Category Archives: Foreign Language

Dry Cleaning (1997)

From NetFlix:

For 15 years, Nicole (Miou Miou) and Jean-Marie (Charles Berling) have worked side by side at their dry cleaning establishment, building a business and maintaining a seemingly peaceful marriage. But a chance encounter with Loic (Stanislas Merhar), the male half of a brother-sister nightclub act they catch one night, forces the two to reevaluate their relationship, leading them to wonder whether they ought to be together at all.

What starts off slowly with a visit to a nightclub to see an act that only a French person might possibly appreciate, eventually turns into a sexual “who will do what to whom”. I can give nothing away, including an ending that I did not expect. But I would enjoy hearing anyone’s reaction to this film. But then as May West would have said “So many films, so little time”. (That is not quite what she said).

Summer Hours (2008)

From NetFlix:

Sensing that death is close at hand, 75-year-old Hélène (Edith Scob) summons her three adult children to her home in the French countryside and tasks them with deciding the fate of her extraordinary art collection. This touching drama from internationally acclaimed writer-director Olivier Assayas stars Juliette Binoche, Charles Berling and Jérémie Renier as the three siblings forced to ponder their legacy and identity.

Finally a film that is suitable for everyone, although children may not appreciate the sadness of the situation.

Kathy and I saw the French film “Summer Hours” in the theatre. We loved it! The big screen makes all the difference in a film such as this. Sweet melancholy pervades the atmosphere as the inevitable passage of time forces a sequence of events. Two married brothers and their unmarried sister (a still beautiful but blond Juliette Binoche) truly love their mother and each other. Edith Scob seems just a little too stylish, healthy, sure-footed to be a 75 year old mother thinking of her death. In fact she dies early in the film. The camera follows the family’s every movement, at times seeming like a hand-held camera. If you are a francophile, you will fall in love with the old county estate and the artifacts therein. One brother will be living in China and almost certainly will never return to France. The sister will be living in the United States. The remaining brother is the most sentimental and dreads selling the estate and disposing of all the art works. Among so many details what moved me was the love between the siblings. None wanted to hurt the other or impose his or her own will. French estate taxes are horrendous, forcing the inevitable. Even the details (which child gets which painting, vase, etc.) are beautiful and important. What happens to the lifelong housekeeper ? One touching detail among many is that the sentimental son asks the housekeeper what things she would like to keep from the house as mementos. She says “Oh, there is that funny vase I always put flowers in, the vase with the bubbles on the outside.” That vase was a valuable artwork but the son gives it to the housekeeper without telling her its market value.

If you can get in the mood for a slow, moving, reflective film as only the French can produce, I urge you to see this film.

Tell No One (2006)

From NetFlix:

Eight years ago, pediatrician Alexandre Beck (François Cluzet) was the prime suspect in his wife’s murder. He’s put all that behind him, but now, two dead bodies have been found near his home — and once again, he’s the suspect. The case takes an unexpected turn when he receives an anonymous email showing his wife alive — and eight years older — instructing him to “tell no one.” Kristin Scott Thomas co-stars in Guillaume Canet’s powerhouse thriller.

To watch this French film I used the excellent English dubbing (and the subtitles). From the very beginning I was glued to my seat. All the acting is good, but François Cluzet is the center of attention throughout. Suprisingly the film turned out to contain alot of action sequences (running, car chases) and Cluzet is either in very good physical condition or there is some digital trickery involved. But this is French action, so no Hollywood fireworks (except for some car crashes). The plot was clever, involved, with many twists. Even if you get confused by the end of the film all will be made clear and easy to understand.

There is violence, nudity, and abused bodies. Not for children.

If you want a solid 2 hours and 5 minutes of suspensful escape, this film is a good choice.

Talk to Her (2002)

From NetFlix:

Pedro Almodóvar’s Oscar-winning drama explores the bond forged between two men under tragic circumstances. When a bullfighting accident sends his girlfriend, Lydia (Rosario Flores), into a coma, Marco (Darío Grandinetti) visits her in a clinic where he befriends nurse Benigno (Javier Cámara). Shy and a bit strange, Benigno tirelessly tends to another patient, Alicia (Leonor Watling), a comatose ballet dancer and the object of his obsession.

Recommended in both “1001 Films To See Before You Die” and “NY Times 1000 Best”, for me this film is about loneliness and the difficulty of finding a warm connection with another person.

Almodóvar is an acquired taste and not to everyone’s liking. You have to sit back and accept the film as a “happening”. For example, there is a silent film within the film in which a woman keeps her constantly shrinking lover in her purse until one day he walks into her vagina and lives there forever. This is what I mean by “acquired taste”.

If nothing else the movie is tender, with some surprises, and for me not boring.

I’ve Loved You So Long (2008)

From NetFlix:

After more than a decade apart, estranged sisters Juliette (Kristin Scott
Thomas) and Lea (Elsa Zylberstein) try to rebuild their fractured relationship.
But the task is hardly easy, considering Juliette’s past. She’s been in jail
for 15 years — for killing someone. As she settles into small-town life with
Lea’s family, the locals can’t help but talk. Philippe Claudel’s feature film
debut garnered him a Golden Globe nomination for Best Foreign Language Film.

Do not miss this beautiful, sad, perfectly acted French film (with subtitles). Kristin Scott Thomas’ French is excellent. (She left England at the age of 19 to work as an au pair in Paris. She was married to François Oliviennes, a French obstetrician. They live in a 19th century country house with their children, Hannah, Joseph, and George.)

Part of the NetFlix description is misleading. Don’t worry about nosy neighbors except at one tense moment at a dinner party. Gossip has nothing to do with the film. Rather, the film is a warm testimony to the enduring and determined love of a wonderfully sweet younger sister (played to perfection by Elsa Zylberstein) for an older sister who has suffered an enormous amount. It is about the sister’s husband and children (and husband’s father) growing to trust and love Juliette. Above all it is about coming to terms with a sorrow that can never go away. You will probably guess early on what happened in the past, but that is nowhere near as important as some amount of redemption in the present.

Aguirre, the Wrath of God (1972)

From NetFlix:

In the mid-16th century, after annihilating the Incan empire, Gonzalo Pizarro
leads his army of conquistadors over the Andes in search of the fabled City of
Gold, El Dorado. As Pizarro’s soldiers battle starvation, Indians, the forces of
nature and each other, Don Lope de Aguirre (Klaus Kinski), ‘The Wrath of God,’
is consumed with visions of conquering all South America and leads his own army
on a doomed quest into oblivion.

All three film catalogs rave about this film. In fact it is one of a kind, slow, and mesmerizing.

First some history: Pizarro sends a “small” task force to continue down th Amazon to find the City of Gold. The commander Pedro de Ursua and his aide, Lope de Aguirre, take soldiers (always in metal battle gear), one priest, Inca slaves, cannon, horses, and two noble women carried in a covered transport box down the mountain and eventually on rafts in the Amazon. Aguirre murders Ursua in an act of mutiny and forces the others, by force of his homocidal mania, to continue on to find the City of Gold. Much of this we know from the priest’s diary. The end is conjecture.

The marvel is that these poor actors had to live and suffer just as the historical figures did. Werner Herzog, the megalomaniacal director, was a fanatic that insisted on realism. Aquirre, played by Klaus Kinski, is obviously “nuts” from the get-go. At one point Kinski tried to flee the jungle and Herzog brandished a pistol and promised to kill Kinski if he escaped.

Just sit and watch this “happening”. It is slow, beautiful, and unforgettable. Hearing Spaniards speaking in German is admittedly a bit unusual, but there are English subtitles.

Violent, not for children. But a genuine screen classic.

The Bicycle Thief (1948)

From NetFlix:

Widely considered a landmark Italian film, Vittorio De Sica’s tale of Rome’s post-World War II depression earned a special Oscar for its devastating power. Antonio Ricci (Lamberto Maggiorani) relies on his bicycle to do his job. But the same day he gets the vehicle back from the pawnshop, someone steals it. Antonio and his young son, Bruno (Enzo Staiola), search the city in vain, as Antonio confronts a looming desperation.

You have to REALLY want to see this film in order to appreciate it because it is basically a very simple, somewhat old-fashioned, and at time weepy movie that would never pass muster in today’s world. I watched (and loved) the film only because I had never seen it and knew it was historical. It also helps that Italian is one of my hobbies.

Right now the U.S. is experiencing higher than usual unemployment. Imagine, then, post WWII Italy in which having a job was a rare privilege. Then you can understand the protagonist’s desperation. The end is heart-wrenching.

Chinaman (2005)

From NetFlix:

    In this poignant Danish tale, hapless plumber Keld (Bjarne
    Henriksen) finds his world crumbling when his wife of 25
    ears (Charlotte Fich) walks out on him. The dejected Keld
    soon falls into a routine of eating at the neighborhood
    Chinese grill, where he befriends the owner — who offers
    Keld a sizable sum to wed the restaurateur’
s sister
    (Vivian Wu)
in
a marriage of convenience. Will love bloom
    despite the language barrier
and clash of cultures?

NetFlix lists the title as Kinamand which is  Danish for Chinaman.

 Chinaman is S L O W,  whisper quiet, and feels like an independent film.  Not only
is the plumber Keld hapless, he is practically inert. I did not  find this film boring,
but  then I like independent films and can afford the time to be patient.  If you have
limited time I would rather you see Hidalgo or “Son of Rambow”.  But the film
has  a charm of its own. I was surprised by the ending.  It was also unusual
to  hear a Dane practising his Chinese.

OK if you have the time,

Days and Clouds (2008)

From NetFlix:

After years of putting it off, Elsa (Margherita Buy) finally
returns to school to pursue her art history degree. But her
newfound academic bliss crumbles when her husband, Michele
(Antonio Albanese), loses his job and the duo is forced to
sell their gorgeous flat. The ensuing financial strain soon
takes a surprising toll on their marriage in director Silvio
Soldini’s intimate domestic drama, shot in beautiful Genoa.

Most of this Italian film is a downer. Considering the times we live in, the story of an Italian losing his job and the necessary downsizing is really the story of everyman. Of course, for the most
part, in Italy you own an apartment instead of a house. Economic hardship is a strain on
every family and the usual question here is: can this marriage survive ? Again, watching this
film reminds me how glad I am to be retired and not constantly threatened by layoffs. I wish
the husband had not reacted so badly, but I understand his position. Just so you won’t be
put off too much, from an emotional standpoint the film has a happy ending.

Not for those low in spirit.

Paris Je T’aime (2006)

From NetFlix:

A collection of five-minute films about the City of Lights brings
Paris to life with a unique patchwork of 20 stories. Numerous
writers, directors and actors lend their distinctive vision to the
project, employing a wide variety of styles and subject matter.
Participants include Gérard Depardieu, Gus Van Sant, Ethan Coen,
Joel Coen, Wes Craven, Marianne Faithfull, Steve Buscemi, Juliette
Binoche, Maggie Gyllenhaal, Gena Rowlands and many others.

Because this is one weird film, I have put it into the “not for everyone” category. Despite the
beautiful photography, most of the 20 episodes deal with some negative aspect of Paris: Steve
Buscemi gets beaten up in the subway; Juliette Binoche mourns her dead young son; a female
vampire (vampiress ?) turns a young man into a vampire; etc.

Although the film is never boring, after awhile Kathy started to get itchy. All French dialog is
subtitled automatically. In addition we put on the English subtitles for hard-of-hearing because
some of the English is mumbled.

It was a fun challenge trying to identify the actors. At the end there is an alphabetized list
of all the actors which doesn’t tell you the episodes in which each actor appeared.

After seeing this film, I would not feel safe in much of Paris. My list of safe places to visit
in this world seems to be getting smaller and smaller. Or as the Kingston Trio used to sing:
“Oh, they’re rioting in Africa, la la la la la la”.

Caution,