When Frédéric (Bernard Campan) and his family meet a gay man named Hugo (Charles Berling) while vacationing in the Provençal countryside, their lives are irrevocably changed, as the two men develop a strong yet unconventional friendship. Although Frédéric is happily married to his wife, Frédérique (Léa Drucker), his bond with Hugo challenges the strength of his marriage and ultimately inspires him to reevaluate his life.
This film is French in many ways: language, culture, beautiful photography,
symbols, ambivalence, ambivalence, and more ambivalence. Don’t expect
a definitive ending. You have to be in the mood for this one. And if you do
last through this dreamy, slow movie, please tell me how you interpreted the
relation between the straight husband (who truly loves his wife and family)
and the gay man when everyone meets on an extended summer holiday.
This comedy follows a small fishing town in Quebec that’s facing tough times as the economy continues to take a hit. The townspeople are thrilled when a major company chooses their locale to build a factory; trouble is, the factory will be built only if the town can convince a full-time doctor to move there. So, a local man (Raymond Bouchard) organizes a no-holds-barred crusade to bring in a big city doctor (David Boutin).
This is “old fashioned” in the sense that it is simply made, presents a gentle reality with no superhuman or digital interference. And yes it is corny at times. But you can just relax and watch it without the feeling that something unpleasant is about to happen.
In 1995, author and Elle magazine editor Jean-Dominique Bauby suffered a stroke that put him in a coma; he awakened mute and completely paralyzed. Mathieu Amalric stars in this adaptation of Bauby’s autobiography, which he dictated by blinking. Julian Schnabel was nominated for the 2008 Best Director Oscar and won the Golden Globe in the same category for his poignant film about the strength of the human spirit.
This film (one of the “1001 Films To See Before You Die”) is the true story of an editor of “Elle” who suffered a stroke and descended into locked-in syndrome. All he could do was move his left eyelid. His ultra-patient caretakers devised a method of communication with him. Using that he wrote a small book “The Diving Bell and the Butterfly” which Julian Schnabel made into this film.. You might want to read that short book. It might be difficult or unpleasant to imagine how it would be to be trapped in such a manner. Unfortunately I came away disliking Bauby. In the film he is cruel, even in his reduced state, to the woman who loves him even while she is helping him. Any comments on this ?
Marion Cotillard earned an Oscar for playing beloved Parisian singer Edith Piaf, whose passion for her music saw her through a life filled with tragedy. From her forlorn childhood in a brothel to her big break at Louis Leplée’s (Gérard Depardieu) nightclub and her premature death at the age of 47, director Olivier Dahan creates a loving portrait of the legendary chanteuse. Sylvie Testud and Pascal Greggory co-star in this critically acclaimed biopic.
“La Vie en Rose” is one of the “1001 Films to See Before You Die.” “Thrilling” is the word that comes to my mind. Any review I have read has been a rave. It is a long film (140 minutes) that seems short. The finale in which she sings her most famous “Non, je ne regrette rien” gave me goosebumps. I am glad I heard her sing this song in a theatre where the screen was the world and nothing else existed. If you want to hear the real Edith Piaf sing her theme song, click on Non, je ne regrette rien
Impish gamine Amélie (Audrey Tautou) lives alone and works in a café. When she finds a trove of toys hidden for 40 years behind a baseboard in her apartment, she’s inspired to repatriate the items, an impulse of generosity that sparks more benevolent acts. A celebration of life, Amélie reminds us of the small wonders that abound around us … if only we paused to look.
In recommending this film, the book “1001 Films To See Before You Die” says this is a sweet Parisian travelog about two hearts finding each other. For me there were some funny sightgags. In fact the review in the book suggests that we really should watch two other films by the writer/director Jean-Pierre Jeunet, namely, “Delicatessen” (about Parisian cannibals) and “The City Of Lost Children” (a mad scientist literally steals children’s dreams).
