Category Archives: Non-physical Violence

21 Grams (2003)

From NetFlix:

A tragic car accident brings together three strangers — a teacher (Sean Penn) with a weak heart, a former drug addict (Naomi Watts) turned housewife and an ex-con (Benicio Del Toro) who’s found Christ — forcing them to face their darkest fears, reevaluate their lives and seek redemption. Alejandro Gonzalez Inarritu directed this complex drama that earned Oscar nominations for lead actress Watts and supporting actor Del Toro.

Mexican directory Alejandro González Iñárritu is known for possibly disturbing films such as “Babel”, “Amores Perros”, “21 Grams”, and “Biutiful”. His “Nine Lives” did not please me very much.

“21 Grams” is a jigsaw puzzle. Scene sequences are scrambled and you eventually have to figure out what the complete story really is. Some scenes are repeated such that on a succeeding viewing you finally understand what that scene means. Not that the scrambling is random, rather the non-linear sequencing is done very well. What really keeps the film moving is the sudden changes in scene without any warning. Expect some sudden surprising plot twists.

Violence, infidelity, ill health, forgiveness, and possibly redemption are the major themes.

“Redemption” is debatable because Del Toro’s character possibly never forgives himself for what he has done (we are talking ambiguity here). He certainly was a horrible father in addition to his other shortcomings. His little son does a great job showing that he had to keep himself distant from his capricious and often violent father. His daughter accepts him unconditionally.

Sean Penn seemed to me a basically selfish man, mostly concerned with his identity (“who am I with this newly transplanted heart ?”). He finds it easy to abandon the woman who loves him.

Naomi Watts’ character asks the question: “How possible is it to forgive someone who killed your loved ones ?” Watching her life go down the drain is no fun.

Interest never flags in this intense, worthwhile, demanding film.

All Good Things (2010)

From NetFlix:

After restless real-estate scion David Marks (Ryan Gosling) weds middle-class beauty Katie McCarthy (Kirsten Dunst) against the wishes of his disapproving father (Frank Langella), suspicions of murder fall on the unmoored heir when his wife mysteriously vanishes. Though he’s not indicted in her disappearance, people with ties to the case begin turning up dead when it’s reopened two decades later — and the unhinged David is the prime suspect.

Thanks to Wikipedia for leading me to the model for this film, namely Robert Durst. After seeing the film be sure to go to this article about Robert Durst. Believe me, truth is stranger than fiction. You just have to wonder why juries are so stupid. According to Wikipedia, Robert Durst really liked the film. That figures!

And is it just such manipulation of the law that makes this grim film really infuriating. If you are prepared for a non-happy ending, a leap into exasperating unfinished business, then this perfectly made film is for you. All three actors get it right. Frank Langella is a truly evil man. In fact the entire family is a real-life version of the “Adams Family”. Even Senator Daniel Patrick Moynihan is portrayed as an politician who was given evidence of the family’s corruption and choose to ignore it on the grounds that such matters were really just the private affairs of the family (who contributed huge amounts of money to various politicians). Later on in the film the family gets to the district attorney who reopened the case many years later.

In a certain sense Ryan Gosling does not even need to act. He presents a lost, increasingly distant man who shows almost no emotion. As an amazing recreation of suspenseful evil, here is a film to which I was glued.

But you ARE warned!

The Secret Life of Words (2005)

From NetFlix:

After surviving the war in Yugoslavia, taciturn nurse Hanna (Sarah Polley) heads to Ireland for some rest and relaxation. But when she hears about an oil-rig accident off the coast, she agrees to tend heroic burn victim Josef (Tim Robbins). Personalities clash aboard the derrick as Hanna contends with Josef, a Russian soldier (Sverre Anker Ousdal), a lively Spanish chef (Javier Cámara) and other oddballs in this compelling character study.

Where to begin with this superb but disturbing film ?

If anything, this is a story of a severly damaged woman little by little returning to life due to her nursing the burn survivor Tim Robbins on the almost deserted oil-rig. It is also the story of his gradual return to life physically and mentally. His character has a wonderful talent for words. From the very outset he is determined to break through Hanna’s defenses, initially just because he is a very accomplished flirt. Both he and she have some horrible history which eventually emerges.

Some of the other actors are notable. I won’t say what role she plays (it is part of the mystery surrounding Hanna) but Julie Christie is still a beautiful woman with those startling blue eyes. It took me awhile to place the cook Jose Cámara. He was one of the men who was a caretaker for a comatose girl friend in the Almodóvar film “Hable Con Ella”.

I have some nitpiks: It would have been impossible in my opinion for the burn victim to have located Julie Christie’s character. Also Kathy and I found the ending to be too good to be true.

Challenge: Who or what was the childlike voice narrator ?

The next paragraph is a spoiler, but I owe it to you. WARNING: if vivid descriptions of war atrocities bother you, do NOT watch this film.

Prick Up Your Ears (1987)

From NetFlix:

Gifted British filmmaker Stephen Frears brings to the screen the troubled life of bold 1960s writer Joe Orton (Gary Oldman) in this portrait of an obsessive, controlling coupling set against history. Orton’s infamous relationship with his tempestuous lover, Kenneth Halliwell (Alfred Molina), fueled but also eventually destroyed Orton — literally and figuratively — at a time when the world didn’t at all embrace or understand homosexuality.

Absolutely not for everyone. Vulgar, explicit, no-holds-barred British film about a possibly talented playwright who was egocentric, cruel, and enjoyed taking chances. Watching this supposedly true biographical exposé was a bit like playing peeping tom. However, it WAS interesting. You are warned!