Category Archives: Prison

The Fall (2008)

From Netflix:

When his loser brother is accused of killing a priest, Frank (Scott Kinworthy), a hotshot lawyer with lofty political aspirations, steps in to defend him. But as Frank digs up the truth, he uncovers damning revelations from the past that could ruin his future. Written and directed by John Krueger, this suspenseful drama follows the conflicted attorney’s difficult choice between saving his sibling or himself.

If you are ever teaching a course in film writing or acting and you need an example of really bad writing or acting then have I got a HORRIBLE film you can use to great effect!

Only the (somewhat farfetched) plot kept me watching. Not that it would have cost me anything to stop watching this film streamed from Netflix. At times I sat watching in open mouthed wonder that anyone could act in such an amateurish and exaggerated manner. Think high school actors (although I have seen better acting in high school plays).

If the acting seems bad, wait till you learn the plot. Although I will spare you the gory details, this film manages to dredge up plot lines involving a hotel for gay encounters, a priest who commits a theatrical suicide, adultery, a psychotic gay prisoner, attempted murder using the AIDS disease, sadistic prison guards, a completely amoral and ambitious wife of a lawyer, and the list goes on.

Do not claim that I did not warn you! On the other hand, aren’t you really curious to see just how bad this film really is?

Touching Evil (1997)

From NetFlix:

After suffering head trauma from a shooting, moody, job-obsessed Detective Inspector Dave Creegan of the organized and serial crime unit heads off some of England’s most deviant and deadly offenders by creeping inside the criminal psyche.

Robson Green plays the DI Dave Creegan in this British detective TV series. His character is single-minded, isolated, and socially awkward. As is often the case in British detective shows, the crimes are usually violent and involve some ugly scenes. Indeed each episode develops side by side both Creegan’s personality difficulties as well as the crime du jour. You will not relax watching these plots but you will probably not be able to stop watching despite the suspense.

After he made this series, Robson Green then starred in Wire In The Blood in which he portrays the exact same personality, the only difference being that in this later series he ia cast as a free-lance psychologist specializing in the criminal mind.

Both “Touching Evil” and “Wire in the Blood” provide tense, suspenseful viewing that (providing your nerves hold up) you don’t want to miss.

Nothing But the Truth (2008)

From NetFlix:

Journalist Rachel Armstrong (Kate Beckinsale) turns Washington on its ear when she outs a casual acquaintance (Vera Farmiga) as a CIA agent. The government’s formidable prosecutor (Matt Dillon) sends Rachel to jail for contempt, where she discovers the true impact of her decision. David Schwimmer and Alan Alda co-star in this drama from Rod Lurie, the politically savvy filmmaker behind The Contender and “Commander in Chief.”

Watching this film might make you angry or fearful or both. But in any case you could not possibly be bored.

Acting is superb on everyone’s part. The story line is coherent and easy to follow.

As the film progressed I started to wonder why the heroine (can you guess where my sympathy lay?) held on. When I finally understood who her source was, then I really had to question the validity of her endurance. Any comments on this point?

Remember that this film is fiction. Try to watch it without reference to past events. After that you might enjoy reading about the outing of Valerie Plame as a CIA agent during the Cheney administration. An easy source for this is the Wikipedia article. To save time you could begin reading at the section called “Plamegate”. This article mentions that a film more directly related to Plamegate was entitled “Fair Game” named after the book written by Valerie Plame and starring Sean Penn and Naomi Watts. Always it struck me as odd that no one was prosecuted as a traitor for outing a CIA agent.

Not an easy watch but certainly an engrossing 107 minutes.

The United States of Leland (2003)

From NetFlix:

Teenager Leland Fitzgerald appears to have everything going for him, including a famous writer father. So, what drove him to kill? It’s up to a teacher who works with inmates to unearth the anger and fear lurking beneath Leland’s unruffled surface.

Sadness and a questioning sense of despair pervades this quiet gem of a film. Every character has done something regrettable or been hurt, betrayed, or murdered by someone close to them. “Are we all evil or is there real goodness in at least some people ?” is the repeated theme in the film. Most of the film is “talking heads” as opposed to any action. You never actually see violence.

Perhaps I am prejudiced but I think of Ryan Gosling as an actor’s actor. Look him up in IMDB to see his amazing resumé. During the filming Ryan, who plays Leland Fitzgerald, was 23 years old, but seemed somehow much younger. Despite his young age, that spark of originality that sets him apart was still apparent.

Don Cheadle plays Pearl Madison who evolves during the plot from a exploitive wannabe writer to a repentant, caring, wiser person.

Kevin Spacey plays the writer Albert T. Fitzgerald who is Leland’s emotionally absent father. He is perfect as a smug, sarcastic, egocentric bastard who completely ignores his son.

Despite the pervasive sadness and sense of loneliness, you can always appreciate a quiet gem.

DO NOT MISS!

Lockout (2012)

From NetFlix:

A former government agent wrongly accused gets a shot at freedom — if he can engineer a high-risk mission to outer space in order to rescue the president’s daughter from a facility where the inmates are in control.

Because this is typical Guy Pearce you have probably already seen more or less the same plot in many other films. If you enjoy somewhat futuristic, violent, super male versus the bad guys films with lots of cynical side banter, then proceed.

Some of the impossibilities caught my eye: Of course the president’s daughter knows how to stitch a wound; of course all the prisoners on the ship understand the complicated ship controls; of course our hero never gets shot. Never mind, just keep watching.

In many respects this 2012 film is in tune with politics current for that year. Listen to the cynical side comments. For example our hero at one point predicts that once again “congress will screw the pooch”. If you need to stay awake during the film, try and catch some of these wry observations.

What really did make me feel uneasy was the idea of the giant prisoner warehouse floating in space in which the prisoners are put in a sleep stasis (that can produce psychosis) and kept in pods. Some prisoners are used for sometimes fatal experiments. Lest you think this is just Hollywood, take a look at the Wikipedia article on “Incarceration in the United States”. The United States has the highest documented incarceration rate in the world (743 per 100,000 population). Stays in US prisons are longer than elsewhere. Now the push is for privatization of prisons (“profitable prisons”). Does this sound like the profitable facility that is the scene for the film? An article in the Economist (for which I do not have the reference) explained that sheriffs’ returns depend on maintaining a certain number of prisoners in county jails (possibly with the cooperation of judges).

Maggie Grace (the president’s daughter) was Shannon Rutherford in the TV series “Lost”.

Why would such an ordinary action flick cause such ruminations? Is it because popular pseudo-sci-fi predictions are sometimes a bit too imminent?

Incendies (2010)

From NetFlix:

When their mother’s will implores them to deliver letters to the father they thought was dead and a brother they never knew about, twins Jeanne (Mélissa Désormeaux-Poulin) and Simon (Maxim Gaudette) journey to the Middle East and attempt to reconstruct their family’s hidden history. Adapted from a Wajdi Mouawad play, director Denis Villeneuve’s Oscar-nominated drama flashes back to intense scenes set during the Lebanese civil war in the 1970s.

Yet another film that is hard to watch, “Incendies” dramatically is better than The Whistleblower (2010). Just be aware that the pace of the film is very slow.

In a certain sense the film involves solving a mystery in which two twins after the death of their mother are asked in her will to find their father and a brother that they had never heard of up to the mother’s death.

Languages are French and Arabic with (subtitles) because the action takes place during the incredibly confusing 1970 Lebanon civil war. If you are confused by the end of the film, try reading the Wikipedia summary which for me explained things I had missed (especially towards the end of the film). You may be surprised by the final piece in the puzzle.

Although this is a brutal film, it is not as explicit as The Whistleblower (2010).

For me watching this film was well worth the patience required.

Stolen (2009)

From NetFlix:

Investigating the mystery behind the mummified, half-century-old remains of a young boy found in a box at a construction site gives a detective (Jon Hamm) key clues to his own son’s disappearance eight years prior. Unfolding through flashbacks, this mystery-thriller from director Anders Anderson also stars Josh Lucas, James Van Der Beek, Jessica Chastain, Rhona Mitra, Jimmy Bennett and Beth Grant.

What distinguishes this child abduction plot from the many others is that two abductions, one fifty years older than the present abduction, are developed in tandem. Josh Lucas is the father in the older case whereas Jon Hamm is the father detective in the present case. Little by little the two cases merge in a clever way.

Jon Hamm will probably always be remembered as Don Draper of the TV series Mad Men (2007).

Josh Lucas was the high school teacher Barry Anderson in Daydream Nation (2010).

Rhona Mitra, who plays Jon Hamm’s wife, played Tara Wilson as one of the many lascivious women employees of Boston Legal.

Both plot and acting are acceptable.

Bobby Z (2007)

From NetFlix:

DEA agent Tad Gruzsa (Laurence Fishburne) offers jailed ex-Marine Tim Kearney (Paul Walker) a way out of his prison sentence: impersonate legendary surfer-dealer Bobby Z in a hostage switch with a Mexican drug lord. Kearney takes the bait, but the plan quickly goes awry. Soon, Kearney finds himself on the run — with Bobby’s 6-year-old son in tow. This fast-paced action thriller also stars Olivia Wilde and mixed martial arts champ Chuck Liddell.

One bag of popcorn is pretty much like every other bag of popcorn. Similarly, “Bobby Z” is chuck full of Mexican drug traffickers (Joaquim de Almeida, age 54 from Portugal, seems to be type-cast as the quintessential Mexican bad guy), nasty motorcycle gangs, crooked federal agents (Laurence Fishburne of current CSI television fame), mixed martial arts, beautiful women, and last but not least a young, handsome, male hero. Now, isn’t that a lot better than a bag of popcorn?

Paul Walker, our hero, IS the film. Former heroes of movies in the past were strong he-men completely sure of themselves. Lately the hero is a bit less confident. Walker (now a 38 year old Californian) doesn’t take himself too seriously, is willing to show a softer side, and has a sense of humor that makes the film a fun bag of popcorn. Does he really do all those action scenes, including fighting and mixed martial arts, on his own? In the films of today the fighting action is better and more realistic, which is to say that it fools me.

According to a Wikipedia entry: In an interview to the Portuguese channel SIC, Paul Walker called it a “bad movie”. Why not take a different point of view: You know in advance it is a B-film, so just sit back and watch the forgettable fun.

The Lincoln Lawyer (2011)

From NetFlix:

Tasked with defending rich lothario Louis Roulet, who’s been charged with assault, lawyer Mick Haller finds himself and his family in danger when he deduces the truth behind this and former cases he’s worked on.

Let me just remind you of where we have seen some of the many, many actors in this film. After that, for the first time ever, I am going to quote entirely an unattributed review of this splendid film which I found in NetFlix.

  • Who could ever forget Marisa Tomei in “My Cousin Vinny” ?
  • Ryan Phillipe was one of the soldiers in Stop-Loss (2008). He makes a wonderful rich-boy serial killer.
  • Josh Lucas plays a pediatrician in Life As We Know It (2010). Here he is a frustrated prosecutor up against his opponent McConaughey.
  • Michaela Conlin has a very minor role. She has played for years in the TV series Bones (2005).

There is no way to know who provided the following helpful review for NetFlix, but thanks, whoever you are:

THE LINCOLN LAWYER is a smarter-than-average courtroom drama. It’s based on a book by Michael Connelly and definitely shows some signs of a full novel being chopped down to movie length. However, director Brad Furman keeps the movie tightly-paced and maintains a good balance between the lighter moments and the dramatic ones. If I were a betting man, I’d put money on Furman as a director on the rise. He did a movie a few years back called THE TAKE, which is also set in LA. It’s a gritty, well-made flick, which I also suggest. As for the LINCOLN LAWYER, McConaughey is (for once) perfectly cast. He’s a smooth talker, as are most of his characters, but he also shows a weariness that’s new for him. Furman shoots in extreme close-ups at times, which gets you in the face of the McConaughey’s alcoholic turmoil. He also does an interesting rotating shot that starts behind an actor and spins fully around them during a take. It was a bit disorienting but was used to good effect. For an average studio movie, this sure has its share of great actors in smaller roles. William H. Macy stands out as the investigator who works with McConaughey’s lawyer. Bryan Cranston from “Breaking Bad” has a small role as cop who’s not keen on ole Matthew, and he’s so good I wished for more of him. I love Marisa Tomei, but her character feels like it was more developed in the book though. Overall, the movie is well-shot, gritty but polished, funny and tense, and a fresh spin on an old story. I’ve seen movies about lawyers with a conscience before, but never has the predicament seemed so real and complex. I honestly had no idea how this lawyer would be able to get himself out of the jam he’s in. For once, it’s nice to have a movie one step ahead of the audience.

21 Grams (2003)

From NetFlix:

A tragic car accident brings together three strangers — a teacher (Sean Penn) with a weak heart, a former drug addict (Naomi Watts) turned housewife and an ex-con (Benicio Del Toro) who’s found Christ — forcing them to face their darkest fears, reevaluate their lives and seek redemption. Alejandro Gonzalez Inarritu directed this complex drama that earned Oscar nominations for lead actress Watts and supporting actor Del Toro.

Mexican directory Alejandro González Iñárritu is known for possibly disturbing films such as “Babel”, “Amores Perros”, “21 Grams”, and “Biutiful”. His “Nine Lives” did not please me very much.

“21 Grams” is a jigsaw puzzle. Scene sequences are scrambled and you eventually have to figure out what the complete story really is. Some scenes are repeated such that on a succeeding viewing you finally understand what that scene means. Not that the scrambling is random, rather the non-linear sequencing is done very well. What really keeps the film moving is the sudden changes in scene without any warning. Expect some sudden surprising plot twists.

Violence, infidelity, ill health, forgiveness, and possibly redemption are the major themes.

“Redemption” is debatable because Del Toro’s character possibly never forgives himself for what he has done (we are talking ambiguity here). He certainly was a horrible father in addition to his other shortcomings. His little son does a great job showing that he had to keep himself distant from his capricious and often violent father. His daughter accepts him unconditionally.

Sean Penn seemed to me a basically selfish man, mostly concerned with his identity (“who am I with this newly transplanted heart ?”). He finds it easy to abandon the woman who loves him.

Naomi Watts’ character asks the question: “How possible is it to forgive someone who killed your loved ones ?” Watching her life go down the drain is no fun.

Interest never flags in this intense, worthwhile, demanding film.