Hollywood. Even so, just watching their superb performances was enough to set my blood boiling. That probably means the actresses were doing their job well.

Despite the tension throughout the film, I will spoil you only by saying that if you persevere you will finally feel happy.

Somehow I would like to know if Mississippi has changed (without having to visit Jackson). Mississippi is often cited these days as the worst state in the union. Here are just a few statistics from the US census bureau:

  • Black population 37.0% (12.6% US)
  • High school graduates (over 25) 79.6% (85.0% US)
  • Bachelor’s degree (over 25) 19.5% (27.9% US)
  • Median household income $37,881 ($51,914 US)
  • Persons below poverty line 21.2% (13.8% US)

Baltimore has always been split between northern and southern sympathizers. In my childhood in Baltimore I had many racist friends and close relatives. Hence I need to avoid feeling smug about those “ignorant” southerners.

Kathy says the book, which I have not yet read, was wonderful. As far as this film is concerned:

DO NOT MISS THIS FILM !!!